gilbert & george

biography

1943 Gilbert Prousch born in San Martino in Badia, Italy

1942 George Passmore born in Plymouth, England

They live and work in London, England

 

Awards

  • 1984 Shortlisted for Turner Prize
  • 1986 Winner of the Turner Prize
  • 2005 Gilbert & George, British Pavilion, 51st International Art Exhibition, Venice Biennale, Venice
  • 2008 Honorary Degree in Philosophy, London Metropolitan University, London
  • 2011 Lifetime Achievement Award, New Museum, New York


Solo Exhibitions


2017

  • St. Matthew Foundation, Berlin, Germany
  • Gilbert & George: Drinking Pieces & Video Sculpture 1972-73, Galerie Thaddeus Ropac, London, United Kingdom
  • Luther und die Avantgarde. SCAPEGOATING PICTURES - Sündenbock-Bilder, St. Matthäus-Kirche, Berlin



2015

  • Gilbert & George : The Art Exhibition, MONa , Tasmani
  • Gilbert & George, The Banners, White Cube Bermondsey , London
  • Gilbert & George, Utopian Pictures , Galerie Arndt, Singapore



2014

  • Gilbert & George /ARTIST ROOMS, RAMM Royal Albert Memorial Museum, Devon, UK
  • Scapegoat, Pictures for Paris, Galerie Thaddaeus Ropac
  • Scapegoating, Pictures for London, White Cube, London
  • Video Sculptures 1972-1981, Lehman Maupin, New York
  • Gilbert & George Art Exhibition, Nuveau Musée National Monaco, Villa Paloma, Monaco




2013
  • Gilbert & George: Waking, High Line , New York, NY
  • Gilbert & George: London Pictures, Museum Kuppersmuhle, Duisberg, Germany



2011 - 2012

  • Gilbert & George, Jack Freak Pictures Laznia Centre for Contemporary Art, Gdansk (10 Nov 2011 – 6 Feb 2012)
  • Gilbert & George, Jack Freak Pictures, Deichtorhallen, Hamburg (24 Feb – 22 May 2011)
  • The Urethra postcard pictures, Gilbert & George, Galleria Alfonso Artiaco, Naples, Italy
  • Gilbert & George London Pictures, Galleria Alfonso Artiaco, Naples, Italy



2010 - 2011

  • Gilbert & George, Jack Freak Pictures, Deichtorhallen, Hamburg, Germany (24 Feb – 22 May 2011)
  • Gilbert & George, Jack Freak Pictures, Palais des Beaux Arts (Bozar), Brussels (28 Oct 2010 – 23 Jan 2011)
  • Gilbert & George, Jack Freak Pictures, Museum of Contemporary Art, Zagreb, Croatia
  • Gilbert & George, Jack Freak Pictures , Centro de Arte Contemporáneo (CAC) Málaga



2009

  • Gilbert & George, Jack Freak Pictures, Arndt & Partner, Belin, Galerie Thaddeus Ropac, Paris, White Cube, London, Baronian Francey, Bruxelles, Galerie Thaddeus Ropac, Salzburg, Bernier Eliades, Athens, Alfonso Artiaco, Naples
  • Jack freak pictures, Gilbert & George, Galleria Alfonso Artiaco, Naples, Italy



2007

  • Retrospective Tate Modern, London



2005

  • British Pavillon - Biennale, Venice



2004

  • "20 London E1 Pictures", Galerie Thaddaeus Ropac, Paris.



2002

  • "The Dirty Words Pictures," Serpentine Gallery, London
  • "The Art of Gilbert & George," Fundação Centro Cultural de Belém, Lisbon, Portugal



2001

  • "Gilbert & George," Chateau d'Arenthon Fondation pour l'Art Contemporain, Alex(Annency)
  • "The Art of Gilbert and George,' The Factory, Athens School of Art



2000

  • Gilbert & George, Parkhaus, Dusseldorf
  • Zig-Zag. Pictures 2000, FIAC, Galerie Thaddaeus Ropac, Paris
  • Nineteen Ninety Nine, 1999, Museum Moderner Kunst Stiftung, Vienna
  • MM 2000; Biennale de Lyon, Halle Tony Garnier
  • Nineteen Ninety Nine, 1999, Museum of Contemporary Art (MCA), Chicago



1999

  • Gilbert & George 1970-1988, Astrup Fearnley Museet for Moderne Kunst, Oslo
  • Gilbert & George 1986-1997, Drassanes, Valéncia
  • The Rudimentary Pictures, Milton Keynes Gallery, Milton Keynes (inaugural exhibition)
  • Gilbert & George 1991-1997, Ormeau Baths Gallery, Belfast
  • Nineteen Ninety Nine, 1999, Kunstmuseum, Bonn



1998

  • New Testamental Pictures, Museo di Capodimonte, Naples
  • New Testamental pictures, Gilbert & George, Galleria Alfonso Artiaco, Naples, Italy

 



1997

  • "The Fundamental Pictures," Sonnabend Gallery and Lehmann Maupin Gallery, New York, NY
  • "Gilbert & George," Musee d'Art Moderne de la Ville de Paris, Paris, France
  • "Gilbert & George: Art for All 1971 - 1992," Sezon Museum of Art, Tokyo, Japan
  • "Gilbert & George Art," Magasin 3, Stockholm, Sweden



1996

  • "Gilbert & George", Galleria d'Arte Moderna, Bologna, Italy



1995

  • "The Singing Sculpture", CAPC Musee d'Art Contemporain, Bordeaux, France
  • "The Naked Shit Pictures", South London Art Gallery, London, England
  • "Gilbert & George", Galerie Nikolas Sonne, Berlin, Germany



1994

  • Robert Miller Gallery, NY
  • Museo d'Arte Moderna, Lugano, Switzerland
  • "New Shit Pictures", Galerie Jablonka, Cologne, Germany
  • "Shitty Naked Human World", Kunstmuseum Wolfsburg, Wolfsburg, Germany



1993

  • "China Exhibition 1993", National Art Gallery, Peking; The Art Museum, Shanghai, China



1992

  • "New Democratic Pictures", Aarhus Kunstmuseum, Arhus, Denmark
  • "New Democratic Pictures", Anthony D'Offay Gallery, London



1991

  • "Gilbert & George", Gramo Fine Arts, Antwerp, Belgium
  • "The Cosmological Pictures", Palac Sztuki, Krakow; Palazzo delle Esposizioni, Rome; Kunsthalle Zurich; Wiener Secession, Vienna; Ernst Muzeum, Budapest; Haags Gemeenstemuseum, The Hague; Irish Museum of Modern Art, Dublin; Fundacio Joan Miro, Barcelona; Tate Gallery Liverpool; Wurttembergischer Kunstverein Stuttgart
  • "The Singing Sculpture & The General Jungle", Sonnabend Gallery



1990

  • "Gilbert & George Pictures 1983-1988, Moscow Exhibition", New Tretyakov Gallery, Moscow
  • "Twenty-Five Worlds By Gilbert & George", Robert Miller Gallery, New York
  • "Gilbert & George Post-Card Sculptures and Ephemera 1969-1981", Hirschl & Adler Modern, New York
  • "The New Cosmological Pictures", Sonnabend Gallery, New York Galerie Langer Fain, Paris
  • "Gilbert & George: Worlds & Windows", Anthony d'Offay Gallery, London
  • "Gilbert & George", Sonnabend Gallery, New York
  • "Eleven Worlds by Gilbert & George and Antique Clocks", Desire Feuerle Gallery, Cologne

