biography

Born 1964, Aylesbury, UK

Lives and works in New York City, NY

Education: 1984/87 Goldsmiths College, University of London, BA

1983-84 Hertfordshire College of Art


Awards

  • Paul Cassirer Kunstpreis, Berlin, 1998
  • Turner Prize Nomination, Tate, London, 2002
  • Vincent Award Nomination, Stedelijk Museum, Amsterdam, 2008

Selected Solo Exhibitions
2019

  • MADRE–Museo d’Arte Contemporanea Donna Regina, Naples, Italy (Upcoming)
2018
  • A Depicted Horse is not a Critique of a Horse Kerlin Gallery, Dublin
  • There Should Be Fresh Springs…, Gallery Baton, Korea

2017
  • Campaign- An Exhibition in Four Moments, Muséu Serralves, Porto, Portugal
  • LIAM GILLICK: Extended Soundtrack for a Lost Production Line: ton und film Maag Areal, Galerie Eva Presenhuber, Zurich
  • LIAM GILLICK, WERE PEOPLE THIS DUMB BEFORE TV? GRAFISCHE ARBEIT 1990-2016, Esther Shipper Gallery, Berlin
  • The Light is no Brighter at the Centre, Contemporary Art Centre (CAC), Vilnius, Lithuania
2016
  • Phantom Structures, Casey Kaplan, New York
  • Eva Presenhuber, Zurich 
  • Campaign, Serralves Museum of Contemporary Art, Porto
  • What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin
  • The Red Wood Pigeon Meets Some Meetings, Air de Paris, Paris 
  • Stardust Expression, Taro Nasu, Tokyo 
  • Phantom Structures, Casey Kaplan, New York
  • Eva Presenhuber, Zurich 
  • Campaign, Serralves Museum of Contemporary Art, Porto
  • What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin
  • The Red Wood Pigeon Meets Some Meetings, Air de Paris, Paris 
  • Stardust Expression, Taro Nasu, Tokyo 
2015
  • Four Developments and a Collective Tought, Alfonso Artiaco, Naples
  • The Thought style meets the Tought Collective, Maureen Paley, London
  • All-limited-Act, Stedelijk Museum and Holland festival, Amsterdam 
  • Liam Gillick 1 Rue Gabriel Tarde, Sarlat-La-Caneda, Dordogne, Galerie Micheline Szwajcer, Brussels
  • Four Developments and a Collective Tought, Alfonso Artiaco, Naples
  • The Thought style meets the Tought Collective, Maureen Paley, London
  • All-limited-Act, Stedelijk Museum and Holland festival, Amsterdam 
  • Liam Gillick 1 Rue Gabriel Tarde, Sarlat-La-Caneda, Dordogne, Galerie Micheline Szwajcer, Brussels
2014
  • Esther Schipper, Berlin
  • 199A to 199B, Le Magasin, Grenoble
  • Complete Bin Development, Galerie Hans Mayer, Düsseldorf
  • Revenons à nos moutons, Esther Schipper, Berlin
  • From 199C to 199D, Magasin Centre national d’art contemporaine, Grenoble
2013
  • Taru Naso, Tokyo

  • Casey Kaplan, New York
  • Margin Time 2 and Laguna Discussion Platform, Austin Museum of Art, Austin

  • From Fredensborg to Halen via Loch Ruthven – Courtyard Housing Projections, HICA (Highland Institute of Contemporary Art), Loch Ruthven
  • For the doors that are welded shut, Kerlin Gallery, Dublin

  • Five Structures and a Shanty, Gallery IHN, Seoul
2012 
  • 199A – 199B, Hessel Museum of Art, Bard College, New York
  • Scorpion or Felix, Galerie Eva Presenhuber, Zurich
  • Scorpion and und et Felix, Casey Kaplan, New York
  • Margin Time, Maureen Paley, London
  • Agreements, McNamara and Lead Times, Taro Nasu, Tokyo
  • Liam Gillick, Galleria Alfonso Artiaco, Naples
2011
  • Sit in the machine, Air de Paris, Paris
  • Sit on the machine, Galerie Micheline Szwajcer, Antwerp
  • A Game of War Structure, Irish Museum of Modern Art, Dublin! (site-specific work 
  • commissioned for IMMA)
2010 
  • 1848!!!, Esther Schipper, Berlin
  • One long walk… Two short piers, Kunst- und Ausstellungshalle, Bonn
  • Seven Structures and a large Vodka Soda, Kerlin Gallery, Dublin
  • Everything Good Goes, Meyer Kainer, Vienna
  • Discussion Bench Platforms/A “Volvo” Bar + Everything Good Goes, Casey Kaplan, 
  • New York
2009
  • Three perspectives and a short scenario, Museum of Contemporary Art, Chicago
  • Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Wien
  • Liam Gillick, House of Art, Cesce Budejovice
  • How are you going to behave? - A kitchen cat speaks, German Pavillion, La biennale
  • di Venezia – 53rd International Art Exhibition, Venice
  • Two Short Plays, Eastside Projects, Birmingham
2008
  • Three Perspectives and a Short Scenario, Kunstverein München
  • Three Perspectives and a Short Scenario, Witte de With, Rotterdam
  • Three Perspectives and a Short Scenario, Kunsthalle Zürich
  • Fractional factories in the snow, Air de Paris, Paris
  • The State Itself Becomes A Super Whatnot, Casey Kaplan, New York
2007 
  • The State/Commune Itself as a Super State/Commune, Galerie Micheline Szwajcer, 
  • Antwerpen
  • The Commune Itself Becomes A Super State, Corvi-Mora, London
  • Weekend in So Show, The Lab at Belmar, Lakewood
  • Monument to Charles Fourier, Musée de Beaux-Arts, Besançon
2006 
  • The State Itself Becomes A Super Commune, Esther Schipper, Berlin
  • Literally Based On HZ, Kerlin Gallery, Dublin
  • Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zürich
  • We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London
2005 
  • As you approach the edge of town the lights are no softer than they were in the centre, Casey Kaplan Gallery, New York
  • Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens
  • Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid
  • McNamara Motel, CAC Centro de Arte Contemporáneo, Malága
  • Fabriken im Schnee, Galerie Meyer Kainer, Vienna
  • Presentism, Corvi-Mora, London
  • Another 2004 Again, Baltimore Museum Of Art, Baltimore
  • M/M (Paris), Frankfurter Kunstverein, Frankfurt
  • Texte court sur la possibilité de creer une economie de l’equivalence, Palais de 
  • Tokyo, Paris
  • The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich
2004 
  • Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee
  • Construccion de Uno, Galeria Javier Lopez, Madrid
  • A Group of People, Air de Paris, Paris
  • Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen
  • Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp
  • (Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund
  • Hills and trays and, Schipper & Krome, Berlin
  • punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin
  • Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, México City
  • Exterior Days, Casey Kaplan, New York
  • Liam Gillick: communes, bars and greenrooms, The Power Plant, Toronto
  • Projects 79 Liam Gillick: Literally, MoMA QNS, New York
  • Liam Gillick, platform art, London Underground, in collaboration with Frieze Art Fair, London
  • A Film, A Clip and a Documentary, (with Sean Dack), Corvi-Mora, London
2002 
  • The Wood Way, Whitechapel Art Gallery, London
  • Light Technique, Galerie Meyer Kainer, Vienna
  • Liam Gillick, Galerie Rüdiger Schöttle, Munich
2001 
  • Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich
  • Liam Gillick, Galeria Javier Lopez, Madrid
  • Liam Gillick, Corvi-Mora, London
  • Annlee You Proposes, Tate Britain, London
  • Dedalic Convention, Museum für Angewandte Kunst, Wien und Salzburger
  • Kunstverein, Salzburg
2000 
  • Applied Complex Screen, Hayward Gallery, London
  • Liam Gillick, Galleri Charlotte Lund, Stockholm
  • Liamm Gilllick Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin
  • Consultation Filter, Westfälischer Kunstverein, Münster
  • Schmerz in einem Gebäude, Fig 1, London
  • Woody, CCA Kitakyushu Project Gallery, Kitakyushu (Japan)
  • Literally No Place, Air de Paris, Paris
  • Renovation Filter: recent past and near future, Arnolfini, Bristol
  • Liam Gillick, Casey Kaplan Gallery, New York
1999 
  • Liam Gillick, Kunsthaus Glarus, Glarus
  • Liam Gillick, Galerie Rüdiger Schöttle, Munich
  • David, Frankfurter Kunstverein, Frankfurt aM
1998 
  • Liam Gillick, Kunstverein in Hamburg, Hamburg
  • Up on the twenty-second floor, Air de Paris, Paris
  • When Purity Was Paramount, British Council, Prague
  • Big Conference Center, Orchard Gallery, Derry
  • Liam Gillick, Robert Prime, London
  • Révision: Liam Gillick, Villa Arson, Nice
  • When do we Need More Tractors? Schipper & Krome, Berlin
  • The Trial of Pol Pot (with Philippe Parreno), Le Magasin, Grenoble
  • Liam Gillick, c/o Atle Gerhardsen, Oslo



