biography

Born 1964, Aylesbury, UK
Lives and works in New York City, NY

Education
1984/87 Goldsmiths College, University of London, BA
1983-84 Hertfordshire College of Art


Awards

1998
Paul Cassirer Kunstpreis, Berlin, Germany 

2002
Turner Prize Nomination, Tate, London, UK
 
2008
Vincent Award Nomination, Stedelijk Museum, Amsterdam, The Netherlands


Selected Solo Exhibitions
2019

  • MADRE–Museo d’Arte Contemporanea Donna Regina, Naples, Italy (Upcoming)
2018
  • A Depicted Horse is not a Critique of a Horse Kerlin Gallery, Dublin
  • There Should Be Fresh Springs…, Gallery Baton, Korea

2017

  • Campaign- An Exhibition in Four Moments, Muséu Serralves, Porto, Portugal
  • LIAM GILLICK: Extended Soundtrack for a Lost Production Line: ton und film Maag Areal, Galerie Eva Presenhuber, Zurich
  • LIAM GILLICK, WERE PEOPLE THIS DUMB BEFORE TV? GRAFISCHE ARBEIT 1990-2016, Esther Shipper Gallery, Berlin
  • The Light is no Brighter at the Centre, Contemporary Art Centre (CAC), Vilnius, Lithuania
2016
  • Phantom Structures, Casey Kaplan, New York
  • Eva Presenhuber, Zurich 
  • Campaign, Serralves Museum of Contemporary Art, Porto
  • What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin
  • The Red Wood Pigeon Meets Some Meetings, Air de Paris, Paris 
  • Stardust Expression, Taro Nasu, Tokyo 
  • Phantom Structures, Casey Kaplan, New York
  • Eva Presenhuber, Zurich 
  • Campaign, Serralves Museum of Contemporary Art, Porto
  • What’s What in a Mirror, Dublin City Gallery, Hugh Lane, Dublin
  • The Red Wood Pigeon Meets Some Meetings, Air de Paris, Paris 
  • Stardust Expression, Taro Nasu, Tokyo 
2015
  • Four Developments and a Collective Tought, Alfonso Artiaco, Naples
  • The Thought style meets the Tought Collective, Maureen Paley, London
  • All-limited-Act, Stedelijk Museum and Holland festival, Amsterdam 
  • Liam Gillick 1 Rue Gabriel Tarde, Sarlat-La-Caneda, Dordogne, Galerie Micheline Szwajcer, Brussels
  • Four Developments and a Collective Tought, Alfonso Artiaco, Naples
  • The Thought style meets the Tought Collective, Maureen Paley, London
  • All-limited-Act, Stedelijk Museum and Holland festival, Amsterdam 
  • Liam Gillick 1 Rue Gabriel Tarde, Sarlat-La-Caneda, Dordogne, Galerie Micheline Szwajcer, Brussels
2014
  • Esther Schipper, Berlin
  • 199A to 199B, Le Magasin, Grenoble
  • Complete Bin Development, Galerie Hans Mayer, Düsseldorf
  • Revenons à nos moutons, Esther Schipper, Berlin
  • From 199C to 199D, Magasin Centre national d’art contemporaine, Grenoble
2013
  • Taru Naso, Tokyo

  • Casey Kaplan, New York
  • Margin Time 2 and Laguna Discussion Platform, Austin Museum of Art, Austin

  • From Fredensborg to Halen via Loch Ruthven – Courtyard Housing Projections, HICA (Highland Institute of Contemporary Art), Loch Ruthven
  • For the doors that are welded shut, Kerlin Gallery, Dublin

  • Five Structures and a Shanty, Gallery IHN, Seoul
2012 
  • 199A – 199B, Hessel Museum of Art, Bard College, New York
  • Scorpion or Felix, Galerie Eva Presenhuber, Zurich
  • Scorpion and und et Felix, Casey Kaplan, New York
  • Margin Time, Maureen Paley, London
  • Agreements, McNamara and Lead Times, Taro Nasu, Tokyo
  • Liam Gillick, Galleria Alfonso Artiaco, Naples
2011
  • Sit in the machine, Air de Paris, Paris
  • Sit on the machine, Galerie Micheline Szwajcer, Antwerp
  • A Game of War Structure, Irish Museum of Modern Art, Dublin! (site-specific work 
  • commissioned for IMMA)
2010 
  • 1848!!!, Esther Schipper, Berlin
  • One long walk… Two short piers, Kunst- und Ausstellungshalle, Bonn
  • Seven Structures and a large Vodka Soda, Kerlin Gallery, Dublin
  • Everything Good Goes, Meyer Kainer, Vienna
  • Discussion Bench Platforms/A “Volvo” Bar + Everything Good Goes, Casey Kaplan, 
  • New York
2009
  • Three perspectives and a short scenario, Museum of Contemporary Art, Chicago
  • Executive Two Litre GXL, MAK – Museum für Angewandte Kunst, Wien
  • Liam Gillick, House of Art, Cesce Budejovice
  • How are you going to behave? - A kitchen cat speaks, German Pavillion, La biennale
  • di Venezia – 53rd International Art Exhibition, Venice
  • Two Short Plays, Eastside Projects, Birmingham
2008
  • Three Perspectives and a Short Scenario, Kunstverein München
  • Three Perspectives and a Short Scenario, Witte de With, Rotterdam
  • Three Perspectives and a Short Scenario, Kunsthalle Zürich
  • Fractional factories in the snow, Air de Paris, Paris
  • The State Itself Becomes A Super Whatnot, Casey Kaplan, New York
2007 
  • The State/Commune Itself as a Super State/Commune, Galerie Micheline Szwajcer, 
  • Antwerpen
  • The Commune Itself Becomes A Super State, Corvi-Mora, London
  • Weekend in So Show, The Lab at Belmar, Lakewood
  • Monument to Charles Fourier, Musée de Beaux-Arts, Besançon
2006 
  • The State Itself Becomes A Super Commune, Esther Schipper, Berlin
  • Literally Based On HZ, Kerlin Gallery, Dublin
  • Briannnnn & Ferryyyyy (w/ Philippe Parreno), Kunsthalle Zürich, Zürich
  • We Are Medi(eval) (w/ Angela Bulloch), Cubitt Artists, London
2005 
  • As you approach the edge of town the lights are no softer than they were in the centre, Casey Kaplan Gallery, New York
  • Briannnnn & Ferryyyyy (w/ Philippe Parreno), Vamiali’s, Athens
  • Texte court sur la possibilité de créer une économie de l'équivalence, La Casa Encendida, Madrid
  • McNamara Motel, CAC Centro de Arte Contemporáneo, Malága
  • Fabriken im Schnee, Galerie Meyer Kainer, Vienna
  • Presentism, Corvi-Mora, London
  • Another 2004 Again, Baltimore Museum Of Art, Baltimore
  • M/M (Paris), Frankfurter Kunstverein, Frankfurt
  • Texte court sur la possibilité de creer une economie de l’equivalence, Palais de 
  • Tokyo, Paris
  • The Two Hundred and Twenty-Second Floor, Galerie Eva Presenhuber, Zurich
2004 
  • Övningskörning (Driving Practice Parts 1-30), Milwaukee Art Museum, Milwaukee
  • Construccion de Uno, Galeria Javier Lopez, Madrid
  • A Group of People, Air de Paris, Paris
  • Liam Gillick: Nineteenfortysixxisytrofneetenin, Aspen Art Museum, Aspen
  • Underground (Fragments of Future Histories), Galerie Micheline Szwajcer, Antwerp
  • (Rider): Law & Creativity (w/ Philippe Parreno), Lunds Konsthall, Lund
  • Hills and trays and, Schipper & Krome, Berlin
  • punctuated everydays, Galerie Max Hetzler, Holzmarktstrasse, Berlin
  • Por Favor Gracias de Nada (with Gabriel Kuri), Kurimanzutto, México City
  • Exterior Days, Casey Kaplan, New York
  • Liam Gillick: communes, bars and greenrooms, The Power Plant, Toronto
  • Projects 79 Liam Gillick: Literally, MoMA QNS, New York
  • Liam Gillick, platform art, London Underground, in collaboration with Frieze Art Fair, London
  • A Film, A Clip and a Documentary, (with Sean Dack), Corvi-Mora, London
2002 
  • The Wood Way, Whitechapel Art Gallery, London
  • Light Technique, Galerie Meyer Kainer, Vienna
  • Liam Gillick, Galerie Rüdiger Schöttle, Munich
2001 
  • Firststepcousinbarprize, Galerie Hauser & Wirth & Presenhuber, Zurich
  • Liam Gillick, Galeria Javier Lopez, Madrid
  • Liam Gillick, Corvi-Mora, London
  • Annlee You Proposes, Tate Britain, London
  • Dedalic Convention, Museum für Angewandte Kunst, Wien und Salzburger
  • Kunstverein, Salzburg
2000 
  • Applied Complex Screen, Hayward Gallery, London
  • Liam Gillick, Galleri Charlotte Lund, Stockholm
  • Liamm Gilllick Themagazineofthe4thofMarch, Galerie Schipper & Krome, Berlin
  • Consultation Filter, Westfälischer Kunstverein, Münster
  • Schmerz in einem Gebäude, Fig 1, London
  • Woody, CCA Kitakyushu Project Gallery, Kitakyushu (Japan)
  • Literally No Place, Air de Paris, Paris
  • Renovation Filter: recent past and near future, Arnolfini, Bristol
  • Liam Gillick, Casey Kaplan Gallery, New York
1999 
  • Liam Gillick, Kunsthaus Glarus, Glarus
  • Liam Gillick, Galerie Rüdiger Schöttle, Munich
  • David, Frankfurter Kunstverein, Frankfurt aM
1998 
  • Liam Gillick, Kunstverein in Hamburg, Hamburg
  • Up on the twenty-second floor, Air de Paris, Paris
  • When Purity Was Paramount, British Council, Prague
  • Big Conference Center, Orchard Gallery, Derry
  • Liam Gillick, Robert Prime, London
  • Révision: Liam Gillick, Villa Arson, Nice
  • When do we Need More Tractors? Schipper & Krome, Berlin
  • The Trial of Pol Pot (with Philippe Parreno), Le Magasin, Grenoble
  • Liam Gillick, c/o Atle Gerhardsen, Oslo