 



1989

  • "The for Aids Exhbitions", Anthony D'offay Gallery, London
  • "Gilbert & George: Postcard Sculptures", Paul Kasmin Gallery, New York
  • "The 1988 Pictures", Christian Stein Gallery, Milan

 



1988

  • Ascan Crone Gallery, Hamburg, West Germany

 



1987

  • "Gilbert & George, The Complete Pictures 1971-1985", Palacio de Valazquez, Parque del Reitrio, Madrid, Stadtische Galerie im Lenbachhaus, Munich, Hayward Gallery, London Sonnabend Gallery, New York
  • "Gilbert & George New Pictures", Anthony D'Offay Gallery, London
  • "Gilbert & George Pictures", The Aldrich museum, Ridgefield, CN

 



1986

  • "Gilbert & Geocge, The Complete Pictures 1971-1985", CAPC
  • Musee d'Art Contemporain de Bordeaux, Kunsthalle, Basel, Palais des Beaux Arts, Brussels

 



1985

  • "Gilbert & George", Milwaukee Art Museum; The Solomon R. Guggenheim Museum, New York
  • "New Moral Works", Sonnabend Gallery, New York

 



1984

  • "New Photo-Pieces", Anthony D'Offay Gallery, London
  • "Gilbert & George", The Baltimore Museum of Art; Contemporary Art Museum, Houston; The Norton Gallery of Art, West Palm Beach, Florida
  • "The Believing World", Anthony D'Offay Gallery, London
  • "Hands Up", Schelman & Kluser Gallery, Munich "Live's", Pieroni Gallery, Rome

 



1983

  • "Modern Faith", Sonnabend Gallery, New York
  • "Photo-Pieces 1980-82", David Bellman Gallery, Toronto
  • "New Works", Crousel-Hussenot Gallery, Paris

 



1982

  • "New Photo-Pieces," Gewad Ghent
  • "Crusade," Anthony D'Offay Gallery, London

 



1981

  • "Photo-Pieces 1971-80," (Retrospective) Kunsthalle, Dusseldorf; Kunsthalle, Bern; Centre National d'Art et de culture Georges Pompidou, Paris; Whitechapel Art Gallery, London

 



1980/81

  • "Photo-Pieces 1980-81," Chantal Crousel Gallery, Paris

 



1980

  • "Post-Card Sculptures," Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf
  • "New Photo-Pieces," Karen & Jean Bernier Gallery, Athens; Sonnabend Gallery, New York
  • "Modern Fears," Anthony D'Offay Gallery, London
  • "Photo-Pieces 1971-80," Stedelijk van Abbemuseum, Eindhoven

 



1978

  • "Photo-Pieces," Dartington Hall Gallery, Dartington Hall
  • "New Photo-Pieces," Sonnabend Gallery, New York; Art Agency, Tokyo

 



1977

  • "Red Morning," Sperone Fischer Gallery, Basel
  • "New Photo-Pieces," Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf



1976

  • "The General Jungle," Albright-Knox Gallery, Buffalo
  • "Dead Boards," Sonnabend Gallery, New York
  • "Mental," Robert Self Gallery, London; Robert Self Gallery, Newcastle

 



1975

  • "Bloody Life," Sonnabend Gallery, Paris; Sonnabend Gallery, Geneva; Lucio Amelio Gallery, Naples
  • "Post-Card Sculptures," Sperone Westwater Fischer Gallery, New York
  • "Dusty Corners," Art Agency, Tokyo

 



1974

  • "Drinking Sculptures," Art & Project,MTL, Antwerp
  • "Humane Bondage," Konrad Fischer Gallery, Dusseldorf
  • "Dark Shadow," Art & Project Gallery, Amsterdam; Nigel Greenwood Gallery, London
  • "Cherry Blossom," Sperone Gallery, Rome

 



1973

  • "The Shrubberies & Singing Sculpture," National Gallery of New South Wales; John Kaldor Project, Sydney; National Gallery of Victoria; John Kaldor Project, Melbourne
  • "Modern Rubbish," Sonnabend Gallery, New York
  • "Any Port in a Storm," Sonnabend Gallery, Paris
  • "New Decorative Works," Sperone Gallery, Turin
  • "Reclining Drunk," Nigel Greenwood Gallery, London

 



1972

  • "New Photo-Pieces," Konrad Fischer Gallery, Dusseldorf
  • "Three Sculptures on Video Tape," Gerry Schum Video Gallery, Dusseldorf
  • "The Bar," Anthony D'Offay Gallery, London; Nigel Greenwood Gallery, London
  • "The Evening Before the Morning After," Nigel Greenwood Gallery, London
  • "It Takes A Boy To Understand A Boy 's Point Of View," Situation Gallery, London
  • "A New Sculpture," Sperone Gallery, Rome

 



1971

  • "There Were Two Young Men," Sperone Gallery, Turin
  • "The General Jungle," Sonnabend Gallery, New York
  • "The Paintings," Whitechapel Art Gallery, London; Stedelijk Museum, Amsterdam; Kunstverein Dusseldorf; Kon. Museum Voor Shone Kunsten, Antwerpen
  • "The Ten Speeches," Nigel Greenwood Gallery, London
  • "New Photo-Pieces," Art & Project Gallery, Amsterdam

 



1970

  • "George by Gilbert & Gilbert by George," Fournier Street, London
  • "The Pencil on Paper, Descriptive Works," Konrad Fischer Gallery, Dusseldorf; Folker Skulima Gallery, Berlin
  • "Art Notes and Thoughts," Art & Project Gallery, Amsterdam
  • "Frozen Into the Nature for You Art," Francoise Lambert Gallery, Milan; Heiner Friedrich Gallery, Cologne
  • "To Be with Art is all We Ask," Nigel Greenwood Gallery, London

 



1969

  • "Anniversary," Frank's Sandwich Bar, London
  • "Shit and Cunt," Robert Fraser Gallery, London

 


Group Exhibitions


2017

  • Summer Exhibition, Royal Academy of Arts, London



2016

  • 30th Anniversary, Galleria Alfonso Artiaco, Napoli
  • Love. L'arte contemporanea incontra l'amore, Chiostro del Bramante, Rome
  • Summer Exhibition 2016, Royal Academy of Arts, London



2014

  • Lens-Based Sculpture: The Transformation of Sculpture through Photography, Kunstmuseum Liechtenstein, Liechtenstein
  • Tea with Nefertiti, Staatliches Museum Ägyptischer Kunst, Munich
  • Somewhat Abstract: Selection from the Arts Council Collection, Nottingham Contemporary
  • 69/96, Alte Fabrik, Rapperswil-Jona, Switzerland



2013

  • Palindrome, ARNDT, Berlin
  • As if it Could, ouverture, Works and Documents from the Herbert Foundation, Herbert Foundation, Ghent
  • Glam! The Performance of Style, Tate, Liverpool; Schirn Kunsthalle Frankfurt, Frankfurt
  • Tea with Nefertiti, Institut du Monde Arabe, Paris 



