biography

LIAM GILLICK

Born 1964, Aylesbury.

Education: 1983/84 Hertfordshire College of Art
                 1984/87 Goldsmiths College, University of London, B.A. (Hons.)

Lives and works in New York City.


Awards

  • Paul Cassirer Kunstpreis, Berlin, 1998
  • Turner Prize Nomination, Tate, London, 2002
  • Vincent Award Nomination, Stedelijk Museum, Amsterdam, 2008


Solo Exhibitions



2017
  • Campaign, Muséu Serralves, Porto, Portugal




2016
  • Phantom Structures, Casey Kaplan, New York
  • Eva Presenhuber, Zurich
  • Campaign, Serralves Museum of Contemporary Art, Porto
  • What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin
  • Air de Paris, Paris (forthcoming)
  • Taro Nasu, Tokyo (forthcoming)




2015

  • Rue Gabriel Tarde, Sarlat-la-Caneda, Dordogne, Galerie Micheline Szwajcer,Brussels
  • All-Imitate-Act, Stedelijk Museum/Holland Festival, Amsterdam
  • Four Developments and a Thought Collective, Alfonso Artiaco, Naples
  • Liam Gillick, Australian Fine Arts, Brisbane
  • The Thought Style Meets the Thought Collective, Maureen Paley, London




2014

  • Esther Schipper, Berlin.
  • 
199A to 199B, Le Magasin, Grenoble.
  • Complete Bin Development, Galerie Hans Mayer, Düsseldorf.
  • Revenons à nos moutons, Esther Schipper, Berlin.
  • From 199C to 199D, Magasin Centre national d’art contemporaine, Grenoble.




2013

  • Taru Naso, Tokyo.

  • Casey Kaplan, New York.
  • 
Margin Time 2 and Laguna Discussion Platform, Austin Museum of Art, Austin.

  • From Fredensborg to Halen via Loch Ruthven – Courtyard Housing Projections, HICA (Highland Institute of Contemporary Art), Loch Ruthven.
  • 
For the doors that are welded shut, Kerlin Gallery, Dublin.

  • Five Structures and a Shanty, Gallery IHN, Seoul.




2012
  • 199A – 199B, Hessel Museum of Art, Bard College, New York
  • Scorpion or Felix, Galerie Eva Presenhuber, Zurich
  • Scorpion and und et Felix, Casey Kaplan, New York
  • Margin Time, Maureen Paley, London
  • Agreements, McNamara and Lead Times, Taro Nasu, Tokyo
  • Liam Gillick, Galleria Alfonso Artiaco, Naples




2011

  • Sit in the machine, Air de Paris, Paris
  • Sit on the machine, Galerie Micheline Szwajcer, Antwerp
  • A Game of War Structure, Irish Museum of Modern Art, Dublin! (site-specific work commissioned for IMMA)




2010

  • 1848!!!, Esther Schipper, Berlin
  • One long walk… Two short piers, Kunst- und Ausstellungshalle, Bonn
  • Seven Structures and a large Vodka Soda..., Kerlin Gallery, Dublin
  • Everything Good Goes, Meyer Kainer, Vienna
  • Discussion Bench Platforms/A “Volvo” Bar + Everything Good Goes, Casey Kaplan, New York




2009

  • Three perspectives and a short scenario, Museum of Contemporary Art, Chicago
  • Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Wien
  • Liam Gillick, House of Art, Cesce Budejovice
  • How are you going to behave? - A kitchen cat speaks, German Pavillion, La biennale
  • di Venezia – 53rd International Art Exhibition, Venice
  • Two Short Plays, Eastside Projects, Birmingham




2008

  • Three Perspectives and a Short Scenario, Kunstverein München
  • Three Perspectives and a Short Scenario, Witte de With, Rotterdam
  • Three Perspectives and a Short Scenario, Kunsthalle Zürich
  • Fractional factories in the snow, Air de Paris, Paris
  • The State Itself Becomes A Super Whatnot, Casey Kaplan, New York




2007

  • The State/Commune Itself as a Super State/Commune, Galerie Micheline Szwajcer, Antwerpen
  • The Commune Itself Becomes A Super State, Corvi-Mora, London
  • Weekend in So Show, The Lab at Belmar, Lakewood
  • Monument to Charles Fourier, Musée de Beaux-Arts, Besançon




2006

  • The State Itself Becomes A Super Commune, Esther Schipper, Berlin
  • Literally Based On H.Z., Kerlin Gallery, Dublin
  • Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zürich
  • We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London




2005

  • As you approach the edge of town the lights are no softer than they were in the centre..., Casey Kaplan Gallery, New York
  • Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens
  • Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid
  • McNamara Motel, CAC Centro de Arte Contemporáneo, Malága
  • Fabriken im Schnee..., Galerie Meyer Kainer, Vienna
  • Presentism, Corvi-Mora, London
  • Another 2004 Again, Baltimore Museum Of Art, Baltimore
  • M/M (Paris), Frankfurter Kunstverein, Frankfurt
  • Texte court sur la possibilité de creer une economie de l’equivalence, Palais de Tokyo, Paris
  • The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich




2004

  • Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee
  • Construccion de Uno, Galeria Javier Lopez, Madrid
  • A Group of People, Air de Paris, Paris
  • Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen
  • Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp
  • (Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund
  • 2003
  • Hills and trays and..., Schipper & Krome, Berlin
  • ...punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin
  • Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, México City
  • Exterior Days, Casey Kaplan, New York
  • Liam Gillick: communes, bars and greenrooms, The Power Plant, Toronto
  • Projects 79. Liam Gillick: Literally, MoMA QNS, New York
  • Liam Gillick, platform art, London Underground, in collaboration with Frieze Art Fair, London
  • A Film, A Clip and a Documentary, (with Sean Dack), Corvi-Mora, London




2002
  • The Wood Way, Whitechapel Art Gallery, London
  • Light Technique, Galerie Meyer Kainer, Vienna
  • Liam Gillick, Galerie Rüdiger Schöttle, Munich




2001

  • Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich
  • Liam Gillick, Galeria Javier Lopez, Madrid
  • Liam Gillick, Corvi-Mora, London
  • Annlee You Proposes, Tate Britain, London
  • Dedalic Convention, Museum für Angewandte Kunst, Wien und Salzburger
  • Kunstverein, Salzburg




2000

  • Applied Complex Screen, Hayward Gallery, London
  • Liam Gillick, Galleri Charlotte Lund, Stockholm
  • Liamm Gilllick. Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin
  • Consultation Filter, Westfälischer Kunstverein, Münster
  • Schmerz in einem Gebäude, Fig 1, London
  • Woody, CCA Kitakyushu Project Gallery, Kitakyushu (Japan)
  • Literally No Place, Air de Paris, Paris
  • Renovation Filter: recent past and near future, Arnolfini, Bristol
  • Liam Gillick, Casey Kaplan Gallery, New York




1999

  • Liam Gillick, Kunsthaus Glarus, Glarus.
  • Liam Gillick, Galerie Rüdiger Schöttle, Munich
  • David, Frankfurter Kunstverein, Frankfurt a.M.