1997 
  • Discussion Island, Basilico Fine Arts, New York
  • Discussion Island - A What If? Scenario Report, Kunstverein, Ludwigsburg
  • A House in Long Island, FORDE, Espace d'art contemporain, L'Usine, Geneva
  • Another Shop in Tottenham Court Road, Transmission Gallery, London
  • McNamara Papers, Erasmus and Ibuka! Realisations, The What If? Scenarios, Le Consortium, Dijon
  • Reclutamento!, Gallery Emi Fontana, Milan
1996
  • Erasmus is Late ‘versus’ The What If? Scenario, Schipper & Krome, Berlin
  • Liam Gillick, Raum Aktueller Kunst, Vienna
  • The What If? Scenario, Robert Prime, London
  • Documents (with Henry Bond), Schipper & Krome, Cologne
1995 
  • Ibuka! (Part 1), Air de Paris, Paris
  • Ibuka! (Part 2), Kuenstlerhaus, Stuttgart
  • Ibuka! Galerie Emi Fontana, Milan
  • Part Three, Basilico Fine Arts, New York
  • Documents (with Henry Bond), Kunstverein Elsterpark, Leipzig
1994 
  • McNamara, Schipper & Krome, Cologne
  • Documents, (with Henry Bond), Ars Futura, Zurich
  • Liam Gillick, Interim Art, London
1993 
  • Documents, (with Henry Bond), CCA Glasgow
  • An Old Song and a New Drink, (with Angela Bulloch), Air de Paris, Paris
1992 
  • McNamara, Hog Bikes and GRSSPR, Air de Paris, Nice
1991 
  • Documents, (with Henry Bond), Karsten Schubert Ltd, London
  • Documents, (with Henry Bond), APAC, Nevers
  • Documents, (with Henry Bond), Gio’ Marconi, Milan
1989 
  • 84 Diagrams, Karsten Schubert Ltd, London


Selected Group Exhibitions

2020

  • Schall und Rauch Die wilden Zwanziger, Kunsthaus Zürich, Zurich, Switzerland
  • Raid the Icebox Now with Adam Pendleton: The Heart of the Matter, The RISD Museum- University of Rhode Island, Providence, USA

 

2019

  • Shadowplay, Kerlin Gallery, Dublin, Ireland         
  • So wie wir sind 1.0, Weserburg, Museum für moderne Kunst, Bremen, Germany
  • After Minimalism, Valletta Contemporary, Valletta, Malta
  • Gigantism. Art and Industry, FRAC Grand Large, Hauts-de-France, France
  • Bhuhaus Spiel – Playground for Innovation, Neues Museum, Nurnberg, Germany
  • Objects of Wonder. British Sculpture from the Tate Collection 1950 - Present. PalaisPopulaire, Berlin, Germany
  • Art+Climate=Change 2019, Potter Museum of Art, Melbourne, Australia
  • Fly me to the Moon. The Moon landing: 50 years on, Kunsthaus Zürich, Zurich, Switzerland
  • Intimate Distance. Masterpieces from the Ishikawa collection, MO.CO. – Montpellier, France Contemporain, Hôtel de Collections, Montpellier, France
  • Now Is The Time, Kunstmuseum Wolfsburg, Wolfsburg, Germany