2012

  • Tea with Nefertiti, Mathaf: Arab Museum of Modern Art, Doha
  • To Be With Art Is All We Ask, Astrup Fearnley Museum, Oslo
  • CARA DOMANI, MAMbo, Bologna, Italy
  • I Wish This Was A Song: Music in Contemporary Art, The Museum of Contemporary Art, Oslo 
  • The insides are on the outside, Glass House, São Paulo
  • ARTandPRESS, Martin–Gropius-Bau, Berlin




2011

  • United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s, Henry Moore, Institute, Leeds
  • Made in Britain: Contemporary Art from the British Council Collection, Hong Kong Heritage Museum, Hong Kong
  • Museum of Modern Art, New York
  • Moving Portraits, De La Warr Pavillion, Bexhill on Sea, England




2010

  • Party!, New Art Gallery, Walsall, England
  • Love, Sorcha Dallas Gallery, Glasgow
  • Brave New World, MUDAM, Luxembourg




 2009

  • Barock, Museo d’Art Contemporanea Donna Regina, Naples
  • Just What is it..100years of Modern Art from Private Collections in Baden-Wurttemberg, ZKM Center for Art & Media Karlsruhe
  • T-Tris, B.P.S. Space for Contemporary Art, Charleroi, Belgium
  • Bad Habits, Albright Knox Gallery, New York
  • Collage, London New York, Fred Gallery, London
  • 15 Years of Collecting: Against the Grain, Kunstmusuem Wolfsburg, Wolfsburg
  • BP British Art Displays 1500- 2009, Tate Britain, London
  • Passports: Great Early Buys from the British Council Collection, Whitechapel Gallery, London
  • The Fallen Angels - Watari-Um, Watari Museum of Contemporary Art, Tokyo



2008

  • Based on Paper, MIMA, Middlesbrough
  • The Sum of Its Parts, Cheim & Read, New York City, NY
  • History in the Making, A Retrospective of the Turner Prize, Mori Art Museum, Tokyo
  • Held together with water, Art from the Sammlung Verbund, Istanbul Museum of Modern Art, Istanbul
  • Parkhaus, Kunsthalle Dusseldorf, Dusseldorf




2007

  • Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, New York
  • The Naked Portrait, Scottish National Gallery, Edinburgh
  • Panic Attack! Art in the Punk Years, Barbican Art Gallery, London
  • The Secret Public: The Last Days of the British Underground 1978-1988, Institute of Contemporary Art, London
  • INTO ME / OUT OF ME Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, Berlin



2006

  • Interventions, Thomas Solomon Gallery, Los Angeles
  • How To Improve The World, Hayward Gallery, London
  • Where a Pawn becomes a Queen, Museum Ludwig, Cologne
  • Inventory: Works form the Herbert Collection, Kunsthaus Graz, Graz
  • Sixty Years of Sculpture in the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park
  • Handsome, Analix Forever, Geneva
  • Eye on Europe - Prints, Books & Multiples, 1960 to Now, MoMA - Museum of Modern Art, New York
  • Internazionale XII Biennale di Scultura di Carrara Biennale di Sculture di Carrara, Carrara
  • Into me / Out of me P.S.1 Contemporary Art Center, Long Island
  • LACMA at 40: Gifts in Honor of the Museum’s Anniversary, Los Angeles County, Museum of Art - LACMA, Los Angeles, CA
  • E-Flux Video Rental, Arthouse at the Jones Center - Contemporary Art for Texas, Austin, TX


2005

  • Creativity, Kunsthalle Fridericianum, Kassel
  • 'Bock mit Inhalt' - Summer Exhibition, Stedelijk Museum, Amsterdam
  • Superstars - from Warhol to Madonna, Kunsthalle Wien (Halle 1, Halle 2 im MQ), Vienna
  • The Theatre of Art - Masterpieces from the Collection of the Ludwig Museum, Colo Villa Manin. Centro D’arte Contemporanea, Codroipo, UD
  • Open Systems - Rethinking Art c.1970, Tate Modern, London, England
  • Eye of the Storm: The IMMA Collection, Irish Museum of Modern Art - IMMA, Dublin
  • The giving person, PAN - Palazzo delle Arti di Napoli, Naples
  • The Last Picture Show - Artists using Photography 1960-1982, Miami Art Central, Miami, FL
  • Faltering Flame, Shefffield Galleries & Museums Trust, Sheffield




2004

  • I hate you The Falckenberg Collection, Louisiana Museum of Modern Art, Humlebæk
  • Treasure Island: 10 Jahre Sammlung Kunstmuseum, Kunstmuseum Wolfsburg, Wolfsburg
  • The Last Picture Show - Artists Using Photography, 1960-1982, UCLA Hammer Museum, Los Angeles
  • Turning Points - 20th Century British Sculpture, Tehran Museum of Contemporary Art, Tehran
  • Secrets of the 90s, Museum voor Moderne Kunst Arnhem, Arnhem
  • Head to Head, Tate Modern, London, England
  • Hidden Histories, The New Art Gallery Walsall, Walsall, West Midlands, England
  • Video et Cogito, Ludwig Forum für Internationale Kunst, Aachen
  • Monument to Now. Deste Foundation, Centre for Contemporary Art, Athens
  • From a Collection - For a Collection, Galerie Bugdahn und Kaimer, Duesseldorf; Stedelijk Museum
  • The Last Picture Show, Fotomuseum Winterthur, Winterthur
  • Puzzle, Galleria Il Ponte, Florence




2003

  • From Broodthaers to Horn. Van Abbemuseum, Eindhoven
  • Group Show, Bernier/Eliades Gallery, Athens
  • Not Exactly Photographs, Fraenkel Gallery, San Francisco, CA
  • Het kunstenaarsboek als wetenschappelijke bron, Centraal Museum, Utrecht
  • Photo - Kunst - 1852 – 2002, Staatsgalerie Stuttgart, Stuttgart
  • PROJECTION, Konrad Fischer Galerie GmbH, Duesseldorf
  • Journey to Now - John Kaldor Art Projects & Collection, Art Gallery of South Australia, Adelaide, SA
  • Dreams and Conflicts:The Dictatorship of the Viewer, La Biennale di Venezia, Venice
  • Social Strategies - Redefining social realism, Illinois State University, Normal, Il
  • Gelijk het leven is, S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Gent
  • The Last Picture Show - Artists Using Photography - 1960-1982, Walker Art Center, Minneapolis, MN
  • Happiness - A Survival Guide for Art and Life, Mori Art Museum, Tokyo
  • Narcissus - New Visions on Self-Representation, Crac Alsace, Altkirch
  • Fernsehgalerie Gerry Schum/videogalerie schum, Kunsthalle Düsseldorf, Duesseldorf




2002

  • "From Pop to Now: Selections from the Sonnabend Collection," The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York
  • On General Release, Norwich Gallery, Norwich,England
  • Public Affairs, Kunsthaus Zürich, Zurich
  • Warhol to Koons: International Contemporary Art from a Private Collection, Scottish National
    Gallery of Modern Art, Edinburgh, Scotland
  • Real Life, Tate St. Ives, St. Ives, Cornwall
  • RETROSPECTACLE: 25 Years of Collecting Modern and Contemporary, Denver Art Museum, Denver, CO