1998

  • Liam Gillick, Kunstverein in Hamburg, Hamburg.
  • Up on the twenty-second floor, Air de Paris, Paris
  • When Purity Was Paramount, British Council, Prague
  • Big Conference Center, Orchard Gallery, Derry
  • Liam Gillick, Robert Prime, London
  • Révision: Liam Gillick, Villa Arson, Nice
  • When do we Need More Tractors? Schipper & Krome, Berlin
  • The Trial of Pol Pot (with Philippe Parreno), Le Magasin, Grenoble
  • Liam Gillick, c/o Atle Gerhardsen, Oslo




1997

  • Discussion Island, Basilico Fine Arts, New York
  • Discussion Island - A What If? Scenario Report, Kunstverein, Ludwigsburg
  • A House in Long Island, FORDE, Espace d'art contemporain, L'Usine, Geneva
  • Another Shop in Tottenham Court Road, Transmission Gallery, London
  • McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios, Le Consortium, Dijon
  • Reclutamento!, Gallery Emi Fontana, Milan




1996

  • Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin
  • Liam Gillick, Raum Aktueller Kunst, Vienna
  • The What If? Scenario, Robert Prime, London
  • Documents (with Henry Bond), Schipper & Krome, Cologne




1995

  • Ibuka! (Part 1), Air de Paris, Paris
  • Ibuka! (Part 2), Kuenstlerhaus, Stuttgart
  • Ibuka! Galerie Emi Fontana, Milan
  • Part Three, Basilico Fine Arts, New York
  • Documents (with Henry Bond), Kunstverein Elsterpark, Leipzig




1994

  • McNamara, Schipper & Krome, Cologne
  • Documents, (with Henry Bond), Ars Futura, Zurich
  • Liam Gillick, Interim Art, London




1993

  • Documents, (with Henry Bond), CCA Glasgow
  • An Old Song and a New Drink, (with Angela Bulloch), Air de Paris, Paris




1992

  • McNamara, Hog Bikes and GRSSPR, Air de Paris, Nice




1991

  • Documents, (with Henry Bond), Karsten Schubert Ltd, London
  • Documents, (with Henry Bond), A.P.A.C., Nevers
  • Documents, (with Henry Bond), Gio’ Marconi, Milan




1989

  • 84 Diagrams, Karsten Schubert Ltd, London



Group exhibition



2017
  • Dreamlands, Whitney Museum, New York




2016
  • Fluidity, Kunstverein in Hamburg, Hamburg
  • A Material Legacy: The Nancy A. Nasher and David J. Haemisegger Collection of Contemporary Art, Nasher Museum of Art at Duke University, Durham
  • A History. Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich
  • Still (the) Barbarians, EVA International, Ireland’s Biennial, Limerick Béton, Kunsthalle Wien Museumquartier, Vienna
  • If All Relationships Were to Reach Equilibrium, Then This Building Would Dissolve, MIMA, Middlesbrough, UK
  • Moving Image Department, Chapter 5, National Gallery of Art, Prague, Czech Republic
  • Beton, Kunsthalle Wien, Austria
  • Invisible Adversaries, Hessel Museum of Art, Bard College, USA
  • Reading Context, The Collection Teaching Gallery, CCS Bard, USA
  • Arts Council 40th Anniversary Exhibition, Night at the Museum, Yorkshire Sculpture Park, UK
  • Shanghai Project, Shanghai Himalayas Museum, China
  • Yinchuan Biennale 2016, Museum of Contemporary Art Yinchuan, China





2015
  • Adventures of the black square: Abstract art and society 1915-2015, Whitechapel Gallery, London
  • British Art Show 8, Leeds Art Gallery, Leeds 14th Istanbul Biennale, Istanbul
  • 10th Kaunas Biennial, Kaunas
  • 6th Moscow Biennale, Moscow
  • In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City
  • Summer Show 2015, Royal Academy of the Arts, London, United Kingdom
  • Space Between, FLAG Art Foundation, New York, NY
  • Ist Chapter: The Importance of Being a (Moving) Image, Prague National Gallery, Prague
  • Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland
  • Not: The Art of Resistance, Manchester School of Art Holden Gallery, Manchester




2014

  • Blue Times, Kunsthalle Wien.
  • Szalon, Logan Center, Chicago.
  • 20+, SMAHK, Assen.
  • 55th October Salon, Belgrade.
  • Helicotrema, Viafarini, Milan
  • Stillpass Collection with Exterior Concourse Diagram, collectorspace, Istanbul.
  • Petals on the Wind, Galerie Micheline Szwajcer, Brussels. 
  • Beyond and Between, Leeum Samsung Museum of Art, Seoul
  • Institute for Human Activities, Democratic Republic of Congo.
  • Deep One Perfect Morning, Kerlin Gallery, Dublin. 
  • A Machinery for Living, Organized by Walead Beshty, Petzel, New York.
  • Une Histoire, Art, Architecture, Design des années 1980 à nos jours, Centre Pompidou, Paris
  • Swiss Pavilion, 14th Architecture Biennale, Venice.
  • Never Look Back when Leaving, Casey Kaplan, New York
  • Der Leone have sept cabeças, CRAC Alsace, Altkirch
  • 9 Artists, MIT List Visual Art Center, Cambridge.
  • The Decade 1984-1999, Centre Pompidou, Metz
  • Last News from the Ether, La Panacée, Montpellier
  • El Hotel Eléctrico, M_kha, Antwerp
  • Monochrome & Readymades, L’Onde Théâtre Centre d’art, Velizy-Villacoublay.