2018
  • Travellers: Stepping into the Unknown, The National Museum of Art, Osaka
  • The Log-O-Rithmic Slide Rule: A Retrospective, KW Institute for Contemporary Art, Berlin, Germany
  • Que dut 1848?, FRAC Grand Large, Hauts-de-France
  • Festival m3 / Art in Space, Prague
  • Art is work, Krokus Gallery, Bratislava
  • Liam Gillick and Adam Pendleton, Eva Presenhuber, New York, NY, USA
  • Vicinato I et II, La Panacée Moco, Montpellier
  • Soziale Fassaden: Ein Dialog der Sammlungen des MMK und der Deka Bank, Museum für Moderne Kunst 
  • (MMK), Frankfurt am Main
  • 1998, Air de Paris, Paris
  • Ghost Nets, organized by Julieta Aranda, Galería OMR, Mexico City
  • drukwerk/printed matter, FRAC Normandie, Rouen
  • Twilight, Borusan Contemporary, Istanbul
2017
  • Dreamlands, Whitney Museum, New York
  • How To Live Together, Kunsthalle Wien Museumsquartier, Vienna, Austria
  • Colori. L’emozione dei colori nell’arte, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli; Galleria Civica d’Arte Moderna e Contemporanea, Torino
  • VARIABLE DIMENSIONS - ARTISTS AND ARCHITECTURE, MAAT | Museum of Art, Architecture and Technology, Lisboa
  • LIKE A MOTH TO A FLAME, curated by Tom Eccles, Liam Gillick and Mark Rappolt, OGR in partnership with Fondazione Sandretto Re Rebaudengo, Turin, Italy
  • MIF17: New Order + Liam Gillick: So it goes.., Old Granada Studios, Castlefield, Manchester, UK
  • True Faith, Manchester Art Gallery, Manchester, UK
  • Schreibtischuhr, Galerie Meyer Kainer, Vienna, Austria
  • Shanghai Project Part 2, Shanghai Himalayas Museum
  • 99 Cents, Museum of Contemporary Art Detroit
  • The Interior and The Carpet, Pacific Design Center, Los Angeles
  • Park, (organized by Kerlin Gallery) Holly’s Gallery, Guangzhou
  • John Latham – A World View, Serpentine Gallery, London
  • Arts Council 40th Anniversary Exhibition, Night at the Museum, The Attenborough Centre, Leicester
  • FLATLAND / ABSTRACTIONS NARRATIVES #2, Mudam, Luxembourg, Luxembourg
  • Du verbe à la communication, Le Carre d’art Nimes
  • Elbphilharmonie Revisited, Deichtorhallen, Hamburg
  • Readymade, House Eva Presenhuber, Vna, Switzerland
2016
  • Development, Okayama Art Summit 2016, Japan, curated by All Systems Go, Cooper Gallery, DJCAD, Dundee
  • Fluidity, Kunstverein in Hamburg, Hamburg
  • All Over, Galerie des Galaries, Paris
  • Expanded Fields, Nymphius Projekte, Berlin
  • Moving Image Department: Chapter 4th, The Rhetoric of Time, Revisited, National 
  • Gallery, Prague
  • A Material Legacy: The Nancy A Nasher and David J Haemisegger Collection of Contemporary Art, Nasher Museum of Art at Duke University, Durham
  • A History Contemporary Art from the Centre Pompidou, Haus der Kunst, Munich
  • Still (the) Barbarians, EVA International, Ireland’s Biennial, Limerick
  • Béton, Kunsthalle Wien Museumquartier, Vienna
  • Invisible Adversaries, Hessel Museum of Art, Bard College, USA
  • Reading Context, The Collection Teaching Gallery, CCS Bard, USA
  • Arts Council 40th Anniversary Exhibition, Night at the Museum, Yorkshire Sculpture 
  • Park, UK
  • Shanghai Project, Shanghai Himalayas Museum, China
  • Yinchuan Biennale 2016, Museum of Contemporary Art Yinchuan, China
  • Re-Reading the Collection, CGAC, Santiago de Compostela
  • Moving Image Department, Chapter 5, National Gallery of Art, Prague
  • If All Relationships Were to Reach Equilibrium, Then This Building Would Dissolve, 
  • MIMA, Middlesbrough
  • Eric the King Fan Club, Colette, Paris
  • Fünfzig Zigarren für das Licht der Zukunft, Kunst im Schloss Untergröningen
  • Presently, neugerriemschneider, Berlin
  • 140K, Kunstraum Ortloff, Leipzig
  • 30th Anniversary Programme – The Peacock, Grazer Kunstverein, Austria
  • 30th Anniversary, Galleria Alfonso Artiaco, Napoli, Italy
2015
  • Adventures of the black square: Abstract art and society 1915-2015, Whitechapel Gallery, London
  • British Art Show 8, Leeds Art Gallery, Leeds
  • 14th Istanbul Biennale, Istanbul
  • 10th Kaunas Biennial, Kaunas
  • 6th Moscow Biennale, Moscow
  • In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Mexico City
  • Summer Show 2015, Royal Academy of the Arts, London, United Kingdom
  • Space Between, FLAG Art Foundation, New York, NY
  • Ist Chapter: The Importance of Being a (Moving) Image, Prague National Gallery, Prague
  • Works on Paper, Galerie Eva Presenhuber, Zurich, Switzerland
  • Not: The Art of Resistance, Manchester School of Art Holden Gallery, Manchester
2014
  • Blue Times, Kunsthalle Wien Szalon, Logan Center, Chicago 
  • 20+, SMAHK, Assen
  • 55th October Salon, Belgrade
  • Helicotrema, Viafarini, Milan
  • Stillpass Collection with Exterior Concourse Diagram, collectorspace, Istanbul
  • Petals on the Wind, Galerie Micheline Szwajcer, Brussels 
  • Beyond and Between, Leeum Samsung Museum of Art, Seoul
  • Institute for Human Activities, Democratic Republic of Congo
  • Deep One Perfect Morning, Kerlin Gallery, Dublin 
  • A Machinery for Living, Organized by Walead Beshty, Petzel, New York
  • Une Histoire, Art, Architecture, Design des années 1980 à nos jours, Centre Pompidou, Paris
  • Swiss Pavilion, 14th Architecture Biennale, Venice
  • Never Look Back when Leaving, Casey Kaplan, New York
  • Der Leone have sept cabeças, CRAC Alsace, Altkirch
  • 9 Artists, MIT List Visual Art Center, Cambridge
  • The Decade 1984-1999, Centre Pompidou, Metz
  • Last News from the Ether, La Panacée, Montpellier
  • El Hotel Eléctrico, M_kha, Antwerp
  • Monochrome & Readymades, L’Onde Théâtre Centre d’art, Velizy-Villacoublay
2013
  • Secret Codes (Códigos Secretos), Galerie Luisa Strina, Sao Paulo
  • Absolut, White Flag Projects, St Louis, Mo
  • Fading Nights, Gerhardsen Gerner, Berlin
  • Punctum: Fotographie zwischen Inszenierung und Dokumentation, Boltensternraum Baden (Meyer Kainer)
  • Capitalism Catch 22, Impakt Festival Utrecht
  • CAC Malaga: Una Década, CAC Malaga
  • 9 Artists, Walker Art Center, Minneapolis
  • Nuit Blanche, Paris
  • To the Reader, BAK, Utrecht 
  • One foot in the real world, Irish Museum of Modern Art, Dublin
  • British British Polish Polish, CCA Warsaw
  • Word+Work, Galerie Nachst St Stephan, Vienna
  • Reading List: Artist’s Selections from the MoMA Library Collection, New York
  • Abstract Nature, Parkett Austellungs-Raum, Zurich
  • Unknown Forces, Curated by Sunjung Kim, Tophane-i Amire Gallery, Mimar Sinan University, Istanbul
  • Leichte Verstörung in den Fabriken, tête, Berlin
  • Secondary Stuctures, Francois Morellet, Olivier Mosset, Liam Gillick, Katja Strunz, Ruzicska, Salzburg
  • Contemporary Artists of the Donegal Diaspora, Regional Cultural Centre, Letterkenny 
  • Draft Urbanism, The Biennale of the Americas, Denver 
  • Sommeraustellung, Esther Schipper, Berlin 
  • 7 Studies, Schellmann Furniture, Munich
  • Chinese Whispers: A Group Show on the loss of Control, Curabasement, RomeSalle d’attente III, Galerie Laurent Mueller, Paris
  • DLA Piper Series: Constellations, Tate Liverpool
  • Striped: Gillick, Lefcourt, LeWitt, Pierson, Mitterand + Cramer, Geneve
  • Kunst Nach 45, Lenbachhaus, Munich
  • Poesia: Werke aus der Sammlung Reinking, Städtische Galerie Delmenhorst
  • Fired Earth, Herbert Gerisch Stiftung, Neumünster
  • The Lie and the Powerpoint, with Benoit Maire and Falke Pisano, Shanaynay, Paris
  • Endless Bummer/Still Bummin, Marlborough Chelsea, New York
  • Neoplastic Room Open Composition, Museum Sztuki, Lodz
  • Edge Order Rupture, Gallery Lelong, New York
  • The Twentieth Century as Never Seen Before, Museo di Santa Giulia, Brescia
  • Love in a Cold Climate, S1 Artspace, Sheffield
  • Cross/Roads, Willie Birch and Liam Gillick, Bard CCS
  • Abstract Generation: Now in Print, MoMA, New York
  • Another Time, Pestorius Sweeney House, Brisbane
  • Looking Back - The 7th White Columns Annual, selected by Richard Birkett, White Columns, New York
2012