1997 
  • Discussion Island, Basilico Fine Arts, New York
  • Discussion Island - A What If? Scenario Report, Kunstverein, Ludwigsburg
  • A House in Long Island, FORDE, Espace d'art contemporain, L'Usine, Geneva
  • Another Shop in Tottenham Court Road, Transmission Gallery, London
  • McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios, Le Consortium, Dijon
  • Reclutamento!, Gallery Emi Fontana, Milan
1996
  • Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin
  • Liam Gillick, Raum Aktueller Kunst, Vienna
  • The What If? Scenario, Robert Prime, London
  • Documents (with Henry Bond), Schipper & Krome, Cologne
1995 
  • Ibuka! (Part 1), Air de Paris, Paris
  • Ibuka! (Part 2), Kuenstlerhaus, Stuttgart
  • Ibuka! Galerie Emi Fontana, Milan
  • Part Three, Basilico Fine Arts, New York
  • Documents (with Henry Bond), Kunstverein Elsterpark, Leipzig
1994 
  • McNamara, Schipper & Krome, Cologne
  • Documents, (with Henry Bond), Ars Futura, Zurich
  • Liam Gillick, Interim Art, London
1993 
  • Documents, (with Henry Bond), CCA Glasgow
  • An Old Song and a New Drink, (with Angela Bulloch), Air de Paris, Paris
1992 
  • McNamara, Hog Bikes and GRSSPR, Air de Paris, Nice
1991 
  • Documents, (with Henry Bond), Karsten Schubert Ltd, London
  • Documents, (with Henry Bond), APAC, Nevers
  • Documents, (with Henry Bond), Gio’ Marconi, Milan
1989 
  • 84 Diagrams, Karsten Schubert Ltd, London