2013

  • Secret Codes (Códigos Secretos), Galerie Luisa Strina, Sao Paulo.
  • Absolut, White Flag Projects, St. Louis, Mo.
  • Fading Nights, Gerhardsen Gerner, Berlin.
  • Punctum: Fotographie zwischen Inszenierung und Dokumentation, Boltensternraum Baden (Meyer Kainer)
  • Capitalism Catch 22, Impakt Festival Utrecht.
  • CAC Malaga: Una Década, CAC Malaga.
  • 9 Artists, Walker Art Center, Minneapolis
  • Nuit Blanche, Paris.
  • To the Reader, BAK, Utrecht. 
  • One foot in the real world, Irish Museum of Modern Art, Dublin.
  • British British Polish Polish, CCA Warsaw.
  • Word+Work, Galerie Nachst St. Stephan, Vienna.
  • Reading List: Artist’s Selections from the MoMA Library Collection, New York.
  • Abstract Nature, Parkett Austellungs-Raum, Zurich.
  • Unknown Forces, Curated by Sunjung Kim, Tophane-i Amire Gallery, Mimar Sinan University, Istanbul.
  • Leichte Verstörung in den Fabriken, tête, Berlin.
  • Secondary Stuctures, Francois Morellet, Olivier Mosset, Liam Gillick, Katja Strunz, Ruzicska, Salzburg
  • Contemporary Artists of the Donegal Diaspora, Regional Cultural Centre, Letterkenny. 
  • Draft Urbanism, The Biennale of the Americas, Denver. 
  • Sommeraustellung, Esther Schipper, Berlin. 
  • 7 Studies, Schellmann Furniture, Munich.
  • Chinese Whispers: A Group Show on the loss of Control, Cura.basement, Rome.
  • Salle d’attente III, Galerie Laurent Mueller, Paris.
  • DLA Piper Series: Constellations, Tate Liverpool.
  • Striped: Gillick, Lefcourt, LeWitt, Pierson, Mitterand + Cramer, Geneve.
  • Kunst Nach 45, Lenbachhaus, Munich.
  • Poesia: Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst.
  • Fired Earth, Herbert Gerisch Stiftung, Neumünster.
  • The Lie and the Powerpoint, with Benoit Maire and Falke Pisano, Shanaynay, Paris.
  • Endless Bummer/Still Bummin, Marlborough Chelsea, New York.
  • Neoplastic Room. Open Composition, Museum Sztuki, Lodz.
  • Edge Order Rupture, Gallery Lelong, New York.
  • The Twentieth Century as Never Seen Before, Museo di Santa Giulia, Brescia.
  • Love in a Cold Climate, S1 Artspace, Sheffield.
  • Cross/Roads, Willie Birch and Liam Gillick, Bard CCS.
  • Abstract Generation: Now in Print, MoMA, New York.
  • Another Time, Pestorius Sweeney House, Brisbane.
  • Looking Back - The 7th White Columns Annual, selected by Richard Birkett, White Columns, New York.




2012

  • Screens, Galerie Meyer Kainer, Vienna.
  • True Stories: Scripted Realities, Dunedin Public Art Gallery, New Zealand.
  • The Mystery Spot, Fondation d’enterprise Ricard, Paris.
  • The Feverish Library, Friedrich Petzel, New York.
  • Parque Industrial, Galeria Luisa Strina, Sao Paulo.
  • Where is the Power, Fort Worth Contemporary Arts.
  • True Stories: Scripted Realities, Te Tuhi Centre for the Arts, New Zealand.
  • Decade: Contemporary Collecting 2002-2012, Albright Knox, Buffalo.
  • Various stages, Kunsthaus Dresden.
  • Sense and Sensibility, Euskadi 2012
  • Skulpturen und Reliefs aus der Sammlung, Kunsthalle Weishaupt, Ulm.
  • Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg.
  • Group Exhibition, Kerlin Gallery, July.
  • Air de Paris Summer Show, Art & Rapy, Monaco.
  • Last Day, Cartel, London.
  • Looking Back for the Future, Kunsthalle, Zurich.
  • Painting in Space, Luhring Augustine, New York
  • Soundworks, ICA, London.
  • Wir treffen uns am Abend, Galerie Kamm, Berlin.
  • Read, Look! We promise it’s not dangerous, Emily Harvey Foundation, New York.
  • How to Make - Ideen, Notationen, Materialisierungen, Kunsthaus Dresden
  • True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New Zealand.
  • Positions on Conceptual Art, Galerie Rüdiger Schottle, Köln.
  • Print/Out, MoMA, New York.
  • The Poster Show, Galerie Carlier-Gebauer, Berlin.
  • Schrift Bild, Galerie Meyer Kainer, Vienna.
  • Utopia Gesamtkunstwerk, 21er Haus, Vienna.
  • Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm.




2011

  • Of Bridges and Borders: Chapter V, From Real to Surreal, Museo de Arte Moderno de Buenos Aires.
  • Performa 11, New York
  • The Air we Breathe, SFMOMA, San Francisco.
  • Obras de la collecion Jumex, Hospicio Cabanas, Guadalajara.
  • Our Day Will Come & Iteration Again, University of Tasmania School of Art in Hobart
  • Monodrome, 3rd Athens Biennale, Athens.
  • In Deed: Certificates of authenticity in Art, Fondazione Bevilacqua, La Masa.
  • In Deed: Certificates of authenticity in Art, De Vleeshal, Middelburg
  • Göteborg International Biennale for Contemporary Art, Göteborg.
  • Als die Wälder auf Reisen gingen, Kunstverein Pforzheim.
  • Conversation Pieces, Tate, Liverpool
  • Footnote 6: As Model, Miguel Abreu, New York.
  • Humid but cool I think, Taro Nasu, Tokyo.
  • Everything must Go!, Casey Kaplan, New York.
  • Out of storage, Marres, Maastricht.
  • Sculpture Now, Galerie Eva Presenhuber, Zurich.
  • Contemporary Magic: A Tarot Deck art project, Andy Warhol Museum, Pittsburgh.
  • Space Oddity, Kunsthalle Andratx.
  • I am still alive, MoMA, New York.
  • Abstract Possible, Museo Tamayo, Mexico, D.F.
  • Police!, Galerie Nathalie Seroussi, Paris.
  • A lunatic on bulbs, Giorgio Pace Projects, Chesa Planta.
  • We Are Grammar, Pratt Institute Gallery, New York
  • Scaffolding of contrition, LeRoy Neiman Gallery, New York
  • Modern British Sculpture, Royal Academy, London.
  • Someone else’s life, Kerlin Gallery, Dublin.
  • No more presence, The Artist’s Institute, New York.