 



2000

  • "Inner Eye: Contemporary Art from the Marc and Livia Straus Collection", Neuberger Museum of Art, SUNY Purchase, Purchase, NY
  • Out There, White Cube 2, Hoxton Square, London
  • The Rudimentary Pictures, Gagosian Gallery, Los Angeles

 



1998

  • "Out of Actions: Between Performance and the Object, 1949-1979," Museum of Contemporary Art, Los Angeles, CA
  • "Photoplay," George Eastman House, Rochester, NY
  • Selected Works from The Fundamental Pictures, Massimo Martino Fine Arts & Projects, Switzerland
  • New Testamental Pictures, Galerie Thaddaeus Ropac, Paris
  • New Testamental Pictures, Galerie Thaddaeus Ropac, Salzburg
  • Black White and Red 1971 to 1980, James Cohan Gallery, New York

 



1997

  • "Treasure Island", Gulbenkian Foundation, Lisbon, Portugal
  • "Das Zwanzigste Jahrhundert" Zeitgeist-Gesellschaft, Berlin, Germany
  • "'97 Kwangju Biennale Unmapping the Earth," Kwangju, Korea
  • Galerie Thaddeaus Ropac, Salzburg, Austria
  • The Fundamental Pictures, Sonnabend Gallery/Lehmann Maupin, New York

 



1996

  • "La Vie Moderne en Europe 1870-1996", Museum of Contemporary Art, Tokyo, Japan

 



1995

  • "Endurance: The Information", Exit Art, New York, NY
  • "Take Me (I'm Yours)", Serpentine Gallery, London, Great Britain
  • "Attitudes/Sculptures, 1963-1972", CAPC, Musee d'art Contemporain, Bordeaux, France
  • "20/20" In Khan, NY
  • Human/Nature Benefit Exhibition, The New Museum, New York, NY

 



1994

  • "1969", Galerie Jablonka, Cologne
  • "Recent Work", Anthony d'Offay Gallery, London
  • "Sarah Staton: Supastore boutique", Laure Genillard Gallery, London, Great Britain

 



1993

  • "Contemporary Self-Portraits "Here's Looking at Me'", elac, Centre d'Echanges de Perrache, Lyon, France
  • "Out of Sight, Out of Mind", Lisson Gallery, London
  • "1993: Europe Sans Frontieres", Galerie Isy Brachot, Paris
  • "Image Makers", The Nassau County Museum of Art, Roslyn Harbor, NY
  • "Konstruktion Zitat: Kollektive Bilder in der Fotografie", Sprengel Museum, Hannover, Germany
  • "Photoplay, Works from the Chase Manhattan Collection, NY", Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; MASP/ Museu de Arte de Sao Paulo, Sao Paulo, Brasil; Museo Nacional de Bellas Artes; Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile

 



1992

  • "Dark Decor", DePree Art Center, Hope College, Holland, MI; San Jose Museum of Art, San Jose, CA; Florida Gulf Coast Art Center, Belleair, FL
  • "More Than One Photograph", The Museum of Modern Art, NY

 



1991

  • "20th Century Collage", Margo Leavin Gallery, LA, CA
  • "Metropolis", International Art Exhibition 1991, Martin-GropiusBau, Berlin
  • "Photography: 1980-1990", Ginny Williams Gallery, Denver, CO
  • "Consorts", Pence Gallery, Santa Monica, CA
  • "Cruciformed: Images of the Cross Since 1980", Cleveland Center for Contemporary Art, Cleveland; Museum of Contemporary Art Wright State University, Dayton, OH; Western Gallery, Western Washington University, Bellingham, WA; Macdonald Stewart Art Center, Guelph, Ontario, Canada
  • "A Passion for Art: Watercolors and Works on Paper", Tony Shafrazi Gallery, NY

 



1990

  • "Assembled", The University Art Galleries, Wright State University, Dayton, OH
  • "Team Spirit", Neuberger Museum, SUNY at Purchase; Cleveland Center for Contemporary Art, Cleveland, OH; Vancouver, British Columbia, Canada; The Art Museum at Florida International University, Miami; Spirit Square Center for the Arts, Charlotte, NC; Davenport Art Museum, Davenport, IO; Laumeier Sculpture Park, St. Louis, MI
  • "Art That Happens to be Photography", Texas Gallery, TX
  • "Exposed", Vivian Horan Fine Art, New York

 



1989

  • "Repetition", Hirschl & Adler Modern, New York, NY
  • "Bilderstreit: contradiction, unity and fragmentation in art since 1960", Ludwig Museum in the Rheinhallen, Cologne, West Germany
  • "Prospect 89" Kunstverein Frankfurt, Schirn Kunst-Halle, Frankfurt, West Germany
  • "Lost and Found: The Object Transformed", Barbara Mathes Gallery, New York, NY
  • "New Works by Gallery Artists", Sonnabend Gallery, New York, NY
  • "Words", Tony Shafrazi Gallery, New York

 



1988

  • "Under Construction; New Photomontage", Cranbrook Academy of Art Museum, Bloomfield, MI (exh. cat.)
  • Capc, Musee d'Art Contemporain, Bordeaux; Art Cologne, Germany; Hamburger Bahnhof, Berlin, West Germany, Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporary, Trent, Italy; Sezon Museum of Art, Tokyo; The Miyagi Museum of Art, Sendai, Japan; The Fukuyama Museum of Art, Hiroshima, Japan; The National Museum of Modern Art, Kyoto
  • 'A "Drawing" Show', Cable Gallery, New York, NY
  • "Three Decades: The Oliver Hoffman Collection", The Museum of Contemporary Art, Chicago

 



1987

  • "This is Not a Photograph: Twenty Years of Large-Scale Photography, 1966-1986", The John and Mable Ringling Museum of Art, Sarasota, FL
  • "Perverted By Language", Hillwood Art Gallery, Long Island University, C.W. Post Campus, Greenvale, NY
  • "Romance", Curated by Ronald Jones, Knight Gallery, Charlotte, North Carolina
  • "Selections from X) 1" organized by Saul Ostrow, Damon Brandt Gallery, New York, NY
  • "Uit het oude Europa", Stedelijk Museum, Amsterdam, Holland

 



1986

  • "Correspondances 'New York Art Now'", Laforet Museum Harajuku, Tokyo (December 20, 1985 - January 19, 1986) and Tochigi Perfectural Museum of Fine Arts, Utsunomiya, (February 8 - March 23)
  • "Gilbert & George; Gareth Fisher", The Fruitmarket Gallery, Edinburgh (May 31 - July 5)
  • "Falls The Shadow - 1986 Hayward Annual", Hayward Gallery, London, England
  • "Memento Mori", Centro Cultural/Arte Contemporaneo, Mexico

 



1985

  • "Paris Biennale", Paris
  • "The 1985 Carnegie International", Pittsburg, Pennsylvania

 



1984

  • "Sydney Biennale", Sydney
  • "The Critical Eye", Yale Center for British Art, New Haven
  • "Artistic Collaboration in the 20th Century", Hirshhorn Museum and Sculpture Garden, Washington D.C.
  • "The Poetry of Vision-Rose", The Guinness Hop Store, Dublin 8