  • Screens, Galerie Meyer Kainer, Vienna
  • True Stories: Scripted Realities, Dunedin Public Art Gallery, New ZealandThe Mystery Spot, Fondation d’enterprise Ricard, Paris
  • The Feverish Library, Friedrich Petzel, New York
  • Parque Industrial, Galeria Luisa Strina, Sao Paulo
  • Where is the Power, Fort Worth Contemporary Arts
  • True Stories: Scripted Realities, Te Tuhi Centre for the Arts, New Zealand
  • Decade: Contemporary Collecting 2002-2012, Albright Knox, Buffalo
  • Various stages, Kunsthaus Dresden
  • Sense and Sensibility, Euskadi 2012
  • Skulpturen und Reliefs aus der Sammlung, Kunsthalle Weishaupt, Ulm
  • Take off your silver spurs and help me pass the time, Galerie Nikolaus Ruzicska, Salzburg
  • Group Exhibition, Kerlin Gallery, July
  • Air de Paris Summer Show, Art & Rapy, Monaco
  • Last Day, Cartel, London
  • Looking Back for the Future, Kunsthalle, Zurich
  • Painting in Space, Luhring Augustine, New York
  • Soundworks, ICA, London
  • Wir treffen uns am Abend, Galerie Kamm, Berlin
  • Read, Look! We promise it’s not dangerous, Emily Harvey Foundation, New York
  • How to Make - Ideen, Notationen, Materialisierungen, Kunsthaus Dresden
  • True Stories: Scripted Realities, Govett-Brewster Art Gallery, New Plymouth, New ZealandPositions on Conceptual Art, Galerie Rüdiger Schottle, Köln
  • Print/Out, MoMA, New York
  • The Poster Show, Galerie Carlier-Gebauer, Berlin
  • Schrift Bild, Galerie Meyer Kainer, Vienna
  • Utopia Gesamtkunstwerk, 21er Haus, Vienna
  • Abstract Possible: The Stockholm Synergies, Tensta Konsthall, Stockholm
2011
  • Of Bridges and Borders: Chapter V, From Real to Surreal, Museo de Arte Moderno de Buenos Aires
  • Performa 11, New York
  • The Air we Breathe, SFMOMA, San Francisco
  • Obras de la collecion Jumex, Hospicio Cabanas, Guadalajara
  • Our Day Will Come & Iteration Again, University of Tasmania School of Art in Hobart
  • Monodrome, 3rd Athens Biennale, Athens
  • In Deed: Certificates of authenticity in Art, Fondazione Bevilacqua, La Masa
  • In Deed: Certificates of authenticity in Art, De Vleeshal, Middelburg
  • Göteborg International Biennale for Contemporary Art, Göteborg
  • Als die Wälder auf Reisen gingen, Kunstverein Pforzheim
  • Conversation Pieces, Tate, Liverpool
  • Footnote 6: As Model, Miguel Abreu, New York
  • Humid but cool I think, Taro Nasu, Tokyo
  • Everything must Go!, Casey Kaplan, New York
  • Out of storage, Marres, Maastricht
  • Sculpture Now, Galerie Eva Presenhuber, Zurich
  • Contemporary Magic: A Tarot Deck art project, Andy Warhol Museum, Pittsburgh
  • Space Oddity, Kunsthalle Andratx
  • I am still alive, MoMA, New York
  • Abstract Possible, Museo Tamayo, Mexico, DF
  • Police!, Galerie Nathalie Seroussi, Paris
  • A lunatic on bulbs, Giorgio Pace Projects, Chesa Planta
  • We Are Grammar, Pratt Institute Gallery, New York
  • Scaffolding of contrition, LeRoy Neiman Gallery, New York
  • Modern British Sculpture, Royal Academy, London
  • Someone else’s life, Kerlin Gallery, Dublin
  • No more presence, The Artist’s Institute, New York
2010
  • 01-10, Esther Schipper, Berlin
  • Without you I am nothing: Art and its Audience, Museum of Contemporary Art, Chicago
  • Which whitch is which and/or summertime, White Flag Projects, St Louis
  • Nature, Gerhardsen Gerner, Berlin
  • Contemporary Magic: A Tarot Deck art project, National Arts Club, New York
  • 8th Shanghai Biennale, Shanghai
  • Geometry in 20th Century Art, Museo d’arte Latinamericano de Buenos Aires
  • Today I made nothing, Elizabeth Dee Gallery, New York
  • Aires de Jeux, Le Quartier, Quimper
  • Unrealised Potential, Cornerhouse, Manchester
  • Changing Britain: Documentary Photography from the Arts Council Collection, Portcullis House, London
  • Multiple Pleasures, Tanya Bonakdar Gallery, New York
  • The Philosophy of Money, White Pavilion, Lisbon City Museum
  • 89 KM CGAC Collection, MARCO, Vigo
  • Humanity is not a completed project, Villa du Parc, Centre d’art Contemporain, Annemasse
  • Men with Balls: Art of the 2010 World Cup, Apex Art, New York
  • Post-Office, Artspace, Auckland
  • High ideals and crazy dreams, Vera Munro, Hamburg
  • Kozmik Latte, Borusan Collection, Istanbul
  • Film Matters, Beton 7, Athens
  • Don’t Piss on me and tell me that it’s raining, Apex Art, New York
  • The Promises of the Past, Centre Pompidou, Paris
  • Ce qui vient, Les Ateliers de Rennes, Biennale d’art contemporain, Rennes
  • Art: Curated by Michael Craig-Martin, Haas and Fuchs, Berlin
  • Fantasy & Island, FRAC Corse
  • Pictures about Pictures: Discources in Painting, MUMOK, Wien
  • Corporate Everything, Kunsthalle Freiburg
  • Shazam, c/o Gerhardsen Gerner, Berlin
  • t is it, Espacio 1414 Puerto Rico
  • Interference: Fields for listening and Praxis, The studio at Moderna Museet, Stockholm
  • Animism, MuKHA/Extra City, Antwerp
2009
  • Queensland Art 2009, Pestorious Sweeney House, Brisbane
  • Gagarin: Artists in their own words, SMAK, Gent
  • We are sun-kissed and Snow Blind, Patrick Seguin, Paris
  • A Factory, A Machine, A Body…, MUCA, Mexico City
  • La Suite, Air de Paris, Paris
  • T-tris, BPS 22, Charleroi
  • Top 10 Allegories, Galerie Francesca Pia, Geneve
  • Watou 2009, Watou
  • Learn to Read Art: A History of Printed Matter (1976-2009), Badischer Kunstverein, Karlsruhe
  • Il Tempo del Postino, Theater Basel, Basel
  • The Obstacle is Tautology, Tulips and Roses, Vilnius
  • UFO: Grenzgänge zwischen Kunst und Design, NRW-Forum, Dusseldorf
  • Take the Money and Run, De Appel, Amsterdam
  • Between Metaphor and Object, IMMA, Dublin
  • Lapdogs of the Bourgeoisie, Arnolfini, Bristol
  • Because I say so: Sculpture from the Scholl collection, Frost Art Museum, Miami
  • La Recherche, Air de Paris, Paris
  • A Factory, A Machine, A Body… Archaeology and Memory of Industrial Spaces, Centre d’art La Panera, Lleida
  • Unbuilt Roads, E-flux, New York
  • Beaufort 03, Oostende, Belgium
  • International Photo Festival Knokke-Heist, Knokke Heist
  • Espèces d’Espaces, Yvon Lambert, New York
  • The Human Stain, CGAC Santiago de Compostela
  • Forms of Inquiry, Archizoom, Lausanne
  • Just what are the saying, Jonathan Ferrara Gallery, New Orleans
  • Custom Car Commandos, Art in General, New York
  • Saints and Sinners, Rose Art Museum, Brandeis University
2008
  • Fifty Percent Solitude, Kerlin Gallery, Dublin
  • Made in Munich, Haus der Kunst, Munich
  • Getting Even, Lewis Glucksman Gallery, Cork
  • Theanyspacewhatever, Guggenheim Museum, New York
  • Accessories to an artwork, Paul Stolper Gallery, London
  • Edition Schellmann Furniture, Edition Schellmann, Munich
  • Branding Democracy, New School, New York
  • Moments and Murals, MD72, Berlin
  • 100 Artists: Art on the Underground, A Foundation Gallery, London
  • La Vitrina, Gudalajara
  • La Petite Histoire, Kunstraum Niederoesterreich, Vienna
  • This is the gallery and the gallery is Many things, Eastside Projects, Birmingham
  • Shapes of Space 2, Mário Sequeira Gallery, Braga
  • Mondo e Terra, FRAC Corse
  • Private/Corporate V: Daimler Art Collection, Haus Huth, Berlin
  • Vincent Award, Stedelijk Museum, Amsterdam
  • No so subtle subtitle, Casey Kaplan, New York
  • The Sydney Biennale, Sydney
  • This is the gallery and the gallery is many things, Eastside Projects, Birmingham
  • Book/Shelf, MoMA, New York
  • Typed, Sadie Coles, London
  • Cube Passerby, Passerby, New York
  • The Brisbane Sound, Institute of Modern Art, Brisbane
  • KW Hommage à Klaus Werner, Galerie für Zeitgenössiche Kunst, Leipzig
  • MAXImin, A century of abstraction, Fondacion Juan March, Madrid
  • Lapdogs of the Bougoisie, Tensta Konsthall, Spanga