2010

  • 01-10, Esther Schipper, Berlin.
  • Without you I am nothing: Art and its Audience, Museum of Contemporary Art, Chicago.
  • Which whitch is which and/or summertime, White Flag Projects, St. Louis
  • Nature, Gerhardsen Gerner, Berlin.
  • Contemporary Magic: A Tarot Deck art project, National Arts Club, New York.
  • 8th Shanghai Biennale, Shanghai.
  • Geometry in 20th Century Art, Museo d’arte Latinamericano de Buenos Aires.
  • Today I made nothing, Elizabeth Dee Gallery, New York.
  • Aires de Jeux, Le Quartier, Quimper.
  • Unrealised Potential, Cornerhouse, Manchester.
  • Changing Britain: Documentary Photography from the Arts Council Collection, Portcullis House, London.
  • Multiple Pleasures, Tanya Bonakdar Gallery, New York.
  • The Philosophy of Money, White Pavilion, Lisbon City Museum.
  • 89 KM. CGAC Collection, MARCO, Vigo.
  • Humanity is not a completed project, Villa du Parc, Centre d’art Contemporain, Annemasse.
  • Men with Balls: Art of the 2010 World Cup, Apex Art, New York.
  • Post-Office, Artspace, Auckland.
  • High ideals and crazy dreams, Vera Munro, Hamburg.
  • Kozmik Latte, Borusan Collection, Istanbul.
  • Film Matters, Beton 7, Athens.
  • Don’t Piss on me and tell me that it’s raining, Apex Art, New York.
  • The Promises of the Past, Centre Pompidou, Paris.
  • Ce qui vient, Les Ateliers de Rennes, Biennale d’art contemporain, Rennes
  • Art: Curated by Michael Craig-Martin, Haas and Fuchs, Berlin.
  • Fantasy & Island, FRAC Corse.
  • Pictures about Pictures: Discources in Painting, MUMOK, Wien.
  • Corporate Everything, Kunsthalle Freiburg.
  • Shazam, c/o Gerhardsen Gerner, Berlin.
  • t is it, Espacio 1414 Puerto Rico.
  • Interference: Fields for listening and Praxis, The studio at Moderna Museet, Stockholm.
  • Animism, MuKHA/Extra City, Antwerp.




2009

  • Queensland Art 2009, Pestorious Sweeney House, Brisbane.
  • Gagarin: Artists in their own words, SMAK, Gent.
  • We are sun-kissed and Snow Blind, Patrick Seguin, Paris.
  • A Factory, A Machine, A Body…, MUCA, Mexico City.
  • La Suite, Air de Paris, Paris.
  • T-tris, B.P.S. 22, Charleroi.
  • Top 10 Allegories, Galerie Francesca Pia, Geneve.
  • Watou 2009, Watou
  • Learn to read art: A History of Printed Matter (1976-2009), Badischer Kunstverein, Karlsruhe
  • Il Tempo del Postino, Theater Basel, Basel
  • The Obstacle is Tautology, Tulips and Roses, Vilnius.
  • UFO: Grenzgänge zwischen Kunst und Design, NRW-Forum, Dusseldorf.
  • Take the Money and Run, De Appel, Amsterdam
  • Between Metaphor and Object, IMMA, Dublin.
  • Lapdogs of the Bourgeoisie, Arnolfini, Bristol
  • Because I say so: Sculpture from the Scholl collection, Frost Art Museum, Miami.
  • La Recherche, Air de Paris, Paris.
  • A Factory, A Machine, A Body… Archaeology and Memory of Industrial Spaces, Centre d’art La Panera, Lleida.
  • Unbuilt Roads, E-flux, New York.
  • Beaufort 03, Oostende, Belgium.
  • International Photo Festival Knokke-Heist, Knokke Heist.
  • Espèces d’Espaces, Yvon Lambert, New York.
  • The Human Stain, CGAC Santiago de Compostela.
  • Forms of Inquiry, Archizoom, Lausanne.
  • Just what are the saying, Jonathan Ferrara Gallery, New Orleans.
  • Custom Car Commandos, Art in General, New York.
  • Saints and Sinners, Rose Art Museum, Brandeis University.



2008

  • Fifty Percent Solitude, Kerlin Gallery, Dublin.
  • Made in Munich, Haus der Kunst, Munich.
  • Getting Even, Lewis Glucksman Gallery, Cork
  • Theanyspacewhatever, Guggenheim Museum, New York.
  • Accessories to an artwork, Paul Stolper Gallery, London.
  • Edition Schellmann Furniture, Edition Schellmann, Munich.
  • Branding Democracy, New School, New York.
  • Moments and Murals, MD72, Berlin.
  • 100 Artists: Art on the Underground, A Foundation Gallery, London.
  • La Vitrina, Gudalajara.
  • La Petite Histoire, Kunstraum Niederoesterreich, Vienna.
  • This is the gallery and the gallery is Many things, Eastside Projects, Birmingham.
  • Shapes of Space 2, Mário Sequeira Gallery, Braga.
  • Mondo e Terra, FRAC Corse.
  • Private/Corporate V: Daimler Art Collection, Haus Huth, Berlin.
  • Vincent Award, Stedelijk Museum, Amsterdam
  • No so subtle subtitle, Casey Kaplan, New York.
  • The Sydney Biennale, Sydney.
  • This is the gallery and the gallery is many things, Eastside Projects, Birmingham.
  • Book/Shelf, MoMA, New York
  • Typed, Sadie Coles, London.
  • Cube Passerby, Passerby, New York.
  • The Brisbane Sound, Institute of Modern Art, Brisbane.
  • KW Hommage à Klaus Werner, Galerie für Zeitgenössiche Kunst, Leipzig.
  • MAXImin, A century of abstraction, Fondacion Juan March, Madrid.
  • Lapdogs of the Bougoisie, Tensta Konsthall, Spanga
  • Mixed Emotions, Domus Atrium, Salamanca.
  • Images: A spike magazine project, Forde, Geneva.