 



1983

  • "Photography in Contemporary Art", National Museum of Modern Art, Tokyo
  • "Acquisition Priorities", The Solomon R. Guggenheim Museum, New York
  • "Trends in Post War American and European Art", The Solomon R. Guggenheim Museum, New York
  • "New Art", The Tate Gallery, London
  • "Urban Pulsers: The Artist and the City", Plan for Art, Pittsburg

 



1982

  • "Aspects of British Art Today", Metropolitan Art Museum, Tokyo
  • "Documenta (7)" , Kassel
  • "Zeitgeist", Berlin, West Germany

 




1981
  • "Westkunst," Cologne
  • "16 Bienal De Sao Paulo," Sao Paulo
  • "British Sculpture In The Twentieth Century," Whitechapel Art Gallery, London
  • "Project 6: Art Into The 80's," Walker Art Gallery, Liverpool
  • "Point de Vue, Images," Maison de la Culture, Chalon-sur-Saone

 



1980

  • "Gerry Schum," Museum Boymans-Van Beuningen, Rotterdam; Kunstverein, Cologne; The Art Gallery, Vancouver; A Space, Toronto
  • "Kunst In Europa Na '68," Museum voor Hedendaagse Kunst, Ghent
  • "Explorations In The 70's," Pittsburg Plan for Art, Pittsburg, Pennsylvania

 



1979

  • "Process and Sequence: A Photographic Exhibition," Roosevelt, New York
  • "Photography as Art/Art as Photography," Tiroler Landesmuseum Ferdinandeum, Innsbruck
  • "Europe In The 70's," Contemporary Art Center, Cincinnati
  • "On Walks and Travels," Bonnefantenmuseum, Maastricht
  • "Un Certain Art Anglais," A.R.C./Musee d'Art Moderne de la ville Paris
  • "Wahrnehmungen, Aufzeichnungen, Mitteilungen," Museum Haus Lange, Krefeld
  • "Hayward Annual," Hayward Gallery, London
  • "Gerry Schum," Stedelijck Museum, Amsterdam

 



1978

  • "Europe In The 70's," Hirshhorn Museum and Sculpture Garden, Washington D.C.; San Francisco Museum of Modern Art; Fort Worth Art Museum, Texas
  • "Made By Sculptors," Stedelijk Museum, Amsterdam
  • "Documenta (6)", Kassel
  • "38th Biennale," Venice
  • "Door Beeldhouwers Gemaakt," Stedelijk Museum, Amsterdam

 



1977

  • "Photography as an Art Form," John and Marble Ringling Museum of Art, Saratoga, Florida
  • "Documenta (6)", Kassel
  • "Europe In The 70's,"The Art Institute of Chicago

 



1976

  • "Arte Inglese Oggi," Palazzo Reale, Milan
  • "Group Show," Fruit Market Gallery, Edinburgh
  • "The Artist and The Photograph," Israel Museum, Jerusalem

 



1975

  • "Bodyworks," Museum of Contemporary Art, Chicago
  • "Narrative in Contemporary Art," University of Guelph, Ontario, Canada

 



1974

  • "Word Works," Mt.San Antonio College, Walnut, California
  • "Medium Photography," Kunstverein, Hamburg; Kunstverein, Monster
  • "Kunst Bleibt Kunst," Kunsthalle, Cologne
  • "Prospect," Kunsthalle, Dusseldorf
  • "A Group Show," Pa.lais des Beaux Arts, Brussels
  • "Sculpture Now," Royal College of Art, London

 



1973

  • "Critics Choice," Tooth Gallery, London
  • "Art as Photography," Kunstverein, Hannover; The Museum Gallery, Paris
  • "From Henry Moore to Gilbert & George," Palais des Beaux Arts, Brussels
  • "11 English Drawers," Kunsthalle, Baden-Baden; Kunsthalle, Bremen
  • "Contemporanea," Villa Borghese, Rome

 



1972

  • "Documenta (5)", Kassel
  • "The New Art," Hayward Gallery, London
  • "Concept Kunst," Kunstmuseum, Basel
  • "The Paintings", Koninkijk Museum voor Schone Kunsten, Antwerp

 



1971

  • "Prospect 71 Projection," Kunsthalle, Dusseldorf
  • "The Brithis Avant-Garde," Cultural Centre, New York
  • "Situation/Concept," Innsbruck
  • "The Paintings", Whitchapel Art Gallery, London; Stedelijk Museum, Amsterdam; Kunstverein, Dusseldorf

 



1970

  • "Information," The Museum of Modern Art, New York
  • "18 Paris IV," 66 Rue Mouffetard, Paris
  • "Conceptual Art, Arte Povera, Land Art," Civic Gallery of Modern Art, Turin
  • "Untitled," C.A.Y.C., Buenos Aires
  • "Plans and Projects," Kunsthalle, Bern

 



1969

  • "Conception," Stadtisches Museum, Leverkusen
  • "Anniversary", Frank's Sandwich Bar, London
  • "Shit and Cunt", Robert Fraser Gallery, London
  •  


1968

  • "Three Works - Three Works", Frank's Sandwich Bar", London
  • "Snow Show", St. Martin's School of Art, London
  • "Bacon 32", Allied Servies, London
  • "Christmas Show", Robert Fraser Gallery, London

 

 

 Selectd bibliography

 

2000

  • Muchnic, Suzanne. "Collaboration at Rare and Rarefied Levels", Los Angeles Times, Feb.
  • Knight, Christopher. "Art Review: Conceptual art of 'Gilbert & George: The Rudimentatry Pictures' is full of wit, pathos, sweet provocation and oddity", Los Angeles Times, Feb.

 



1997

  • Dyson, Dominic. "Gilbert & George." Index, Sept./Oct., pp. 44-52.
  • Kramer, Hilton. "Odious Gilbert & George, Now Stinking Up Soho." The New York Observer, May.
  • Scott, Whitney. "Twin Peeks, In the Gallery." The New York Post, May, pp.26-27.
  • Smith, Roberta. "Gilbert & George." The New York Times, May, p.C24.


1995

  • Thiel, Wolf-Gunter. "Gilbert & George: Jablonka." Flash Art International, Jan./Feb., Vol. XXVII, No. 180, pp. 99-100.
  • Bickers, Patricia. "La Sculpture britannique: generations et tradition." Artpress, May, No. 202, pp. 31-39.

 



1994

  • Macritchie, Lynn. "Report from Beijing: Precarious Paths on the Mainland." Art in America, March, no. 8, pp. 51-57.
  • Codognato, Mario. "Collection: Attilio Codognato." Galeries, Spring, No. 59, pp. 90-97.
  • Gimelson, Deborah. "It's a Wonderful Life." ArtNews, Summer, Vol. 93, No. 6, pp. 170-172.
  • Dannatt, Adrian. "Gilbert & George: We Do Pictures." Flash Art, October, Vol. XXVII, no. 178, pp. 63-67.