Selected Group Exhibitions

2019
  • Bauhaus Spiel – Playground for Innovation, Neues Museum, Nürnberg, 14 March – 19 July 2019
2018
  • Travellers: Stepping into the Unknown, The National Museum of Art, Osaka
  • The Log-O-Rithmic Slide Rule: A Retrospective, KW Institute for Contemporary Art, Berlin, Germany
  • Que dut 1848?, FRAC Grand Large, Hauts-de-France
  • Festival m3 / Art in Space, Prague
  • Art is work, Krokus Gallery, Bratislava
  • Liam Gillick and Adam Pendleton, Eva Presenhuber, New York, NY, USA
  • Vicinato I et II, La Panacée Moco, Montpellier
  • Soziale Fassaden: Ein Dialog der Sammlungen des MMK und der Deka Bank, Museum für Moderne Kunst 
  • (MMK), Frankfurt am Main
  • 1998, Air de Paris, Paris
  • Ghost Nets, organized by Julieta Aranda, Galería OMR, Mexico City
  • drukwerk/printed matter, FRAC Normandie, Rouen
  • Twilight, Borusan Contemporary, Istanbul
2017
  • Dreamlands, Whitney Museum, New York
  • How To Live Together, Kunsthalle Wien Museumsquartier, Vienna, Austria
  • Colori. L’emozione dei colori nell’arte, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli; Galleria Civica d’Arte Moderna e Contemporanea, Torino
  • VARIABLE DIMENSIONS - ARTISTS AND ARCHITECTURE, MAAT | Museum of Art, Architecture and Technology, Lisboa
  • LIKE A MOTH TO A FLAME, curated by Tom Eccles, Liam Gillick and Mark Rappolt, OGR in partnership with Fondazione Sandretto Re Rebaudengo, Turin, Italy
  • MIF17: New Order + Liam Gillick: So it goes.., Old Granada Studios, Castlefield, Manchester, UK
  • True Faith, Manchester Art Gallery, Manchester, UK
  • Schreibtischuhr, Galerie Meyer Kainer, Vienna, Austria
  • Shanghai Project Part 2, Shanghai Himalayas Museum
  • 99 Cents, Museum of Contemporary Art Detroit
  • The Interior and The Carpet, Pacific Design Center, Los Angeles
  • Park, (organized by Kerlin Gallery) Holly’s Gallery, Guangzhou
  • John Latham – A World View, Serpentine Gallery, London
  • Arts Council 40th Anniversary Exhibition, Night at the Museum, The Attenborough Centre, Leicester
  • FLATLAND / ABSTRACTIONS NARRATIVES #2, Mudam, Luxembourg, Luxembourg
  • Du verbe à la communication, Le Carre d’art Nimes
  • Elbphilharmonie Revisited, Deichtorhallen, Hamburg
  • Readymade, House Eva Presenhuber, Vna, Switzerland
2016
  • Development, Okayama Art Summit 2016, Japan, curated by All Systems Go, Cooper Gallery, DJCAD, Dundee
  • Fluidity, Kunstverein in Hamburg, Hamburg
  • All Over, Galerie des Galaries, Paris
  • Expanded Fields, Nymphius Projekte, Berlin
  •           Moving Image Department: Chapter 4th, The Rhetoric of Time, Revisited, National 
  • Gallery, Prague
  • A Material Legacy: The Nancy A Nasher and David J Haemisegger Collection of Contemporary Art, Nasher Museum of Art at Duke University, Durham
  • A History Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich
  • Still (the) Barbarians, EVA International, Ireland’s Biennial, Limerick
  • Béton, Kunsthalle Wien Museumquartier, Vienna
  • Invisible Adversaries, Hessel Museum of Art, Bard College, USA
  • Reading Context, The Collection Teaching Gallery, CCS Bard, USA
  • Arts Council 40th Anniversary Exhibition, Night at the Museum, Yorkshire Sculpture 
  • Park, UK
  • Shanghai Project, Shanghai Himalayas Museum, China
  • Yinchuan Biennale 2016, Museum of Contemporary Art Yinchuan, China
  • Re-Reading the Collection, CGAC, Santiago de Compostela
  • Moving Image Department, Chapter 5, National Gallery of Art, Prague
  • If All Relationships Were to Reach Equilibrium, Then This Building Would Dissolve, 
  • MIMA, Middlesbrough
  • Eric the King Fan Club, Colette, Paris
  • Fünfzig Zigarren für das Licht der Zukunft, Kunst im Schloss Untergröningen
  • Presently, neugerriemschneider, Berlin
  • 140K, Kunstraum Ortloff, Leipzig
  • 30th Anniversary Programme – The Peacock, Grazer Kunstverein, Austria
  • 30th Anniversary, Galleria Alfonso Artiaco, Napoli, Italy
2015
  • Adventures of the black square: Abstract art and society 1915-2015, Whitechapel Gallery, London
  • British Art Show 8, Leeds Art Gallery, Leeds
  • 14th Istanbul Biennale, Istanbul
  • 10th Kaunas Biennial, Kaunas
  • 6th Moscow Biennale, Moscow
  • In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City
  • Summer Show 2015, Royal Academy of the Arts, London, United Kingdom
  • Space Between, FLAG Art Foundation, New York, NY
  • Ist Chapter: The Importance of Being a (Moving) Image, Prague National Gallery, Prague
  • Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland
  • Not: The Art of Resistance, Manchester School of Art Holden Gallery, Manchester
2014
  • Blue Times, Kunsthalle Wien Szalon, Logan Center, Chicago 
  • 20+, SMAHK, Assen
  • 55th October Salon, Belgrade
  • Helicotrema, Viafarini, Milan
  • Stillpass Collection with Exterior Concourse Diagram, collectorspace, Istanbul
  • Petals on the Wind, Galerie Micheline Szwajcer, Brussels 
  • Beyond and Between, Leeum Samsung Museum of Art, Seoul
  • Institute for Human Activities, Democratic Republic of Congo
  • Deep One Perfect Morning, Kerlin Gallery, Dublin 
  • A Machinery for Living, Organized by Walead Beshty, Petzel, New York
  • Une Histoire, Art, Architecture, Design des années 1980 à nos jours, Centre Pompidou, Paris
  • Swiss Pavilion, 14th Architecture Biennale, Venice
  • Never Look Back when Leaving, Casey Kaplan, New York
  • Der Leone have sept cabeças, CRAC Alsace, Altkirch
  • 9 Artists, MIT List Visual Art Center, Cambridge
  • The Decade 1984-1999, Centre Pompidou, Metz
  • Last News from the Ether, La Panacée, Montpellier
  • El Hotel Eléctrico, M_kha, Antwerp
  • Monochrome & Readymades, L’Onde Théâtre Centre d’art, Velizy-Villacoublay
2013
  • Secret Codes (Códigos Secretos), Galerie Luisa Strina, Sao Paulo
  • Absolut, White Flag Projects, St Louis, Mo
  • Fading Nights, Gerhardsen Gerner, Berlin
  • Punctum: Fotographie zwischen Inszenierung und Dokumentation, Boltensternraum Baden (Meyer Kainer)
  • Capitalism Catch 22, Impakt Festival Utrecht
  • CAC Malaga: Una Década, CAC Malaga
  • 9 Artists, Walker Art Center, Minneapolis
  • Nuit Blanche, Paris
  • To the Reader, BAK, Utrecht 
  • One foot in the real world, Irish Museum of Modern Art, Dublin
  • British British Polish Polish, CCA Warsaw
  • Word+Work, Galerie Nachst St Stephan, Vienna
  • Reading List: Artist’s Selections from the MoMA Library Collection, New York
  • Abstract Nature, Parkett Austellungs-Raum, Zurich
  • Unknown Forces, Curated by Sunjung Kim, Tophane-i Amire Gallery, Mimar Sinan University, Istanbul
  • Leichte Verstörung in den Fabriken, tête, Berlin
  • Secondary Stuctures, Francois Morellet, Olivier Mosset, Liam Gillick, Katja Strunz, Ruzicska, Salzburg
  • Contemporary Artists of the Donegal Diaspora, Regional Cultural Centre, Letterkenny 
  • Draft Urbanism, The Biennale of the Americas, Denver 
  • Sommeraustellung, Esther Schipper, Berlin 
  • 7 Studies, Schellmann Furniture, Munich
  • Chinese Whispers: A Group Show on the loss of Control, Curabasement, RomeSalle d’attente III, Galerie Laurent Mueller, Paris
  • DLA Piper Series: Constellations, Tate Liverpool
  • Striped: Gillick, Lefcourt, LeWitt, Pierson, Mitterand + Cramer, Geneve
  • Kunst Nach 45, Lenbachhaus, Munich
  • Poesia: Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst
  • Fired Earth, Herbert Gerisch Stiftung, Neumünster
  • The Lie and the Powerpoint, with Benoit Maire and Falke Pisano, Shanaynay, Paris
  • Endless Bummer/Still Bummin, Marlborough Chelsea, New York
  • Neoplastic Room Open Composition, Museum Sztuki, Lodz
  • Edge Order Rupture, Gallery Lelong, New York
  • The Twentieth Century as Never Seen Before, Museo di Santa Giulia, Brescia
  • Love in a Cold Climate, S1 Artspace, Sheffield
  • Cross/Roads, Willie Birch and Liam Gillick, Bard CCS
  • Abstract Generation: Now in Print, MoMA, New York
  • Another Time, Pestorius Sweeney House, Brisbane
  • Looking Back - The 7th White Columns Annual, selected by Richard Birkett, White Columns, New York
2012