2007

  • Xmas Hysteria, Galerie Emi Fontana, Milan.
  • Winter Palace, de Aterliers, Amsterdam.
  • Fusion Now! More light, more power, more people, Rokerby Gallery.
  • If everybody had an ocean, CAPC, Bordeaux.
  • Tomorrow is Another Day, Artsonje, Seoul.
  • Franz West: Soufflé, Kunstraum Innsbruck.
  • Floating Territories, Various Locations (Venice, Istanbul…)
  • If Everybody Had an Ocean, CAPC, Bordeaux.
  • The Showroom Talks, The Showroom, London.
  • L’ottava Tavola: An Etymology of Contemporary Codes, Cortona.
  • I can’t live without, The Showroom, London.
  • Other Men’s Flowers, Venetia Kapernekas Gallery, New York.
  • Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York.
  • It starts from here, De La Warr Pavillion.
  • Perspektive 07, Lenbachhaus, Munich.
  • How to improve the world, Birmingham Museum and Art Gallery.
  • Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga.
  • If Everybody Had an Ocean, Tate, St. Ives.
  • Memorial to the Iraq War, ICA, London
  • The Shapes of Space, Guggenheim Museum, New York.
  • The Redistribution of the Sensible, Galerie Magnus Muller, Berlin.
  • Airs de Paris, Centre Pompidou, Paris.
  • Pure, Sean Kelly, New York.
  • Models for Tommorow: Cologne, EU Kunsthalle, Köln
  • Los Vinilos, El Basilico, Buenos Aires.
  • Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan.
  • Active Constellation, Brno House of Art.
  • Lapdogs of the Bourgoisie, Platform Garanti, Istanbul.




2006

  • Drapeaux Gris, CAPC, Bordeaux.
  • All Hawaii Entrées/Lunar Reggae, IMMA, Dublin.
  • Saigon: Open City, Saigon.
  • Klinik: Eine pathologie der Gesten, Hebbel am Ulfer, Berlin.
  • Eye on Europe: Prints, Books and Multiples 1960 to now, MoMA, New York.
  • How to improve the World, Hayward Gallery, London.
  • Projektion, Kunstmuseum, Luzern.
  • Faster! Bigger! Better!, ZKM, Karlsruhe.
  • Modus, Neue Kunsthalle, St. Gallen.
  • Abstraction Now, Wilhelm-Hack-Museum, Ludwigshafen.
  • Dirty Words, Galeria Pedro Cera, Lisbon.
  • Turtle, Chelsea Space, London.
  • Sprung ins Kalte Wasser, Shedhalle, Zurich.
  • Crytallizations, Andreas Murkurdis Temporary, Munich. 
  • Untouchable (The ideal of Transparency), Villa Arson, Nice.
  • Thankyou for the Music (London Beat), Sprüth Magers Lee, London
  • Grey Flags, Sculpture Center, New York.
  • Back and Forth, Stiftung Wilhelm Lehmbruck Museum, Duisburg. 
  • Classical Modern, Daimler Chrysler Contemporary, Berlin.
  • A short history of performance Part 4, Whitechapel Art Gallery, London.
  • Bühne des Lebens – Rhetorik des Gefühls, Kunstbau München.
  • Ordnung und Verführung, Haus Konstructiv, Zurich.
  • Under Construction, European Kunshalle, Cologne.
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Cheekwood Museum of Art, Nashville.
  • Broken Surface, Galerie Sabine Knust, Munich.
  • Slow Burn, Galerie Edward Mitterand, Geneva.
  • Fondos da Colección CGAC: Entre o proceso e a forma, CGAC, Santiago de Compostela.
  • Cinéma(s), Le Magasin, Grenoble.




2005

  • Minimalism and after, Daimler Chrysler Collection, Berlin.
  • Supernova, Contemporary Art Centre, Vilnius.
  • The Party, Casey Kaplan, New York.
  • Thankyou for the Music, Sprüth Magers, Munich.
  • Ambiance, K21, Dusseldorf.
  • Rundledererwelten, Martin Gropius Bau, Berlin.
  • Reception, Büro Friedrich, Berlin.
  • Snow Black, Yvon Lambert, New York.
  • Passion beyond reason, Wallstreet 1, Berlin.
  • General Ideas: Rethinking conceptual art 1987-2005, CCA Wattis, San Francisco.
  • Extreme Abstraction, Albright Knox Art Gallery, Buffalo.
  • Nach Rokytnik, MUMOK, Vienna.
  • I Really Should*, Lisson Gallery, London.
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Contemporary Art Center of Virginia, Virginia Beach. 
  • Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo, Turin.
  • Post Notes, Midway Contemporary Art, Minneapolis.
  • La La Land, The Project, Dublin.
  • Supernova, Bunkier Sztuki, Kraków.
  • Anna Sanders Films, Cinema Svetozor, Prague.
  • Group Exhibition, Air de Paris, Paris.
  • The Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussels.
  • Good Titles for Bad Books, Kevin Bruk, Miami.
  • Goodbye 14th Street, Casey Kaplan, New York.
  • New Cohabitats, Galerie Ghislane Hussenot, Paris
  • The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th Century, New York.
  • Exit – Aussteig aus dem bild, ZKM, Karlsruhe.




2004

  • Poul Kjaerholm, Sean Kelly, New York.
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), ICA, London.
  • Utopia Station, Haus der Kunst, Munich.
  • Nothing Compared to This: Ambient, Incidental and New Minimal Tendencies in Current Art, CAC, Cincinnati.
  • Trailer, Man in the Holocene, London.
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Laguna Art Museum, Laguna Beach.
  • The Trailer Special Project, Curzon Cinemas, London.
  • Strike, Basekamp, Philadelphia.
  • Black Friday: Exercises in Hermetics, Galerie Kamm, Berlin.
  • Marks in Space, Usher Gallery, Lincoln.
  • Off the Record/Sound Art, ARC Musée d’art moderne de la ville de Paris.
  • Czech Made, Display, Prague.
  • Artists’ Favourites, ICA, London.
  • Drunken Masters, Fortes Vilaca, Sao Paulo.
  • 9 Mütter XX04, Mütter Museum, Philadelphia.
  • Russian Doll, MOT, London.
  • Tonight, (curated by Paul O’Neill), Studio Voltaire, London.
  • How to learn to love the bomb and stop worrying about it, Central de Arte en WTC, Guadalajara.
  • The Drawing Project, Vamiali’s, Athens.
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), The Contemporary Jewish Museum, San Francisco.
  • Establishing Shot, Artist’s Space, New York.
  • Singular Forms (Sometimes Repeated), Art from 1951 to the Present, Guggenheim Museum, New York.