  • Mixed Emotions, Domus Atrium, Salamanca
  • Images: A spike magazine project, Forde, Geneva
2007
  • Xmas Hysteria, Galerie Emi Fontana, Milan
  • Winter Palace, de Aterliers, Amsterdam
  • Fusion Now! More light, more power, more people, Rokerby Gallery
  • If everybody had an ocean, CAPC, Bordeaux
  • Tomorrow is Another Day, Artsonje, Seoul
  • Franz West: Soufflé, Kunstraum Innsbruck
  • Floating Territories, Various Locations (Venice, Istanbul…)
  • If Everybody Had an Ocean, CAPC, Bordeaux
  • The Showroom Talks, The Showroom, London
  • L’ottava Tavola: An Etymology of Contemporary Codes, Cortona
  • I can’t live without, The Showroom, London
  • Other Men’s Flowers, Venetia Kapernekas Gallery, New York
  • Edition Schellmann Door Cycle, Friedrich Petzel Gallery, New York
  • It starts from here, De La Warr Pavillion
  • Perspektive 07, Lenbachhaus, Munich
  • How to improve the world, Birmingham Museum and Art Gallery
  • Trajectory 4: AKA Institute of Contemporary Art, Old Harbour, Riga
  • If Everybody Had an Ocean, Tate, St Ives
  • Memorial to the Iraq War, ICA, London
  • The Shapes of Space, Guggenheim Museum, New York
  • The Redistribution of the Sensible, Galerie Magnus Muller, Berlin
  • Airs de Paris, Centre Pompidou, Paris
  • Pure, Sean Kelly, New York
  • Models for Tommorow: Cologne, EU Kunsthalle, Köln
  • Los Vinilos, El Basilico, Buenos Aires
  • Collateral: When Art Looks at Cinema, Hangar Bicocca, Milan
  • Active Constellation, Brno House of Art
  • Lapdogs of the Bourgoisie, Platform Garanti, Istanbul
2006
  • Drapeaux Gris, CAPC, Bordeaux
  • All Hawaii Entrées/Lunar Reggae, IMMA, Dublin
  • Saigon: Open City, Saigon
  • Klinik: Eine pathologie der Gesten, Hebbel am Ulfer, Berlin
  • Eye on Europe: Prints, Books and Multiples 1960 to now, MoMA, New York
  • How to improve the World, Hayward Gallery, London
  • Projektion, Kunstmuseum, Luzern
  • Faster! Bigger! Better!, ZKM, Karlsruhe
  • Modus, Neue Kunsthalle, St Gallen
  • Abstraction Now, Wilhelm-Hack-Museum, Ludwigshafen
  • Dirty Words, Galeria Pedro Cera, Lisbon
  • Turtle, Chelsea Space, London
  • Sprung ins Kalte Wasser, Shedhalle, Zurich
  • Crytallizations, Andreas Murkurdis Temporary, Munich 
  • Untouchable (The ideal of Transparency), Villa Arson, Nice
  • Thankyou for the Music (London Beat), Sprüth Magers Lee, London
  • Grey Flags, Sculpture Center, New York
  • Back and Forth, Stiftung Wilhelm Lehmbruck Museum, Duisburg 
  • Classical Modern, Daimler Chrysler Contemporary, Berlin
  • A short history of performance Part 4, Whitechapel Art Gallery, London
  • Bühne des Lebens – Rhetorik des Gefühls, Kunstbau München
  • Ordnung und Verführung, Haus Konstructiv, Zurich
  • Under Construction, European Kunshalle, Cologne
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Cheekwood Museum of Art, Nashville
  • Broken Surface, Galerie Sabine Knust, Munich
  • Slow Burn, Galerie Edward Mitterand, Geneva
  • Fondos da Colección CGAC: Entre o proceso e a forma, CGAC, Santiago de Compostela
  • Cinéma(s), Le Magasin, Grenoble
2005
  • Minimalism and after, Daimler Chrysler Collection, Berlin
  • Supernova, Contemporary Art Centre, Vilnius
  • The Party, Casey Kaplan, New York
  • Thankyou for the Music, Sprüth Magers, Munich
  • Ambiance, K21, Dusseldorf
  • Rundledererwelten, Martin Gropius Bau, Berlin
  • Reception, Büro Friedrich, Berlin
  • Snow Black, Yvon Lambert, New York
  • Passion beyond reason, Wallstreet 1, Berlin
  • General Ideas: Rethinking conceptual art 1987-2005, CCA Wattis, San Francisco
  • Extreme Abstraction, Albright Knox Art Gallery, Buffalo
  • Nach Rokytnik, MUMOK, Vienna
  • I Really Should*, Lisson Gallery, London
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Contemporary Art Center of Virginia, Virginia Beach 
  • Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo, Turin
  • Post Notes, Midway Contemporary Art, Minneapolis
  • La La Land, The Project, Dublin
  • Supernova, Bunkier Sztuki, Kraków
  • Anna Sanders Films, Cinema Svetozor, Prague
  • Group Exhibition, Air de Paris, Paris
  • The Strange, Familiar and Unforgotten, Galerie Erna Hecey, Brussels
  • Good Titles for Bad Books, Kevin Bruk, Miami
  • Goodbye 14th Street, Casey Kaplan, New York
  • New Cohabitats, Galerie Ghislane Hussenot, Paris
  • The Furniture of Poul Kjaerholm and selected artwork, Sean Kelly and R 20th Century, New York
  • Exit – Aussteig aus dem bild, ZKM, Karlsruhe
2004
  • Poul Kjaerholm, Sean Kelly, New York
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), ICA, London
  • Utopia Station, Haus der Kunst, Munich
  • Nothing Compared to This: Ambient, Incidental and New Minimal Tendencies in Current Art, CAC, Cincinnati
  • Trailer, Man in the Holocene, London
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), Laguna Art Museum, Laguna Beach
  • The Trailer Special Project, Curzon Cinemas, London
  • Strike, Basekamp, Philadelphia
  • Black Friday: Exercises in Hermetics, Galerie Kamm, Berlin
  • Marks in Space, Usher Gallery, Lincoln
  • Off the Record/Sound Art, ARC Musée d’art moderne de la ville de Paris
  • Czech Made, Display, Prague
  • Artists’ Favourites, ICA, London
  • Drunken Masters, Fortes Vilaca, Sao Paulo
  • 9 Mütter XX04, Mütter Museum, Philadelphia
  • Russian Doll, MOT, London
  • Tonight, (curated by Paul O’Neill), Studio Voltaire, London
  • How to learn to love the bomb and stop worrying about it, Central de Arte en WTC, Guadalajara
  • The Drawing Project, Vamiali’s, Athens
  • 100 Artists See God (curated by John Baldessari & Meg Cranston), The Contemporary Jewish Museum, San Francisco
  • Establishing Shot, Artist’s Space, New York
  • Singular Forms (Sometimes Repeated), Art from 1951 to the Present, Guggenheim Museum, New York
2003
  • Bad Behaviour: Works from the Arts Council Collection, Yorkshire Sculpture Park
  • Everything Can Be Different, Maryland Institute College of Art, Baltimore
  • A Nova Geometria, Galeria Fortes Vilaça, Sao Paulo
  • Wittgenstein: Family Likenesses, Institute of Visual Culture, Cambridge
  • How to learn to love the bomb and stop worrying about it, National Chamber of Art Industries, Mexico City
  • Abstraction Now, Künstlerhaus Wien, Vienna
  • Honey I rearranged the collection, Greengrassi/Corvi-Mora, London
  • Utopia Station, Venice Biennale, Venice
  • 25th International Biennial of Graphic Arts, Ljubljana
  • Social Facades and Others, Lenbachhaus, Munich
  • 3D, Friedrich Petzel, New York
  • Tirana Biennale 2, Tirana
  • Cool Luster, Collection Lambert, Avignon 
  • Form Specific, Moderna Galerija, Ljubljana
  • Typofgravy, Cell, London
  • 20 th Anniversary Show, Sprüth Magers, Köln
  • Imperfect Marriages, Galerie Emi Fontana, Milan
  • Glamour, British Council, Prague
  • The Moderns/I moderni, Castello di Rivoli, Torino
  • JRP Editions, Galería Javier López, Madrid
  • The Air is Blue, Barragan House, Mexico City
  • This Was Tomorrow, New Art Centre Sculpture Park, Salisbury
  • Breathing the Water, Galerie Hauser & Wirth & Presenhuber, Zurich
  • Animations, Kunstwerk, Berlin
  • JRP Editions, Galerie Edward Mitterand, Geneva
  • Re-Produktion 2, Georg Kargl, Vienna
  • No Ghost Just a Shell, Van Abbemuseum, Eindhoven
  • Perfect Timeless Repetition, C/O Atle Gerhardsen, Berlin
2002
  • No Ghost Just a Shell, San Francisco Museum of Modern Art
  • No Ghost Just A Shell, Institute of Visual Culture, Cambridge
  • It’s Unfair, Museum de Paviljoens, Almere
  • Lap Dissolve, Casey Kaplan, New York
  • L’image habitable - versions B,C,D,E, Mamco, Geneva
  • This Play 31, La Coleccion Jumex, Mexico
  • Relational Aesthetics from the 1990s, San Francisco Art Institute, San Francisco
  • Turner Prize, Tate, London