  • Screens, Galerie Meyer Kainer, Vienna
  • True Stories: Scripted Realities, Dunedin Public Art Gallery, New ZealandThe Mystery Spot, Fondation d’enterprise Ricard, Paris
  • The Feverish Library, Friedrich Petzel, New York
  • Parque Industrial, Galeria Luisa Strina, Sao Paulo
  • Where is the Power, Fort Worth Contemporary Arts
  • True Stories: Scripted Realities, Te Tuhi Centre for the Arts, New Zealand
  • Decade: Contemporary Collecting 2002-2012, Albright Knox, Buffalo
  • Various stages, Kunsthaus Dresden
  • Sense and Sensibility, Euskadi 2012
  • Skulpturen und Reliefs aus der Sammlung, Kunsthalle Weishaupt, Ulm
  • Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg
  • Group Exhibition, Kerlin Gallery, July
  • Air de Paris Summer Show, Art & Rapy, Monaco
  • Last Day, Cartel, London
  • Looking Back for the Future, Kunsthalle, Zurich
  • Painting in Space, Luhring Augustine, New York
  • Soundworks, ICA, London
  • Wir treffen uns am Abend, Galerie Kamm, Berlin
  • Read, Look! We promise it’s not dangerous, Emily Harvey Foundation, New York
  • How to Make - Ideen, Notationen, Materialisierungen, Kunsthaus Dresden
  • True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New ZealandPositions on Conceptual Art, Galerie Rüdiger Schottle, Köln
  • Print/Out, MoMA, New York
  • The Poster Show, Galerie Carlier-Gebauer, Berlin
  • Schrift Bild, Galerie Meyer Kainer, Vienna
  • Utopia Gesamtkunstwerk, 21er Haus, Vienna
  • Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm
2011
  • Of Bridges and Borders: Chapter V, From Real to Surreal, Museo de Arte Moderno de Buenos Aires
  • Performa 11, New York
  • The Air we Breathe, SFMOMA, San Francisco
  • Obras de la collecion Jumex, Hospicio Cabanas, Guadalajara
  • Our Day Will Come & Iteration Again, University of Tasmania School of Art in Hobart
  • Monodrome, 3rd Athens Biennale, Athens
  • In Deed: Certificates of authenticity in Art, Fondazione Bevilacqua, La Masa
  • In Deed: Certificates of authenticity in Art, De Vleeshal, Middelburg
  • Göteborg International Biennale for Contemporary Art, Göteborg
  • Als die Wälder auf Reisen gingen, Kunstverein Pforzheim
  • Conversation Pieces, Tate, Liverpool
  • Footnote 6: As Model, Miguel Abreu, New York
  • Humid but cool I think, Taro Nasu, Tokyo
  • Everything must Go!, Casey Kaplan, New York
  • Out of storage, Marres, Maastricht
  • Sculpture Now, Galerie Eva Presenhuber, Zurich
  • Contemporary Magic: A Tarot Deck art project, Andy Warhol Museum, Pittsburgh
  • Space Oddity, Kunsthalle Andratx
  • I am still alive, MoMA, New York
  • Abstract Possible, Museo Tamayo, Mexico, DF
  • Police!, Galerie Nathalie Seroussi, Paris
  • A lunatic on bulbs, Giorgio Pace Projects, Chesa Planta
  • We Are Grammar, Pratt Institute Gallery, New York
  • Scaffolding of contrition, LeRoy Neiman Gallery, New York
  • Modern British Sculpture, Royal Academy, London
  • Someone else’s life, Kerlin Gallery, Dublin
  • No more presence, The Artist’s Institute, New York
2010
  • 01-10, Esther Schipper, Berlin
  • Without you I am nothing: Art and its Audience, Museum of Contemporary Art, Chicago
  • Which whitch is which and/or summertime, White Flag Projects, St Louis


  • Nature, Gerhardsen Gerner, Berlin
  • Contemporary Magic: A Tarot Deck art project, National Arts Club, New York
  • 8th Shanghai Biennale, Shanghai
  • Geometry in 20th Century Art, Museo d’arte Latinamericano de Buenos Aires
  • Today I made nothing, Elizabeth Dee Gallery, New York
  • Aires de Jeux, Le Quartier, Quimper
  • Unrealised Potential, Cornerhouse, Manchester
  • Changing Britain: Documentary Photography from the Arts Council Collection, Portcullis House, London
  • Multiple Pleasures, Tanya Bonakdar Gallery, New York
  • The Philosophy of Money, White Pavilion, Lisbon City Museum
  • 89 KM CGAC Collection, MARCO, Vigo
  • Humanity is not a completed project, Villa du Parc, Centre d’art Contemporain, Annemasse
  • Men with Balls: Art of the 2010 World Cup, Apex Art, New York
  • Post-Office, Artspace, Auckland
  • High ideals and crazy dreams, Vera Munro, Hamburg
  • Kozmik Latte, Borusan Collection, Istanbul
  • Film Matters, Beton 7, Athens
  • Don’t Piss on me and tell me that it’s raining, Apex Art, New York
  • The Promises of the Past, Centre Pompidou, Paris
  • Ce qui vient, Les Ateliers de Rennes, Biennale d’art contemporain, Rennes
  • Art: Curated by Michael Craig-Martin, Haas and Fuchs, Berlin
  • Fantasy & Island, FRAC Corse
  • Pictures about Pictures: Discources in Painting, MUMOK, Wien
  • Corporate Everything, Kunsthalle Freiburg
  • Shazam, c/o Gerhardsen Gerner, Berlin
  • t is it, Espacio 1414 Puerto Rico
  • Interference: Fields for listening and Praxis, The studio at Moderna Museet, Stockholm
  • Animism, MuKHA/Extra City, Antwerp
2009
  • Queensland Art 2009, Pestorious Sweeney House, Brisbane
  • Gagarin: Artists in their own words, SMAK, Gent
  • We are sun-kissed and Snow Blind, Patrick Seguin, Paris
  • A Factory, A Machine, A Body…, MUCA, Mexico City
  • La Suite, Air de Paris, Paris
  • T-tris, BPS 22, Charleroi
  • Top 10 Allegories, Galerie Francesca Pia, Geneve
  • Watou 2009, Watou