 



1993

  • MacRitchie, Lynn. "Odd couple comes home." The Financial Times, Jan 31, p. XVII.
  • Corris, Michael. "Gilbert & George: Anthony d'Offay." Artforum, Feb. XXXI, pp. 111-112.
  • Jones, Gareth. "Gilbert & George: The Cosmological Pictures." Frieze Magazine, Issue 10, May, p. 51.
  • ..."How to Hold A Conversation With Living Sculptures." The New York Times, July 18, Sect. p. 27.
  • ..."Gilbert & George in China." Flash Art News, Oct., Vol. XXVI, No. 172, p. 49.

 



1992

  • Goldberg, RoseLee. "Gilbert & George: Sonnabend Gallery." Artforum, Jan. pp. 103-104.
  • Adams, Brooks. "Gilbert & George at Sonnabend." Art in America, Feb. pp. 110-111.
  • Feb. pp. 110-111. Pincus-Witten, Robert. "Timothy Greenfield-Sanders." Tema Celeste (Italian Edition), Jan./Mar. pp. 62-65.
  • Jordan, Betty Ann. "After its..." Canadian Art, Spring, p. 22.
  • Doswald, Christoph. "Gilbert & George." Kunstforum International, Bd. 117, pp. 388-389.
  • Hagen, Charles. "2 Goals in One Show: Diversity and Unity." The New York Times, May 29, p. C28.

 



1991

  • Cullinan, Helen. "Partnering for artsy mimickry." The Plain Dealer, Feb. 23.
  • Cora, Bruno. "Christian Stein." Galeries Magazine, Apr./May, pp. 112-119.
  • Messler, Norbert. "Berlin: 'Metropolis'." Artforum, Summer, pp. 101-103.
  • Taylor, Paul. "Soho's Avant-Guardian." Connoisseur,
  • Sept.Pedersen, Victoria. "Gallery go 'round." Paper Magazine (Best of Guide), Sept. p. 25.
  • Kohen, Helen, L. "Team Work showcases the art of collaboration." The Miami Herald, Sunday, Sept. 15.
  • Smith, Roberta. "Gilbert and George 20 Years Later." The New York Times, Sept. 27, p. C28.
  • Larson, Kay. "The Twilight Zone." New York Magazine, Oct. 14, pp. 71+72.
  • Hagen, Charles. "Bolstering Narrative Qualities with Whimsy." The New York Times, Oct. 16, p. C32.
  • Coen, Ester. "Gilbert & George, un milione di foto." La Repubblica, Oct. 20.
  • Mahoney, Robert. "Gilbert & George at Sonnabend." Arts Magazine, Dec. pp. 76+77.
  • Cottingham, Laura. "Gilbert & George, Sonnabend." Flash Art, Nov./Dec. p. 129.
  • "Guilt and George." Artscribe International. Nov./Dec. p. 11.
  • MacAdam, Barbara, A. "The Singing Sculpture." Artnews, Dec. p. 17.

 



1990

  • Greig, Geordie. "Opening a window on Western art." The Sunday Times, March 11.
  • Wilson, Andrew. "We always say it is what we 'say' that is important." Art Monthly, Apr. pp.6-13.
  • Murdin, Lynda. "The Art of Being Gilbert and George." Airport, pp. 22+23.
  • Farson, Daniel. "Making an exhibition of themselves." The Telegraph, April 29.
  • B.G. "No love for the Black Shirt Marxists." The Daily Telegraph, April 30.
  • Wechsler, Max. "Gilbert & George." Kunstforum, Apr./May. pp. 150-155.
  • Miller, John. "The Weather is here: Wish You Were Beautiful." Artforum, May, pp. 152-159.
  • Ratcliff, Carter. "Artful Poses." Elle, June, p. 125
  • Smith, Roberta. "From Humble Postcard To the Cosmological." The New York Times, Fri. June 1, p. C22.
  • Coleman, A.D. "Soho Gets New Installment of British Buddy Photos, The New York Observer, June 18.
  • Sewell, Brian. "Postcard posers." Evening Standard, Nov. 1, p. 25.
  • Raynor, Vivian. "A Provocative Look at Collaborations." The New York Times, Sunday, Nov. 25.

 



1989

  • Kramer, Miriam. "More Aid for Aids." Art & Auction, May, pgs. 86+88.
  • MacMinn, Aleene. "Art." The Los Angeles Times, Friday, Oct. 27.
  • Rosenblum, Robert. "Gilbert & George: The Aids Pictures." Art in America, Nov. pp. 153-156.

 



1988

  • Scruton, Roger. "Deastly Bad Taste." Modern Painters, Spring.
  • Davvetas, Demosthenes. "Gilbert & George." Vogue Decoration, May.
  • Whitaker, Andrea. "Gilbert & George, Die Zwillinge Im Geiste." Pan Magazine, May.
  • "Gilbert & George." Six, by Comme des Garcons, August.
  • Vogel, Sabine, B. "Kunstler-filme." Wolkenkratzer Art Journal, July/August/ p. 9.

 



1987

  • Russell, John. "Art: The Huge Images of Gilbert & George." The New York Times, Friday, June 5, 1987, p. C24.
  • Levin, Kim. "Review of Sonnabend Show." The Village Voice, Tuesday June 9, p. 84.
  • Hughes-Hallett, Lucy. "Studies in still life." The London Evening Standard, July 2, 1987, p. 26.
  • Feaver, William. "Art: Gilbert & George; Documenta 8." Vogue Notices, Vogue, July 1987.
  • Dialogue with Gilbert & George, "The Odd Couple." Observer, 28 June, 1987, p. 33-37.
  • Roberts, John. "Gilbert & George: Beyound the Arches." Artscribe, November/December 1987, pp. 34-35.
  • Kent, Sarah. "Missionary Position." Time Out, July-8-15, 1987, pp. 4, 16-17.
  • Tyler, Betty. "Gilbert & George in Rigdefield." The Sunday Post, Nov. 8, 1987. pp. Dl+D6.
  • Zimmer, William. "In Ridgefield, a Collection of the New and the Notorious." The New York Times, Nov. 15, 1987, p. 40.
  • Allthorpe-Guton, Marjorie. "Spotlight: Gilbert & George." Flash Art, Nov. p. 98.
  • Shelley, James. "Declarations." Westuff/ Autumri. Bevant Roger. "The Literature of Gilbert & George." Apollo, Nov.
  • Thomas, Denis. "Double Top for Gilbert & George." EEC-Europe, Nov.

 



1986

  • Wallace & Donahue, "The Fear of Gilbert & George", Art & Text, February-April.
  • Wechsler, Max. Artforum, Review, Kunsthalle, Basel, December 1986, pp. 127, 128.
  • Nickas, Robert. "Perverted By Language", Hillwood Art Gallery, Long Island University, C.W.Post Campus, Greenvale, NY, (catalog)

 



1985

  • Salerno, Giovanni, Battista. "Gilbert, George, Samuel Beckett." Flash Art, No. 125, March.
  • Breson, Michael. "Art: Gilbert and George, Duo who Work as Solo." The New York Times, Friday, 26 April.
  • McGill, Douglas, C. "Art View: Two Artists who Probe the Meaning of Life." The New York Times, 5 May.
  • Lamoree, Jhim. "Kunst: Het Seksuele Mysterie Als Heilige Mis." Haage Post, 11 May.
  • Larson, Kay. (Review - The Guggenheim Museum), New York Magazine, May 20.
  • Indiana, Gary. "The Dark Side of Gilbert and George." Village Voice, June 4.
  • Heartney, Eleanor. "Gilbert and George." (Review - Sonnabend Gallery), Artnews, October, p. 127.