  • The Galleries Show: Contemporary Art in London, Royal Academy of Arts, London
  • The Unique Phenomena of a Distance, Magnani, London
  • Société Perpendiculaire: La Tapisserie, FRAC Provence-Alpes-Côte d’Azur
  • No Ghost Just a Shell, Kunsthalle, Zurich
  • Multiples X, London Print Studio
  • Summer Cinema, Casey Kaplan, New York
  • Collected Contemporaries, Moderna Museet, Stockholm
  • JRP Editions, RAK, Vienna
  • The Movement Began with a Scandal, Lenbachhaus, Munich
  • The Object Sculpture, The Henry Moore Institute, LeedsHappy Outsiders from Scotland and London, Zachetal, Warsaw/Katowice City Gallery
  • Inframince, Cabinet Gallery, London
  • The Ink Jetty, Neon Gallery, London
  • Private Views, Printed Space, London
  • Parallel Structures, Gertrude Contemporary Art Spaces, Fitzroy, Victoria
  • Annlee You Proposes, Mamco, Geneve
  • Void, Rice Gallery, Tokyo/CCA Kitakyushu 
  • Everything Can Be Different, University of Memphis, Tennesee
  • Art & Economy, Deichtorhallen, Hamburg
  • J’en ai pris des coups mais j’en ai donnés aussi, Galerie hez Valentin, Paris
  • Do It, Museo de Arte Carrillo Gil, San Angel
  • Minimal Maximal, National Museum of Contemporary Art, Seoul
  • Passenger: The Viewer as Participant, Astrup Fearnley Museum, Oslo
  • Reflexions, Sprüth Magers, Munich
  • Urgent Painting, ARC, Musée d’art moderne de la ville de Paris, Paris
2001
  • if a double-decker bus crashes into us to die by your side such a heavenly way to die and if a ten ton truck kills the both of us to die by your side the pleasure and the privilege is mine , Air de Paris, Paris 
  • I love Dijon, Le Consortium, Dijon
  • En/Of, Schneiderei, Köln
  • Rumour City, TN Probe, Japan
  • 9e Biennale de l’image en Mouvement, Centre pour l’image contemporaine, Saint-Gervais, Genève
  • Animations, PS1, Long Island City
  • Rumor City, Raffinerie, Brussels
  • Yokohama 2001, Yokohama Triennale, Yokohama
  • Beautiful Productions: Parkett, Whitechapel Gallery, London 
  • Ambiance Magasin, Meymac Centre d’art Contemporain 
  • The Communications Department, Anthony Wilkinson Gallery 
  • Stéphane Dafflon/Liam Gillick/Xavier Veilhan, Le Spot, Le Havre 
  • Strategies against Architecture, Fondazione Teseco, Pisa 
  • A Timely Place, Or, Getting Back to Somewhere, London Print Studio
  • Biennale de Lyon, Musée d’art contemporain, Lyon 
  • The Wedding Show, Casey Kaplan, New York
  • A New Domestic Landscape, Javier Lopez, Madrid
  • International Language, Grassy Knoll Productions, various sites, Belfast
  • Collaborations with Parkett: 1984 to now, Museum of Modern Art, New York
  • Berlin Biennale, Kunst Werk, Berlin
  • Contemporary Utopia, Museum of Modern Art, Riga 
  • Nothing, Northern Gallery for Contemporary Art, Sunderland/Contemporary Art Centre, Vilnius/Rooseum, Malmo
  • Minimal-Maximal, City Museum of Art, Chiba; National Museum of Art, Kyoto;
  • City Museum of Art, Fukuoka
  • Stop and Go, FRAC, Nord-Pas de Calais, Dunkerque
  • Histoire de coeur, collection Michel Poitevin, Fondation Guerlain, Les Mesnuls
  • Demonstration Room: Ideal House, Apex Art, New York
  • Century City, Tate Modern, London
2000
  • Future Perfect, Cornerhouse, Manchester
  • Group Show, Corvi-Mora, London
  • How do you change an apartment that has been painted brown? Certainly not by painting it white, Institute of Visual Culture, Cambridge
  • Perfidy, Kettles Yard, Cambridge
  • More Shows About Buildings and Food, Lisbon
  • Casa Ideal, Museo Alejandro Otero, Caracas
  • Que saurions-nous construire d’autre? (What else could we build?), La Villa Noailles
  • Indiscipline, Roomade, Brussels
  • e-mona, The Museum of New Art, Detroit
  • Protest and Survive, Whitechapel Gallery, London
  • Werkleitz, Tornitz
  • Vicinato 2, Neuggerreimschneider, Berlin
  • Vicinato 2, Fig 1, London
  • Haut de Forme et Bas Fonds, FRAC Poitou-Charentes, Angoulême
  • Future Perfect, Centre for Visual Arts, Cardiff
  • Intelligence, Tate Britain, London
  • Group Show, Paula Cooper Gallery, New York
  • Interplay, selected works from the Museum and private collections, The National Museum of Contemporary Art, Oslo
  • What If/Tänk Om, Moderna Museet, Stockholm
  • Working Title, Stanley PIcker Gallery, Kingston University
  • Dire Aids, Art in the Age of Aids, Promotrice delle Belle Arti, Torino
  • British Art Show 5, Touring Exhibition, Edinburgh, Southampton, Cardiff, Birmingham
  • Viva Maria III, Galerie Admiralitätstraße, Hamburg 
  • Decompressing History, (curated by Lars Bang Larson), Galeri Enkehuset, Stockholm
  • 14 + 1, Feitchtner & Mizrahi, Vienna
  • Group Show, Casey Kaplan, New York
  • Continuum 001, (curated by Rebecca Gordon Nesbitt) CCA, Glasgow
  • 29th International Film Festival, Rotterdam
1999
  • Space, Schipper und Krome, Berlin
  • Une histoire parmi d’autres, collection Michel Poltevin, FRAC Nord-Pas de Calais
  • Officina Europa, Bologna
  • 705 Wings of Freedom, (curated by Uwe Wiesner), Berlin
  • Jonathan Monk, Casey Kaplan, New York
  • 1999 East Wing Collection, Courtald Institute of Art, London
  • Get Together/Art As Teamwork, Kunsthalle, Vienna
  • New York/London, Taché-Levy, Brussels
  • Art Lovers, (curated by Marcia Fortes), Tracey, Liverpool Bienial
  • Fantasy Heckler, (curated by Padraig Timoney), Tracey, Liverpool Bienial
  • Shopping, FAT, London 
  • Tent, Rotterdam
  • Objecthood OO, Athens
  • Le Capitale, (curated by Nicolas Bourriaud), Centre régionale d’art contemporain, Sete
  • In The Midst of Things, University of Central England, Bourneville
  • Essential Things, (curated by Guy Mannes Abbott), Robert Prime, London
  • Out of Sight - A cross-reference exhibition, Büro Friedrich, Berlin
  • Etcetera, Spacex Gallery, Exeter
  • Plug-ins, Salon 3, London
  • Tang, Turner and Runyon, Dallas
  • 12 Artists, 12 Rooms, Galerie Thaddeaus Ropac, Salzburg
  • Nur Wasser, Neumühlen, Hamburg
  • Continued Investigation of the Relevance of Abstraction, Andrea Rosen Gallery, New York
  • Pl@ytimes, Ecole supérieure d’art de Grenoble, Grenoble
  • Konstructionszeichnungen, Kunst-Werke, Berlin
1998
  • 1+3 = 4 x 1, Galerie für Zietgenössische Kunst, Leipzig
  • Projections, de Appel, Amsterdam
  • The Project of the 2nd December, Salon 3, London
  • Cluster Bomb, Morrison/Judd, London
  • Dijon/Le Consortiumcoll, Centre Georges Pompidou, Paris
  • Ghosts, Le Consortium, Dijon
  • Minimal-Maximal, Neues Museum Weserburg, Bremen; Kunsthalle, Baden-Baden; CGAC, Santiago de Compostela
  • Odradek, (curated by Thomas Mulcaire), Bard College, New York
  • Places to Stay 4 P(rinted) M(atter), Buro Friedrich, Berlin
  • UK - Maximum Diversity, Galerie Krinzinger, Bregenz/Vienna
  • The Erotic Sublime, Thaddeaus Ropac, Salzburg
  • Fuori Uso ‘98, Mercati Ortofrutticoli, Pescara
  • London Calling, The British School at Rome & Galleria Nazionale d"Arte Moderna, Rome
  • Kamikaze, Galerie im Marstall, Berlin
  • Inglenook, (curated by Evette Brachman), Feigen Contemporary, New York
  • In-significants, Stockholm, Sweden
  • Arena - Sport und Kunst Austellung, Galerie im Rathaus, Munich
  • Construction Drawings, (curated by Klaus Biesenback), PS1, New York
  • A to Z, (curated by Matthew Higgs), The Approach, London
  • Interactive, An Exhibition of Contemporary British Sculpture, Amerada Hess, London
  • Artist/Author: Contemporary Artists’ Books, American Federation of Arts touring show
  • Weatherspoon Art Gallery, Greensboro/The Emerson Gallery, Clinton/ The Museum of Contemporary Art, Chicago/Lowe Art Museum, Coral Gables/Western Gallery, Bellingham/University Art Gallery, Amherst
  • Fast Forward, Kunstverein in Hamburg
  • Liam Gillick, John Miller, Joe Scanlan, RAK, Vienna
1997