  • Learn to Read Art: A History of Printed Matter (1976-2009), Badischer Kunstverein, Karlsruhe
  • Il Tempo del Postino, Theater Basel, Basel
  • The Obstacle is Tautology, Tulips and Roses, Vilnius
  • UFO: Grenzgänge zwischen Kunst und Design, NRW-Forum, Dusseldorf
  • Take the Money and Run, De Appel, Amsterdam
  • Between Metaphor and Object, IMMA, Dublin
  • Lapdogs of the Bourgeoisie, Arnolfini, Bristol
  • Because I say so: Sculpture from the Scholl collection, Frost Art Museum, Miami
  • La Recherche, Air de Paris, Paris
  • A Factory, A Machine, A Body… Archaeology and Memory of Industrial Spaces, Centre d’art La Panera, Lleida
  • Unbuilt Roads, E-flux, New York
  • Beaufort 03, Oostende, Belgium
  • International Photo Festival Knokke-Heist, Knokke Heist
  • Espèces d’Espaces, Yvon Lambert, New York
  • The Human Stain, CGAC Santiago de Compostela
  • Forms of Inquiry, Archizoom, Lausanne
  • Just what are the saying, Jonathan Ferrara Gallery, New Orleans
  • Custom Car Commandos, Art in General, New York
  • Saints and Sinners, Rose Art Museum, Brandeis University
2008
  • Fifty Percent Solitude, Kerlin Gallery, Dublin
  • Made in Munich, Haus der Kunst, Munich
  • Getting Even, Lewis Glucksman Gallery, Cork
  • Theanyspacewhatever, Guggenheim Museum, New York
  • Accessories to an artwork, Paul Stolper Gallery, London
  • Edition Schellmann Furniture, Edition Schellmann, Munich
  • Branding Democracy, New School, New York
  • Moments and Murals, MD72, Berlin
  • 100 Artists: Art on the Underground, A Foundation Gallery, London
  • La Vitrina, Gudalajara
  • La Petite Histoire, Kunstraum Niederoesterreich, Vienna
  • This is the gallery and the gallery is Many things, Eastside Projects, Birmingham
  • Shapes of Space 2, Mário Sequeira Gallery, Braga
  • Mondo e Terra, FRAC Corse
  • Private/Corporate V: Daimler Art Collection, Haus Huth, Berlin
  • Vincent Award, Stedelijk Museum, Amsterdam
  • No so subtle subtitle, Casey Kaplan, New York