2003

  • Bad Behaviour: Works from the Arts Council Collection, Yorkshire Sculpture Park.
  • Everything Can Be Different, Maryland Institute College of Art, Baltimore.
  • A Nova Geometria, Galeria Fortes Vilaça, Sao Paulo.
  • Wittgenstein: Family Likenesses, Institute of Visual Culture, Cambridge.
  • How to learn to love the bomb and stop worrying about it, National Chamber of Art Industries, Mexico City.
  • Abstraction Now, Künstlerhaus Wien, Vienna.
  • Honey I rearranged the collection, Greengrassi/Corvi-Mora, London.
  • Utopia Station, Venice Biennale, Venice.
  • 25th International Biennial of Graphic Arts, Ljubljana.
  • Social Facades and Others, Lenbachhaus, Munich.
  • 3D, Friedrich Petzel, New York.
  • Tirana Biennale 2, Tirana.
  • Cool Luster, Collection Lambert, Avignon. 
  • Form Specific, Moderna Galerija, Ljubljana.
  • Typofgravy, Cell, London.
  • 20 th Anniversary Show, Sprüth Magers, Köln.
  • Imperfect Marriages, Galerie Emi Fontana, Milan.
  • Glamour, British Council, Prague.
  • The Moderns/I moderni, Castello di Rivoli, Torino.
  • JRP Editions, Galería Javier López, Madrid.
  • The Air is Blue, Barragan House, Mexico City.
  • This Was Tomorrow, New Art Centre Sculpture Park, Salisbury.
  • Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich.
  • Animations, Kunstwerk, Berlin.
  • JRP Editions, Galerie Edward Mitterand, Geneva.
  • Re-Produktion 2, Georg Kargl, Vienna.
  • No Ghost Just a Shell, Van Abbemuseum, Eindhoven.
  • Perfect Timeless Repetition, C/O Atle Gerhardsen, Berlin.




2002
  • No Ghost Just a Shell, San Francisco Museum of Modern Art.
  • No Ghost Just A Shell, Institute of Visual Culture, Cambridge.
  • It’s Unfair, Museum de Paviljoens, Almere.
  • Lap Dissolve, Casey Kaplan, New York.
  • L’image habitable - versions B,C,D,E, Mamco, Geneva.
  • This Play 31, La Coleccion Jumex, Mexico.
  • Relational Aesthetics from the 1990s, San Francisco Art Institute, San Francisco.
  • Turner Prize, Tate, London.
  • The Galleries Show: Contemporary Art in London, Royal Academy of Arts, London.
  • The Unique Phenomena of a Distance, Magnani, London.
  • Société Perpendiculaire: La Tapisserie, FRAC Provence-Alpes-Côte d’Azur.
  • No Ghost Just a Shell, Kunsthalle, Zurich.
  • Multiples X, London Print Studio.
  • Summer Cinema, Casey Kaplan, New York.
  • Collected Contemporaries, Moderna Museet, Stockholm.
  • JRP Editions, RAK, Vienna.
  • The Movement Began with a Scandal, Lenbachhaus, Munich.
  • The Object Sculpture, The Henry Moore Institute, Leeds.Happy Outsiders from Scotland and London, Zachetal, Warsaw/Katowice City Gallery.
  • Inframince, Cabinet Gallery, London.
  • The Ink Jetty, Neon Gallery, London.
  • Private Views, Printed Space, London.
  • Parallel Structures, Gertrude Contemporary Art Spaces, Fitzroy, Victoria.
  • Annlee You Proposes, Mamco, Geneve.
  • Void, Rice Gallery, Tokyo/CCA Kitakyushu. 
  • Everything Can Be Different, University of Memphis, Tennesee.
  • Art & Economy, Deichtorhallen, Hamburg.
  • J’en ai pris des coups mais j’en ai donnés aussi, Galerie hez Valentin, Paris.
  • Do It, Museo de Arte Carrillo Gil, San Angel.
  • Minimal Maximal, National Museum of Contemporary Art, Seoul.
  • Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo.
  • Reflexions, Sprüth Magers, Munich.
  • Urgent Painting, ARC, Musée d’art moderne de la ville de Paris, Paris.




2001
  • ....if a double-decker bus crashes into us to die by your side such a heavenly way to die and if a ten ton truck kills the both of us to die by your side the pleasure and the privilege is mine... , Air de Paris, Paris. 
  • I love Dijon, Le Consortium, Dijon.
  • En/Of, Schneiderei, Köln.
  • Rumour City, TN Probe, Japan.
  • 9e Biennale de l’image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Genève.
  • Animations, PS1, Long Island City.
  • Rumor City, Raffinerie, Brussels.
  • Yokohama 2001, Yokohama Triennale, Yokohama.
  • Beautiful Productions: Parkett, Whitechapel Gallery, London. 
  • Ambiance Magasin, Meymac Centre d’art Contemporain. 
  • The Communications Department, Anthony Wilkinson Gallery. 
  • Stéphane Dafflon/Liam Gillick/Xavier Veilhan, Le Spot, Le Havre. 
  • Strategies against Architecture, Fondazione Teseco, Pisa. 
  • A Timely Place, Or, Getting Back to Somewhere, London Print Studio.
  • Biennale de Lyon, Musée d’art contemporain, Lyon. 
  • The Wedding Show, Casey Kaplan, New York.
  • A New Domestic Landscape, Javier Lopez, Madrid.
  • International Language, Grassy Knoll Productions, various sites, Belfast.
  • Collaborations with Parkett: 1984 to now, Museum of Modern Art, New York.
  • Berlin Biennale, Kunst Werk, Berlin.
  • Contemporary Utopia, Museum of Modern Art, Riga. 
  • Nothing, Northern Gallery for Contemporary Art, Sunderland/Contemporary Art Centre, Vilnius/Rooseum, Malmo.
  • Minimal-Maximal, City Museum of Art, Chiba; National Museum of Art, Kyoto;
    City Museum of Art, Fukuoka.
  • Stop and Go, FRAC, Nord-Pas de Calais, Dunkerque.
  • Histoire de coeur, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls.
  • Demonstration Room: Ideal House, Apex Art, New York.
  • Century City, Tate Modern, London.