 



1984

  • Scarupa, Henry. "Gilbert and George Merge Creativity to Produce Singular Art." The Baltimore Sun, February 19.
  • Dorsey, John. "Gilbert and George: Two Artists of a Single Mind." Sun Magazine: The Baltimore Sun, February 19, p. 8 .
  • Russel, John. "Art View: London Viewed as a Landscape of Loss." The New York Times, 4 March.
  • Macritchie, Lynn. "The Believing World of Gilbert and George." Interview, Performance Magazine, April/May.
  • "English Art Team Drawn into All-American Scene", Houston Chronicle, p. 4, sec. 6, Thursday, 28 June.
  • Wilson, Mike. "Exhibit Sure to Elicit Emotions of Love, Hate, Art Director Says." The Miami Herald, Sunday, 2 September.
  • Scwan, Gary. "Norton to Host Major Art Exhibit." The Post, 9 September.
  • Wilson, Mike. "Gallery 'Gutted' for Photo Murals by British Artists." The Miami Herald, 19 September.
  • "Gilbert and George Photo Exhibition to Open at Norton." Entertainment Condo News, September 26.
  • "Exhibition Features Gilbert and George." The Lake Worth Herald September 20.
  • "A Major Exhibition at Norton Gallery: Gilbert and George." The Palm Beacher, Wednesday, September 26.
  • "Hauntingly Untraditional' Describes Norton Exhibit." Palm Beach Daily News, Wednesday, September 26.
  • Calhoun, Charles. "An Artistic Obsession with Narrative Tradition." The Palm Beach Daily News, Saturday, 29 Sept.
  • Wright, Carol. "'Gilbert and George' Duo Wants Their Artwork to Change Society." The Palm Beach Daily News, Saturday, 29 September.
  • White, Jackie. "Cookie Monster Visits Museum." News/Sun Sentinel, Bulletin Board, Saturday, 29 September.
  • Scwan, Gary. "Gilbert and George." (Review), The Post, Sunday, 30 September.
  • Donnelly, Shannon. "Art Leaves Impact Everyone's Talking about Gilbert and George." The Palm Beach Daily News, Monday, 1 October.
  • Csonka, Ariane. "Gilbert and George They'll Give You Something to Talk About." The Evening Times, Monday, 1 October.
  • "Gilbert and George at the Norton Gallery of Art", The Palm Beacher, Wednesday, 3 October.
  • Tuby, Heidi, S. "Contemporary Artists offer Stimulating Work." The News, Thursday, 4 October.
  • Kohen, Helen, L. "Two People, One Artist." The Miami Herald, Sunday, 7 October.
  • Kurtis, Arlene. "Gilbert and George: Their Art Provokes Reflection." Palm Beach Jewish World, October 12-18.
  • "Norton Reception Previews Gilbert and George Exhibition." Palm Beach Chronicle, October 12-18.
  • "A Major Exhibition at Norton Gallery: Gilbert and George." Travel Host, October 21.
  • Scwan, Gary. "Curator Overwhelmed by Art Duo from England." The Post, Saturday, October 27.
  • Schwan, Gary. "Exhibit Mending Art Gap." The New York Post, November 25.

 



1983

  • "Hunger & Thirst issue." Zien Magazine, Winter.
  • Cooper, Emanuel. "Gilbert and George, Authoritarian Fascists or Missionaries of Our Time?" Gay News, February 17.
  • Frey, Patrick. "Gilbert & George in der Fremdheit ihrer Welt." published in Jahresbericht des Basler Kunstvereins, Kunsthalle Basel 1982, February.
  • Smith, Roberta. "Gilbert & George's Modern Faith." Village Voice, May 17.
  • Becker, Robert. "Art: London's living sculpture, Gilbert & George." Interview, August.
  • Cornand, Brigitte. "Portrait:Gilbert & Georges, Allegories en chrome." Beaux Arts, September.
  • Vespa. "Gilbert & George." Gai-Pied, October 1.

 



1982

  • Moravia, Alberto. "Ma che belle statuine." L'Espresso, January 1.
  • McEwen, John. "Facades." Spectator, January 30.
  • Kent, Sarah. "Blood hard slaves of beauty." Time Out, April 9-15.
  • Hyde, Phil. "The World of Gilbert & George." Performance Magazine, March.
  • McEwen, John. "Life and Times:Gilbert & George." Art in America, May, pp. 128-135.
  • Tsuzuki, Kyoichi. "Introduction to the World of Gilbert and George." Brutus, Architectural Stylebook, June 1.
  • Van Pelt, Hilde. "Gilbert & George." Gewad, December.
  • ..."Gilbert & George in Gewad." De Standaard, December 12.

 



1981

  • Walker, Stephen. "Living with Fear and Gilbert and George." Blitz, Vol. 1, no. 4.
  • Wilson, Simon. "Modern Fears." Burlington Magazine, February.
  • Blume, Mary. "Gilbert & George, From Living Sculpture to Modern Fears." International Herald Tribune, January 31-February 1.
  • Roberts, John. "Gilbert & George at Anthony D'Offay." Artscribe, February.
  • Martin Pouret, "Art and Purity." ZG, no. 2.
  • Irmeline Lebeer,"Gilbert & George, art for all." Art Press, April.
  • Jean-Hubert Martin, "Gilbert & George, Un entretien avec Jean-Hubert Martin." published by Centre Pompidou, Paris, April.
  • Francis, Mark. "Gilbert & George, An interview with Mark Francis." Published by Whitechapel Art Gallery, London, June 1 .
  • van Mulders, Wim. "Gilbert & George: beeldhouwers." Streven, July.
  • Marcelis, Bernard. "Gilbert & George:An Itinerary." Domus, July.
  • Januszcak, Waldemar. "Making snap Judgements." The Guardian, July 4.
  • Valzey, Marina. "Gilbert and George:dandies in despair." Sunday Times, July 5.
  • Lucie-Smith, Edward. "Gilbert and George talk with Edward Lucie-Smith." BBC Radio 3, broadcast July 12.
  • Cork, Richard. "Fear and sculpting." The Standard, August 6. McRitchie, Lynn. "The Living Sculptures Look at Life."
  • Performance Magazine, September/October.
  • Burn, Gordon. "The Perfect Couple." The Sunday Times Magazine, October 18.
  • Rona, Elisabeth. "Interview:Gilbert & George." Revue d'art contemporain, October.
  • Collins, Nick. "People like Objects." Creative Camera, November.
  • Kinmonth, Patrick. "The World of Gilbert & George." British Film Institute Montly Film Bulletin, December, p. 257.
  • Brett, Guy. "Beauty & The Beast." City Limits, December 4-10.
  • Dadomo, Giovanni. "Art for All:The Gilbert and George Show." The Face, December.

 



1980

  • Ratcliff, Carter. "Gilbert & George and modern life." Gilbert & George 1968 to 1980 (exhibition catalogue), Van Abbemuseum, Eindhoven
  • Castel, Ted. "Gilbert & George arrive beyond alcohol and sex." Art Montly, November.
  • Beks, Maartin. "Gilbert en George enorm beeldverhaal." Eindhovens Daglad, December 6.
  • Zumbrink, Jan. "Het leven zelf als kunstvorm." Haarlems Daglad, December 11.