  • The Sydney Biennale, Sydney
  • This is the gallery and the gallery is many things, Eastside Projects, Birmingham
  • Book/Shelf, MoMA, New York
  • Typed, Sadie Coles, London
  • Cube Passerby, Passerby, New York
  • The Brisbane Sound, Institute of Modern Art, Brisbane
  • KW Hommage à Klaus Werner, Galerie für Zeitgenössiche Kunst, Leipzig
  • MAXImin, A century of abstraction, Fondacion Juan March, Madrid
  • Lapdogs of the Bougoisie, Tensta Konsthall, Spanga
  • Mixed Emotions, Domus Atrium, Salamanca
  • Images: A spike magazine project, Forde, Geneva
2007
  • Xmas Hysteria, Galerie Emi Fontana, Milan
  • Winter Palace, de Aterliers, Amsterdam
  • Fusion Now! More light, more power, more people, Rokerby Gallery
  • If everybody had an ocean, CAPC, Bordeaux
  • Tomorrow is Another Day, Artsonje, Seoul
  • Franz West: Soufflé, Kunstraum Innsbruck
  • Floating Territories, Various Locations (Venice, Istanbul…)
  • If Everybody Had an Ocean, CAPC, Bordeaux
  • The Showroom Talks, The Showroom, London
  • L’ottava Tavola: An Etymology of Contemporary Codes, Cortona
  • I can’t live without, The Showroom, London
  • Other Men’s Flowers, Venetia Kapernekas Gallery, New York
  • Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York
  • It starts from here, De La Warr Pavillion
  • Perspektive 07, Lenbachhaus, Munich
  • How to improve the world, Birmingham Museum and Art Gallery
  • Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga
  • If Everybody Had an Ocean, Tate, St Ives
  • Memorial to the Iraq War, ICA, London
  • The Shapes of Space, Guggenheim Museum, New York
  • The Redistribution of the Sensible, Galerie Magnus Muller, Berlin
  • Airs de Paris, Centre Pompidou, Paris
  • Pure, Sean Kelly, New York
  • Models for Tommorow: Cologne, EU Kunsthalle, Köln
  • Los Vinilos, El Basilico, Buenos Aires
  • Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan
  • Active Constellation, Brno House of Art
  • Lapdogs of the Bourgoisie, Platform Garanti, Istanbul
2006
  • Drapeaux Gris, CAPC, Bordeaux
  • All Hawaii Entrées/Lunar Reggae, IMMA, Dublin
  • Saigon: Open City, Saigon
  • Klinik: Eine pathologie der Gesten, Hebbel am Ulfer, Berlin
  • Eye on Europe: Prints, Books and Multiples 1960 to now, MoMA, New York
  • How to improve the World, Hayward Gallery, London
  • Projektion, Kunstmuseum, Luzern
  • Faster! Bigger! Better!, ZKM, Karlsruhe
  • Modus, Neue Kunsthalle, St Gallen
  • Abstraction Now, Wilhelm-Hack-Museum, Ludwigshafen
  • Dirty Words, Galeria Pedro Cera, Lisbon
  • Turtle, Chelsea Space, London
  • Sprung ins Kalte Wasser, Shedhalle, Zurich
  • Crytallizations, Andreas Murkurdis Temporary, Munich 
  • Untouchable (The ideal of Transparency), Villa Arson, Nice
  • Thankyou for the Music (London Beat), Sprüth Magers Lee, London
  • Grey Flags, Sculpture Center, New York
  • Back and Forth, Stiftung Wilhelm Lehmbruck Museum, Duisburg 
  • Classical Modern, Daimler Chrysler Contemporary, Berlin
  • A short history of performance Part 4, Whitechapel Art Gallery, London
  • Bühne des Lebens – Rhetorik des Gefühls, Kunstbau München
  • Ordnung und Verführung, Haus Konstructiv, Zurich
  • Under Construction, European Kunshalle, Cologne
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Cheekwood Museum of Art, Nashville
  • Broken Surface, Galerie Sabine Knust, Munich
  • Slow Burn, Galerie Edward Mitterand, Geneva
  • Fondos da Colección CGAC: Entre o proceso e a forma, CGAC, Santiago de Compostela
  • Cinéma(s), Le Magasin, Grenoble
2005
  • Minimalism and after, Daimler Chrysler Collection, Berlin
  • Supernova, Contemporary Art Centre, Vilnius
  • The Party, Casey Kaplan, New York
  • Thankyou for the Music, Sprüth Magers, Munich
  • Ambiance, K21, Dusseldorf
  • Rundledererwelten, Martin Gropius Bau, Berlin
  • Reception, Büro Friedrich, Berlin
  • Snow Black, Yvon Lambert, New York
  • Passion beyond reason, Wallstreet 1, Berlin
  • General Ideas: Rethinking conceptual art 1987-2005, CCA Wattis, San Francisco
  • Extreme Abstraction, Albright Knox Art Gallery, Buffalo
  • Nach Rokytnik, MUMOK, Vienna
  • I Really Should*, Lisson Gallery, London
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Contemporary Art Center of Virginia, Virginia Beach 
  • Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo, Turin
  • Post Notes, Midway Contemporary Art, Minneapolis
  • La La Land, The Project, Dublin
  • Supernova, Bunkier Sztuki, Kraków
  • Anna Sanders Films, Cinema Svetozor, Prague
  • Group Exhibition, Air de Paris, Paris
  • The Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussels
  • Good Titles for Bad Books, Kevin Bruk, Miami
  • Goodbye 14th Street, Casey Kaplan, New York
  • New Cohabitats, Galerie Ghislane Hussenot, Paris
  • The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th Century, New York
  • Exit – Aussteig aus dem bild, ZKM, Karlsruhe
2004
  • Poul Kjaerholm, Sean Kelly, New York
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), ICA, London
  • Utopia Station, Haus der Kunst, Munich
  • Nothing Compared to This: Ambient, Incidental and New Minimal Tendencies in Current Art, CAC, Cincinnati
  • Trailer, Man in the Holocene, London
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Laguna Art Museum, Laguna Beach
  • The Trailer Special Project, Curzon Cinemas, London
  • Strike, Basekamp, Philadelphia
  • Black Friday: Exercises in Hermetics, Galerie Kamm, Berlin
  • Marks in Space, Usher Gallery, Lincoln
  • Off the Record/Sound Art, ARC Musée d’art moderne de la ville de Paris
  • Czech Made, Display, Prague
  • Artists’ Favourites, ICA, London
  • Drunken Masters, Fortes Vilaca, Sao Paulo
  • 9 Mütter XX04, Mütter Museum, Philadelphia
  • Russian Doll, MOT, London
  • Tonight, (curated by Paul O’Neill), Studio Voltaire, London
  • How to learn to love the bomb and stop worrying about it, Central de Arte en WTC, Guadalajara
  • The Drawing Project, Vamiali’s, Athens
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), The Contemporary Jewish Museum, San Francisco
  • Establishing Shot, Artist’s Space, New York
  • Singular Forms (Sometimes Repeated), Art from 1951 to the Present, Guggenheim Museum, New York
2003
  • Bad Behaviour: Works from the Arts Council Collection, Yorkshire Sculpture Park
  • Everything Can Be Different, Maryland Institute College of Art, Baltimore
  • A Nova Geometria, Galeria Fortes Vilaça, Sao Paulo
  • Wittgenstein: Family Likenesses, Institute of Visual Culture, Cambridge
  • How to learn to love the bomb and stop worrying about it, National Chamber of Art Industries, Mexico City
  • Abstraction Now, Künstlerhaus Wien, Vienna
  • Honey I rearranged the collection, Greengrassi/Corvi-Mora, London
  • Utopia Station, Venice Biennale, Venice
  • 25th International Biennial of Graphic Arts, Ljubljana
  • Social Facades and Others, Lenbachhaus, Munich
  • 3D, Friedrich Petzel, New York
  • Tirana Biennale 2, Tirana
  • Cool Luster, Collection Lambert, Avignon 
  • Form Specific, Moderna Galerija, Ljubljana
  • Typofgravy, Cell, London
  • 20 th Anniversary Show, Sprüth Magers, Köln
  • Imperfect Marriages, Galerie Emi Fontana, Milan
  • Glamour, British Council, Prague
  • The Moderns/I moderni, Castello di Rivoli, Torino
  • JRP Editions, Galería Javier López, Madrid
  • The Air is Blue, Barragan House, Mexico City
  • This Was Tomorrow, New Art Centre Sculpture Park, Salisbury
  • Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich
  • Animations, Kunstwerk, Berlin
  • JRP Editions, Galerie Edward Mitterand, Geneva
  • Re-Produktion 2, Georg Kargl, Vienna
  • No Ghost Just a Shell, Van Abbemuseum, Eindhoven
  • Perfect Timeless Repetition, C/O Atle Gerhardsen, Berlin
2002
  • No Ghost Just a Shell, San Francisco Museum of Modern Art
  • No Ghost Just A Shell, Institute of Visual Culture, Cambridge
  • It’s Unfair, Museum de Paviljoens, Almere
  • Lap Dissolve, Casey Kaplan, New York
  • L’image habitable - versions B,C,D,E, Mamco, Geneva
  • This Play 31, La Coleccion Jumex, Mexico
  • Relational Aesthetics from the 1990s, San Francisco Art Institute, San Francisco
  • Turner Prize, Tate, London
  • The Galleries Show: Contemporary Art in London, Royal Academy of Arts, London
  • The Unique Phenomena of a Distance, Magnani, London
  • Société Perpendiculaire: La Tapisserie, FRAC Provence-Alpes-Côte d’Azur
  • No Ghost Just a Shell, Kunsthalle, Zurich
  • Multiples X, London Print Studio
  • Summer Cinema, Casey Kaplan, New York
  • Collected Contemporaries, Moderna Museet, Stockholm
  • JRP Editions, RAK, Vienna
  • The Movement Began with a Scandal, Lenbachhaus, Munich
  • The Object Sculpture, The Henry Moore Institute, LeedsHappy Outsiders from Scotland and London, Zachetal, Warsaw/Katowice City Gallery
  • Inframince, Cabinet Gallery, London
  • The Ink Jetty, Neon Gallery, London
  • Private Views, Printed Space, London
  • Parallel Structures, Gertrude Contemporary Art Spaces, Fitzroy, Victoria
  • Annlee You Proposes, Mamco, Geneve
  • Void, Rice Gallery, Tokyo/CCA Kitakyushu 
  • Everything Can Be Different, University of Memphis, Tennesee
  • Art & Economy, Deichtorhallen, Hamburg
  • J’en ai pris des coups mais j’en ai donnés aussi, Galerie hez Valentin, Paris
  • Do It, Museo de Arte Carrillo Gil, San Angel
  • Minimal Maximal, National Museum of Contemporary Art, Seoul
  • Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo
  • Reflexions, Sprüth Magers, Munich
  • Urgent Painting, ARC, Musée d’art moderne de la ville de Paris, Paris
2001
  • if a double-decker bus crashes into us to die by your side such a heavenly way to die and if a ten ton truck kills the both of us to die by your side the pleasure and the privilege is mine , Air de Paris, Paris 
  • I love Dijon, Le Consortium, Dijon
  • En/Of, Schneiderei, Köln
  • Rumour City, TN Probe, Japan
  • 9e Biennale de l’image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Genève
  • Animations, PS1, Long Island City
  • Rumor City, Raffinerie, Brussels
  • Yokohama 2001, Yokohama Triennale, Yokohama
  • Beautiful Productions: Parkett, Whitechapel Gallery, London 
  • Ambiance Magasin, Meymac Centre d’art Contemporain 
  • The Communications Department, Anthony Wilkinson Gallery 
  • Stéphane Dafflon/Liam Gillick/Xavier Veilhan, Le Spot, Le Havre 
  • Strategies against Architecture, Fondazione Teseco, Pisa 
  • A Timely Place, Or, Getting Back to Somewhere, London Print Studio
  • Biennale de Lyon, Musée d’art contemporain, Lyon 
  • The Wedding Show, Casey Kaplan, New York
  • A New Domestic Landscape, Javier Lopez, Madrid
  • International Language, Grassy Knoll Productions, various sites, Belfast
  • Collaborations with Parkett: 1984 to now, Museum of Modern Art, New York
  • Berlin Biennale, Kunst Werk, Berlin
  • Contemporary Utopia, Museum of Modern Art, Riga 
  • Nothing, Northern Gallery for Contemporary Art, Sunderland/Contemporary Art Centre, Vilnius/Rooseum, Malmo
  • Minimal-Maximal, City Museum of Art, Chiba; National Museum of Art, Kyoto;
  • City Museum of Art, Fukuoka
  • Stop and Go, FRAC, Nord-Pas de Calais, Dunkerque
  • Histoire de coeur, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls
  • Demonstration Room: Ideal House, Apex Art, New York
  • Century City, Tate Modern, London
2000
  • Future Perfect, Cornerhouse, Manchester
  • Group Show, Corvi-Mora, London
  • How do you change an apartment that has been painted brown? Certainly not by painting it white, Institute of Visual Culture, Cambridge
  • Perfidy, Kettles Yard, Cambridge
  • More Shows About Buildings and Food, Lisbon
  • Casa Ideal, Museo Alejandro Otero, Caracas
  • Que saurions-nous construire d’autre? (What else could we build?), La Villa Noailles
  • Indiscipline, Roomade, Brussels
  • e-mona, The Museum of New Art, Detroit
  • Protest and Survive, Whitechapel Gallery, London
  • Werkleitz, Tornitz
  • Vicinato 2, Neuggerreimschneider, Berlin
  • Vicinato 2, Fig 1, London
  • Haut de Forme et Bas Fonds, FRAC Poitou-Charentes, Angoulême
  • Future Perfect, Centre for Visual Arts, Cardiff
  • Intelligence, Tate Britain, London
  • Group Show, Paula Cooper Gallery, New York
  • Interplay, selected works from the Museum and private collections, The National Museum of Contemporary Art, Oslo
  • What If/Tänk Om, Moderna Museet, Stockholm
  • Working Title, Stanley PIcker Gallery, Kingston University
  • Dire Aids, Art in the Age of Aids, Promotrice delle Belle Arti, Torino
  • British Art Show 5, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham
  • Viva Maria III, Galerie Admiralitätstraße, Hamburg 
  • Decompressing History, (curated by Lars Bang Larson), Galeri Enkehuset, Stockholm
  • 14 + 1, Feitchtner & Mizrahi, Vienna
  • Group Show, Casey Kaplan, New York
  • Continuum 001, (curated by Rebecca Gordon Nesbitt) CCA, Glasgow
  • 29th International Film Festival, Rotterdam
1999
  • Space, Schipper und Krome, Berlin
  • Une histoire parmi d’autres, collection Michel Poltevin, FRAC Nord-Pas de Calais
  • Officina Europa, Bologna
  • 705 Wings of Freedom, (curated by Uwe Wiesner), Berlin
  • Jonathan Monk, Casey Kaplan, New York
  • 1999 East Wing Collection, Courtald Institute of Art, London
  • Get Together/Art As Teamwork, Kunsthalle, Vienna
  • New York/London, Taché-Levy, Brussels
  • Art Lovers, (curated by Marcia Fortes), Tracey, Liverpool Bienial
  • Fantasy Heckler, (curated by Padraig Timoney), Tracey, Liverpool Bienial
  • Shopping, FAT, London 
  • Tent, Rotterdam
  • Objecthood OO, Athens
  • Le Capitale, (curated by Nicolas Bourriaud), Centre régionale d’art contemporain, Sete
  • In The Midst of Things, University of Central England, Bourneville
  • Essential Things, (curated by Guy Mannes Abbott), Robert Prime, London
  • Out of Sight - A cross-reference exhibition, Büro Friedrich, Berlin
  • Etcetera, Spacex Gallery, Exeter
  • Plug-ins, Salon 3, London
  • Tang, Turner and Runyon, Dallas
  • 12 Artists, 12 Rooms, Galerie Thaddeaus Ropac, Salzburg
  • Nur Wasser, Neumühlen, Hamburg
  • Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York
  • Pl@ytimes, Ecole supérieure d’art de Grenoble, Grenoble
  • Konstructionszeichnungen, Kunst-Werke, Berlin
1998
  • 1+3 = 4 x 1, Galerie für Zietgenössische Kunst, Leipzig
  • Projections, de Appel, Amsterdam
  • The Project of the 2nd December, Salon 3, London
  • Cluster Bomb, Morrison/Judd, London
  • Dijon/Le Consortiumcoll, Centre Georges Pompidou, Paris
  • Ghosts, Le Consortium, Dijon
  • Minimal-Maximal, Neues Museum Weserburg, Bremen; Kunsthalle, Baden-Baden; CGAC, Santiago de Compostela
  • Odradek, (curated by Thomas Mulcaire), Bard College, New York
  • Places to Stay 4 P(rinted) M(atter), Buro Friedrich, Berlin
  • UK - Maximum Diversity, Galerie Krinzinger, Bregenz/Vienna
  • The Erotic Sublime, Thaddeaus Ropac, Salzburg
  • Fuori Uso ‘98, Mercati Ortofrutticoli, Pescara
  • London Calling, The British School at Rome & Galleria Nazionale d"Arte Moderna, Rome
  • Kamikaze, Galerie im Marstall, Berlin
  • Inglenook, (curated by Evette Brachman), Feigen Contemporary, New York
  • In-significants, Stockholm, Sweden
  • Arena - Sport und Kunst Austellung, Galerie im Rathaus, Munich
  • Construction Drawings, (curated by Klaus Biesenback), PS1, New York
  • A to Z, (curated by Matthew Higgs), The Approach, London
  • Interactive, An Exhibition of Contemporary British Sculpture, Amerada Hess, London
  • Artist/Author: Contemporary Artists’ Books, American Federation of Arts touring show
  • Weatherspoon Art Gallery, Greensboro/The Emerson Gallery, Clinton/ The Museum of Contemporary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University Art Gallery, Amherst
  • Fast Forward, Kunstverein in Hamburg
  • Liam Gillick, John Miller, Joe Scanlan, RAK, Vienna
1997