2000

  • Future Perfect, Cornerhouse, Manchester.
  • Group Show, Corvi-Mora, London.
  • How do you change an apartment that has been painted brown? Certainly not by painting it white, Institute of Visual Culture, Cambridge.
  • Perfidy, Kettles Yard, Cambridge.
  • More Shows About Buildings and Food, Lisbon.
  • Casa Ideal, Museo Alejandro Otero, Caracas.
  • Que saurions-nous construire d’autre? (What else could we build?), La Villa Noailles.
  • Indiscipline, Roomade, Brussels.
  • e-mona, The Museum of New Art, Detroit.
  • Protest and Survive, Whitechapel Gallery, London.
  • Werkleitz, Tornitz.
  • Vicinato 2, Neuggerreimschneider, Berlin.
  • Vicinato 2, Fig. 1, London.
  • Haut de Forme et Bas Fonds, FRAC Poitou-Charentes, Angoulême.
  • Future Perfect, Centre for Visual Arts, Cardiff.
  • Intelligence, Tate Britain, London.
  • Group Show, Paula Cooper Gallery, New York.
  • Interplay, selected works from the Museum and private collections, The National Museum of Contemporary Art, Oslo
  • What If/Tänk Om, Moderna Museet, Stockholm.
  • Working Title, Stanley PIcker Gallery, Kingston University.
  • Dire Aids, Art in the Age of Aids, Promotrice delle Belle Arti, Torino.
  • British Art Show 5, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham.
  • Viva Maria III, Galerie Admiralitätstraße, Hamburg. 
  • Decompressing History, (curated by Lars Bang Larson), Galeri Enkehuset, Stockholm.
  • 14 + 1, Feitchtner & Mizrahi, Vienna.
  • Group Show, Casey Kaplan, New York.
  • Continuum 001, (curated by Rebecca Gordon Nesbitt) CCA, Glasgow.
  • 29th International Film Festival, Rotterdam.




1999
  • Space, Schipper und Krome, Berlin.
  • Une histoire parmi d’autres, collection Michel Poltevin, FRAC Nord-Pas de Calais.
  • Officina Europa, Bologna.
  • 705 Wings of Freedom, (curated by Uwe Wiesner), Berlin.
  • Jonathan Monk, Casey Kaplan, New York.
  • 1999 East Wing Collection, Courtald Institute of Art, London.
  • Get Together/Art As Teamwork, Kunsthalle, Vienna.
  • New York/London, Taché-Levy, Brussels.
  • Art Lovers, (curated by Marcia Fortes), Tracey, Liverpool Bienial.
  • Fantasy Heckler, (curated by Padraig Timoney), Tracey, Liverpool Bienial.
  • Shopping, FAT, London. 
  • Tent, Rotterdam.
  • Objecthood OO, Athens.
  • Le Capitale, (curated by Nicolas Bourriaud), Centre régionale d’art contemporain, Sete.
  • In The Midst of Things, University of Central England, Bourneville.
  • Essential Things, (curated by Guy Mannes Abbott), Robert Prime, London.
  • Out of Sight - A cross-reference exhibition, Büro Friedrich, Berlin.
  • Etcetera, Spacex Gallery, Exeter.
  • Plug-ins, Salon 3, London.
  • Tang, Turner and Runyon, Dallas.
  • 12 Artists, 12 Rooms, Galerie Thaddeaus Ropac, Salzburg.
  • Nur Wasser, Neumühlen, Hamburg.
  • Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York
  • Pl@ytimes, Ecole supérieure d’art de Grenoble, Grenoble.
  • Konstructionszeichnungen, Kunst-Werke, Berlin.





1998
  • 1+3 = 4 x 1, Galerie für Zietgenössische Kunst, Leipzig.
  • Projections, de Appel, Amsterdam.
  • The Project of the 2nd December, Salon 3, London.
  • Cluster Bomb, Morrison/Judd, London
  • Dijon/Le Consortium.coll, Centre Georges Pompidou, Paris.
  • Ghosts, Le Consortium, Dijon.
  • Minimal-Maximal, Neues Museum Weserburg, Bremen; Kunsthalle, Baden-Baden; CGAC, Santiago de Compostela.
  • Odradek, (curated by Thomas Mulcaire), Bard College, New York.
  • Places to Stay 4 P(rinted) M(atter), Buro Friedrich, Berlin.
  • UK - Maximum Diversity, Galerie Krinzinger, Bregenz/Vienna.
  • The Erotic Sublime, Thaddeaus Ropac, Salzburg.
  • Fuori Uso ‘98, Mercati Ortofrutticoli, Pescara.
  • London Calling, The British School at Rome & Galleria Nazionale d"Arte Moderna, Rome.
  • Kamikaze, Galerie im Marstall, Berlin.
  • Inglenook, (curated by Evette Brachman), Feigen Contemporary, New York.
  • In-significants, Stockholm, Sweden.
  • Arena - Sport und Kunst Austellung, Galerie im Rathaus, Munich.
  • Construction Drawings, (curated by Klaus Biesenback), PS1, New York.
  • A to Z, (curated by Matthew Higgs), The Approach, London.
  • Interactive, An Exhibition of Contemporary British Sculpture, Amerada Hess, London.
  • Artist/Author: Contemporary Artists’ Books, American Federation of Arts touring show
    Weatherspoon Art Gallery, Greensboro/The Emerson Gallery, Clinton/ The Museum of
    Contemporary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University Art Gallery, Amherst.
  • Fast Forward, Kunstverein in Hamburg.
  • Liam Gillick, John Miller, Joe Scanlan, RAK, Vienna