  • Group Show, Schipper & Krome, Berlin
  • Group Show, Air de Paris, Paris
  • Work in Progress and or Finished, Ubermain, Los Angeles
  • Maxwell’s Demon, Margo Leavin, Los Angeles
  • Other Men’s Flowers, The British School at Rome, Rome
  • Hospital, Galerie Max Hetzler, Berlin
  • Heaven - a Private VIew, PS1, Long Island
  • Group Show, Vaknin Schwartz, Atlanta
  • Ireland and Europe, Sculptors Society of Ireland, Dublin
  • Group Show, Robert Prime, London
  • Enterprise, ICA, Boston
  • documenta X, Kassel
  • I Met A Man Who Wasn’t There, Basilico Fine Arts, New York
  • Moment Ginza, (co-ordinated by Dominique Gonzalez-Foerster), Le Magasin, Grenoble
  • Space Oddities, Canary Wharf Window Gallery, London
  • Enter: audience, artist, institution, (curated by Barbara Steiner), Kunstmuseum Luzern, Luzern
  • Ajar, Galleri F15, Jeløy
  • Des Livres d’Artistes, L’ecole d’art de Grenoble, Grenoble
  • Temps de Pose, Temps de Parole, Musée de l”Echevinage, Saintes
  • Life/Live, Centro Cultural de Belém, Lisbon
1996
  • Limited Edition Artist’s Books Since 1990, Brooke Alexander, New York
  • Supastore de Luxe, Up & Co, New York
  • Glass Shelf Show, ICA, London
  • A Scattering Matrix, (curated by Jane Hart), Richard Heller Gallery, Los Angeles
  • Lost For Words, Coins Coffee Store, London
  • Itinerant Texts, Camden Arts Centre, London
  • Such is Life, Serpentine London/Palais des Beaux Arts, Brussels/Herzliya Museum of Art
  • Life/Live, Musée d’Art Moderne de la Ville de Paris, Paris
  • Escape Attempts, Globe, Copenhagen
  • How Will We Behave?, Robert Prime, London
  • Nach Weimar, (curated by Nicolaus Schafhausen and Klaus Biesenbach), Landesmuseum, Weimar
  • Some Drawings From London, Princelet Street, London
  • Dinner, (organised by Giorgio Sadotti), Cubitt Gallery, London
  • Departure Lounge, The Clocktower, New York
  • Kiss This, (curated by Jeremy Deller), Focalpoint Gallery, Southend
  • Traffic, (curated by Nicolas Bourriaud), CAPC, Bordeaux
  • Co-operators, Southampton City Art Gallery, Southampton
1995
  • Trailer, (curated by Barbara Steiner), Mediapark, Köln 
  • Brilliant, (curated by Richard Flood), Walker Art Centre, Minneapolis
  • New British Art, Museum Sztuki, Lodz
  • Filmcuts, Neugerriemschneider, Berlin
  • Reserve-Lager-Storage, Oh!, Bruxelles
  • Ideal Standard Summertime, Lisson Gallery, London
  • Karaoke, (curated by Georg Herold), South London Art Gallery
  • Summer Fling, Basilico Fine Arts, New York
  • Collection fin XXéme, FRAC Poitou Charentes, Angouleme
  • In Search of the Miraculous, Starkmann Library Services, London
  • Bad Times, (curated by Jonathan Monk), CCA, Glasgow
  • Möbius Strip, Basilico Fine Arts, New York
1994
  • The Institute of Cultural Anxiety, (curated by Jeremy Millar), ICA, London
  • Surface de Réparations 2, FRAC Borgougne, Dijon 
  • Lost Paradise, (curated by Barbara Steiner), Kunstraum, Vienna
  • Miniatures, The Agency, London
  • Other Men’s Flowers, (curated by Joshua Compston), Hoxton Square, London
  • Mechanical Reproduction, (curated by Jack Jaeger), Galerie van Gelder, Amsterdam
  • Rue des Marins, Air de Paris, Nice
  • Grand Prix, (curated by Axel Huber), Monaco
  • Public Domain, (curated by Jorge Ribalta), Centro’ Santa Monica, Barcelona
  • Cocktail I, Kunstverein in Hamburg 
  • Backstage, Kunstmuseum Luzern
  • Don’t Look Now, (curated by Joshua Decter), Thread Waxing Space, New York 