  • Group Show, Schipper & Krome, Berlin
  • Group Show, Air de Paris, Paris
  • Work in Progress and or Finished, Ubermain, Los Angeles
  • Maxwell’s Demon, Margo Leavin, Los Angeles
  • Other Men’s Flowers, The British School at Rome, Rome
  • Hospital, Galerie Max Hetzler, Berlin
  • Heaven - a Private VIew, PS1, Long Island
  • Group Show, Vaknin Schwartz, Atlanta
  • Ireland and Europe, Sculptors Society of Ireland, Dublin
  • Group Show, Robert Prime, London
  • Enterprise, ICA, Boston
  • documenta X, Kassel
  • I Met A Man Who Wasn’t There, Basilico Fine Arts, New York
  • Moment Ginza, (co-ordinated by Dominique Gonzalez-Foerster), Le Magasin, Grenoble
  • Space Oddities, Canary Wharf Window Gallery, London
  • Enter: audience, artist, institution, (curated by Barbara Steiner), Kunstmuseum Luzern, Luzern
  • Ajar, Galleri F15, Jeløy
  • Des Livres d’Artistes, L’ecole d’art de Grenoble, Grenoble
  • Temps de Pose, Temps de Parole, Musée de l”Echevinage, Saintes
  • Life/Live, Centro Cultural de Belém, Lisbon
1996
  • Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York
  • Supastore de Luxe, Up & Co, New York
  • Glass Shelf Show, ICA, London
  • A Scattering Matrix, (curated by Jane Hart), Richard Heller Gallery, Los Angeles
  • Lost For Words, Coins Coffee Store, London
  • Itinerant Texts, Camden Arts Centre, London
  • Such is Life, Serpentine London/Palais des Beaux Arts, Brussels/Herzliya Museum of Art
  • Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris
  • Escape Attempts, Globe, Copenhagen
  • How Will We Behave?, Robert Prime, London
  • Nach Weimar, (curated by Nicolaus Schafhausen and Klaus Biesenbach), Landesmuseum, Weimar
  • Some Drawings From London, Princelet Street, London
  • Dinner, (organised by Giorgio Sadotti), Cubitt Gallery, London
  • Departure Lounge, The Clocktower, New York
  • Kiss This, (curated by Jeremy Deller), Focalpoint Gallery, Southend
  • Traffic, (curated by Nicolas Bourriaud), CAPC, Bordeaux
  • Co-operators, Southampton City Art Gallery, Southampton
1995
  • Trailer, (curated by Barbara Steiner), Mediapark, Köln 
  • Brilliant, (curated by Richard Flood), Walker Art Centre, Minneapolis
  • New British Art, Museum Sztuki, Lodz
  • Filmcuts, Neugerriemschneider, Berlin
  • Reserve-Lager-Storage, Oh!, Bruxelles
  • Ideal Standard Summertime, Lisson Gallery, London
  • Karaoke, (curated by Georg Herold), South London Art Gallery
  • Summer Fling, Basilico Fine Arts, New York
  • Collection fin XXéme, FRAC Poitou Charentes, Angouleme
  • In Search of the Miraculous, Starkmann Library Services, London
  • Bad Times, (curated by Jonathan Monk), CCA, Glasgow
  • Möbius Strip, Basilico Fine Arts, New York
1994
  • The Institute of Cultural Anxiety, (curated by Jeremy Millar), ICA, London
  • Surface de Réparations 2, FRAC Borgougne, Dijon 
  • Lost Paradise, (curated by Barbara Steiner), Kunstraum, Vienna
  • Miniatures, The Agency, London
  • Other Men’s Flowers, (curated by Joshua Compston), Hoxton Square, London
  • Mechanical Reproduction, (curated by Jack Jaeger), Galerie van Gelder, Amsterdam
  • Rue des Marins, Air de Paris, Nice
  • Grand Prix, (curated by Axel Huber), Monaco
  • Public Domain, (curated by Jorge Ribalta), Centro’ Santa Monica, Barcelona
  • Cocktail I, Kunstverein in Hamburg 
  • Backstage, Kunstmuseum Luzern
  • Don’t Look Now, (curated by Joshua Decter), Thread Waxing Space, New York 