1997
  • Group Show, Schipper & Krome, Berlin.
  • Group Show, Air de Paris, Paris.
  • Work in Progress and or Finished, Ubermain, Los Angeles
  • Maxwell’s Demon, Margo Leavin, Los Angeles.
  • Other Men’s Flowers, The British School at Rome, Rome.
  • Hospital, Galerie Max Hetzler, Berlin.
  • Heaven - a Private VIew, PS1, Long Island.
  • Group Show, Vaknin Schwartz, Atlanta.
  • Ireland and Europe, Sculptors Society of Ireland, Dublin.
  • Group Show, Robert Prime, London.
  • Enterprise, ICA, Boston.
  • documenta X, Kassel.
  • I Met A Man Who Wasn’t There, Basilico Fine Arts, New York.
  • Moment Ginza, (co-ordinated by Dominique Gonzalez-Foerster), Le Magasin, Grenoble.
  • Space Oddities, Canary Wharf Window Gallery, London.
  • Enter: audience, artist, institution, (curated by Barbara Steiner), Kunstmuseum Luzern, Luzern.
  • Ajar, Galleri F15, Jeløy.
  • Des Livres d’Artistes, L’ecole d’art de Grenoble, Grenoble.
  • Temps de Pose, Temps de Parole, Musée de l”Echevinage, Saintes
  • Life/Live, Centro Cultural de Belém, Lisbon.





1996
  • Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York.
  • Supastore de Luxe, Up & Co., New York.
  • Glass Shelf Show, ICA, London.
  • A Scattering Matrix, (curated by Jane Hart), Richard Heller Gallery, Los Angeles.
  • Lost For Words, Coins Coffee Store, London.
  • Itinerant Texts, Camden Arts Centre, London.
  • Such is Life, Serpentine London/Palais des Beaux Arts, Brussels/Herzliya Museum of Art.
  • Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris.
  • Escape Attempts, Globe, Copenhagen.
  • How Will We Behave?, Robert Prime, London.
  • Nach Weimar, (curated by Nicolaus Schafhausen and Klaus Biesenbach), Landesmuseum, Weimar.
  • Some Drawings From London, Princelet Street, London.
  • Dinner, (organised by Giorgio Sadotti), Cubitt Gallery, London.
  • Departure Lounge, The Clocktower, New York.
  • Kiss This, (curated by Jeremy Deller), Focalpoint Gallery, Southend.
  • Traffic, (curated by Nicolas Bourriaud), CAPC, Bordeaux.
  • Co-operators, Southampton City Art Gallery, Southampton.




1995
  • Trailer, (curated by Barbara Steiner), Mediapark, Köln. 
  • Brilliant, (curated by Richard Flood), Walker Art Centre, Minneapolis.
  • New British Art, Museum Sztuki, Lodz.
  • Filmcuts, Neugerriemschneider, Berlin.
  • Reserve-Lager-Storage, Oh!, Bruxelles.
  • Ideal Standard Summertime, Lisson Gallery, London.
  • Karaoke, (curated by Georg Herold), South London Art Gallery.
  • Summer Fling, Basilico Fine Arts, New York.
  • Collection fin XXéme, FRAC Poitou Charentes, Angouleme.
  • In Search of the Miraculous, Starkmann Library Services, London.
  • Bad Times, (curated by Jonathan Monk), CCA, Glasgow.
  • Möbius Strip, Basilico Fine Arts, New York.




1994
  • The Institute of Cultural Anxiety, (curated by Jeremy Millar), ICA, London.
  • Surface de Réparations 2, FRAC Borgougne, Dijon. 
  • Lost Paradise, (curated by Barbara Steiner), Kunstraum, Vienna.
  • Miniatures, The Agency, London.
  • Other Men’s Flowers, (curated by Joshua Compston), Hoxton Square, London.
  • Mechanical Reproduction, (curated by Jack Jaeger), Galerie van Gelder, Amsterdam.
  • Rue des Marins, Air de Paris, Nice.
  • Grand Prix, (curated by Axel Huber), Monaco.
  • Public Domain, (curated by Jorge Ribalta), Centro’ Santa Monica, Barcelona.
  • Cocktail I, Kunstverein in Hamburg. 
  • Backstage, Kunstmuseum Luzern.
  • Don’t Look Now, (curated by Joshua Decter), Thread Waxing Space, New York. 




1993
  • Unplugged, (curated by Nicolas Bourriaud), Köln. 
  • Dokumentation uber, arbeiten von, Esther Schipper, Köln.
  • Two out of four dimensions, Centre 181, London.
  • Backstage, (curated by Stephan Schmidt-Wulffen & Barbara Steiner), Kunstverein in Hamburg.
  • Manifesto, (curated by Benjamin Weil), Hohenthal und Bergen, München.
  • Points de Vue, Galerie Pierre Nouvion, Monaco.
  • Futura Book, Air de Paris, Nice.
  • The London Photo Race, Friesenwall 120, Köln. 
  • Group Show, Esther Schipper, Köln. 
  • Wonderful Life, Lisson Gallery, London.
  • Los Angeles International, Esther Schipper at Christopher Grimes, Los Angeles.
  • Travelogue, (curated by Jackie McAllister), Hochschule fur Angewandte Kunst, Vienna.
  • Claire Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair, Gesellschaft fur Aktuelle Kunst, (curated by Tom Eccles) Bremen.
  • Territorio Italiano, (curated by Giacinto di Pietrantonio), Milan.




1992
  • ON, Interim Art, London.
  • Group Show, Esther Schipper, Köln. 
  • 12 British Artists, Barbara Gladstone/SteinGladstone, New York.
  • Etats Spécifique, Musée d’art moderne, Le Havre.
  • Manifesto, (curated by Benjamin Weil), Daniel Büchholz, Köln/Castello di Rivara, Turin/ Wacoal Arts Centre, Tokyo/Urbi et Orbi, Paris.
  • Lying on top of a building the clouds look no nearer than they had when I was lying in the street, Monika Sprüth, Köln/Esther Schipper, Köln/Le Case d’Arte, Milan. 
  • Molteplici Culture, (selected by Giorgio Verzotti), Folklore Museum, Rome.
  • Tatoo, Air de Paris/Urbi et Orbi, Paris/Daniel Büchholz, Köln/Andrea Rosen, New York.




1991
  • The Multiple Projects Room, Air de Paris, Nice. 
  • Air de Paris à Paris, Air de Paris, Paris.
  • No Man’s Time, CNAC, Villa Arson, Nice.




1990

  • The Multiple Projects Room, Air de Paris, Nice.

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