1993

  • Unplugged, (curated by Nicolas Bourriaud), Köln 
  • Dokumentation uber, arbeiten von, Esther Schipper, Köln
  • Two out of four dimensions, Centre 181, London
  • Backstage, (curated by Stephan Schmidt-Wulffen & Barbara Steiner), Kunstverein 
  • in Hamburg
  • Manifesto, (curated by Benjamin Weil), Hohenthal und Bergen, München
  • Points de Vue, Galerie Pierre Nouvion, Monaco
  • Futura Book, Air de Paris, Nice
  • The London Photo Race, Friesenwall 120, Köln 
  • Group Show, Esther Schipper, Köln 
  • Wonderful Life, Lisson Gallery, London
  • Los Angeles International, Esther Schipper at Christopher Grimes, Los Angeles
  • Travelogue, (curated by Jackie McAllister), Hochschule fur Angewandte Kunst, 
  • Vienna
  • Claire Barclay, Henry Bond, Roderick Buchanan, Liam Gillick, Ross Sinclair, Gesellschaft fur Aktuelle Kunst, (curated by Tom Eccles) Bremen
  • Territorio Italiano, (curated by Giacinto di Pietrantonio), Milan
1992
  • ON, Interim Art, London
  • Group Show, Esther Schipper, Köln 
  • 12 British Artists, Barbara Gladstone/SteinGladstone, New York
  • Etats Spécifique, Musée d’art moderne, Le Havre
  • Manifesto, (curated by Benjamin Weil), Daniel Büchholz, Köln/Castello di Rivara, Turin/ Wacoal Arts Centre, Tokyo/Urbi et Orbi, Paris
  • Lying on top of a building the clouds look no nearer than they had when I was lying in the street, Monika Sprüth, Köln/Esther Schipper, Köln/Le Case d’Arte, Milan 
  • Molteplici Culture, (selected by Giorgio Verzotti), Folklore Museum, Rome
  • Tatoo, Air de Paris/Urbi et Orbi, Paris/Daniel Büchholz, Köln/Andrea Rosen, New York
1991
  • The Multiple Projects Room, Air de Paris, Nice 
  • Air de Paris à Paris, Air de Paris, Paris
  • No Man’s Time, CNAC, Villa Arson, Nice 
1990
  • The Multiple Projects Room, Air de Paris, Nice

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