1993
  • Unplugged, (curated by Nicolas Bourriaud), Köln 
  • Dokumentation uber, arbeiten von, Esther Schipper, Köln
  • Two out of four dimensions, Centre 181, London
  • Backstage, (curated by Stephan Schmidt-Wulffen & Barbara Steiner), Kunstverein 
  • in Hamburg
  • Manifesto, (curated by Benjamin Weil), Hohenthal und Bergen, München
  • Points de Vue, Galerie Pierre Nouvion, Monaco
  • Futura Book, Air de Paris, Nice
  • The London Photo Race, Friesenwall 120, Köln 
  • Group Show, Esther Schipper, Köln 
  • Wonderful Life, Lisson Gallery, London
  • Los Angeles International, Esther Schipper at Christopher Grimes, Los Angeles
  • Travelogue, (curated by Jackie McAllister), Hochschule fur Angewandte Kunst, 
  • Vienna
  • Claire Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair, Gesellschaft fur Aktuelle Kunst, (curated by Tom Eccles) Bremen
  • Territorio Italiano, (curated by Giacinto di Pietrantonio), Milan
1992
  • ON, Interim Art, London
  • Group Show, Esther Schipper, Köln 
  • 12 British Artists, Barbara Gladstone/SteinGladstone, New York
  • Etats Spécifique, Musée d’art moderne, Le Havre
  • Manifesto, (curated by Benjamin Weil), Daniel Büchholz, Köln/Castello di Rivara, Turin/ Wacoal Arts Centre, Tokyo/Urbi et Orbi, Paris
  • Lying on top of a building the clouds look no nearer than they had when I was lying in the street, Monika Sprüth, Köln/Esther Schipper, Köln/Le Case d’Arte, Milan 
  • Molteplici Culture, (selected by Giorgio Verzotti), Folklore Museum, Rome
  • Tatoo, Air de Paris/Urbi et Orbi, Paris/Daniel Büchholz, Köln/Andrea Rosen, New York
1991
  • The Multiple Projects Room, Air de Paris, Nice 
  • Air de Paris à Paris, Air de Paris, Paris
  • No Man’s Time, CNAC, Villa Arson, Nice 
1990
  • The Multiple Projects Room, Air de Paris, Nice



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