 



1979

  • Heyting, Lien. "Wij poetsen elke ochtend onze schoenen." N.R.C. Handelsblad, December 7.

 



1978

  • Lorber, Richard. "Gilbert & George," ArtForum, May, pp. 59-60.
  • Kousbroek, Rudy. "De bedrogen verbeelding," N.R.C.Handelsblad, March 3.
  • Ratcliff, Carter. "Down and Out with Gilbert & George." Art in America, May/June, pp. 92-93.

 



1977

  • Lucie-Smith, Edward. "Ever so Nice." Art & Artists, March, pp. 27-29.
  • Zumbrink, Jan. "Beeldhouwen met het eigen lichaam." De Ni-euwe Linie, March 30.
  • Walker, Dorothy. "Marshmallow Aesthetes." Hibernia, February 4. van Garrel, Betty. "Last ons hopen dat kunst war is." Holland Diep, March, pp. 46-47.
  • Fuchs, R.H. "Gilbert & George, Dark Shadow." Art Monthly, April.
  • Piller, Mickey. "Wij noemen alles wat we doen skuptuur,' Haage Post, April 9.

 



1976

  • Ratcliff, Carter. "The Art and Artlessness of Gilbert & George." Arts Magazine, January, pp. 54-57.
  • Haden-Guest, Anthony. "The Red Sculpture." Paris Review, Winter.
  • Roberts, Michael. "The Art of Living." Sunday Times, February 22.
  • Morris, Lynda. "Gilbert & George." The Listener, May 22.
  • Feaver, William. "Mental 'images'." The Observer, May 30.
  • Lowe, Shirley. "Gilbert & George & Us." Over 21 Magazine, 1975.
  • Bologna, Ferdinando. "Gilbert & George." Il Mattino, May 13.

 



1974

  • Collins, James. Artforum, February.
  • Elwyn, Lynn. "Gilbert & George." Art International, March 20.
  • Trini, Tomaso. "Gilbert & George the Human Sculptors." Data, Summer 1974, pp. 20-27.
  • Novak, Robert. "Singing Monuments." Farrago Literary Supplement, September 7.
  • Gordons, Gay. Times Literary Supplement,, June 21.
  • Norris, Linda. "Gilbert & George." Studio International, July/August, pp. 49-50.

 



1973

  • Hector, Chris. "They keep stiff for hours." Nation Review, August 31.
  • Brook, Donald. "Blur between art & life." Nation Review, August 31.
  • Baudson, Michael."Gilbert & George", Cles pour les arts, October, p. 13.
  • Schuldt. "L'Angelus de Milo." Art Vivant, December, pp. 9-11.
  • Blotkamp, Carel. "Gilbert & George:on Cooperation, on (cont.) Tradition." Album Amicorum J.G. van Gelder, The Hague, Niihoff, pp. 42-46
  • Lea, Vergine. "The Case of Gilbert & George." Contemporanea, June.
  • Thomas, Daniel. "Still Life on a Table." Sydney Morning, Herald, August 16.
  • Adams, Bruce. "Gilbert & George for High Tea." Sunday Telegraph, (Sidney), August 26.
  • Nicklin, Leonore. "And here Come the Living Sculpture." Sidney Morning Herald, August 14.
  • Davis, Douglas. "Living Statues." Newsweek, December 3.

 



1972

  • Zec, Donald. "The Odd Couple", Daily Mirror, September 5.
  • Seymour, Anne. "An Interview." The New Art, (exhibition catalogue), Hayward Gallery/Arts Council, London, pp. 92-95.
  • Cork, Richard. "It's G & G, always the life & Soul of the Party." Evening Standard, July 22.
  • Buhlmann, Karl. "Selbtsdarstellung als Bildsprache." Luzerner Neueste Nachrichte, May 25.
  • Tisdall, Caroline. "The greatest two-men vaudeville act in the art galleries." The Guardian, November 30.
  • Cork, Richard. "Make mine a double sculpture", Evening Standard, December 1
  • Peter Weiermair, "Gilbert stammt aus dem Grodental." Tiroler Tageszeitung, January 15
  • Germano Celant, "Gilbert & George." Domus, March, pp. 50-53

 



1971

  • Micheline van Lier-Lottefier, Cles pour les Arts, April, Bruxelles
  • Francis Wyndham, "Gilbert & George." Sunday Times, January 10
  • Andrew Forge, "The Paintings of John Hoyland & the Sculpture of Gilbert & George." The Listener, July 22
  • John Perreault, "Nothing Breathtaking will occur here but...." Village Voice, October 7
  • "Gilbert & George." The New Yorker, October 9
  • Barbara Reise, "Presenting Gilbert & George." Art News, November, pp. 62-65
  • Betty van Garrel, "Kunst als een vorm van leven." Haages Post," November 10,.pp. 88-91
  • Richard Cork, "This is a Photograph of Gilbert and George, Artists. It is also Something Else Again." Evening Standard, Thursday, December 9

 



1970

  • Caroline Tisdall, "Gilbert and George." The Guardian, November 20
  • "Singende Skulptur-Gluckliche Hauer." Der Spiegel, vol. 24, no. 45
  • Carel Blotkamp, "Der werken van Gilbert & George, soms in levende lijve." Vrij Nederland, June 13

 



1969

  • Ger van Elk, "We would honestly like to say how happy we are to be Sculptors." Museumjournaal, October, pp. 248-249

 

 

Artists' publications and books

 

1995

  • Buser, Thomas. Experiencing Art Around Us. West Publishing Company,St. Paul, Minnesota

 



1994

  • Jahn, Wolf. Gilbert & George. Museo d'Arte Moderna, Citta' di Lugano, Switzerland

 



1993

  • Photoplay, Works from The Chase Mahattan Collection, Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; MASP/Museu de Arte de Sao Paulo, Sao Paulo, Brasil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile

 



1992

  • Kold, Anders. Andrew Wilson and Lars Morell. Gilbert & George: New Democratic Pictures, Aarhus Kunstmuseum, Arhus, Denmark

 



1991

  • Janh, Wolf. Monarchy as Democracy.
  • Farson, Daniel. With Gilbert & George in Moscow. Published by Bloomsbury, London
  • Fuchs, Rudi. The Cosmological Pictures, The Maszachuba Foundation, Krakow.
  • Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present, The Vendome Press, New York.

 



1990

  • Klokov, Sergei. The Moscow Catalogue. Published by Anthony d'Offay, London
  • Rosenblum, Robert. Twenty-Five Worlds by Gilbert & George, Published by Robert Miller Gallery, New York
  • Rosenblum, Robert. Worlds and Windows, Published by Robert Miller, New York
  • Guidieri, Remo. Eleven Worlds by Gilbert & George and Antique Clocks, Published by Desire Feuerle, Cologne, Germany
  • Gilbert & George Postcard Sculptures and Ephemera, 1969-1981, Published by Hirschl & Adler Modern, New York.

 



1989

  • Wolf, Jahn. The Art of Gilbert & George. Thames and Hudson, London, Great Britain.
  • Gilbert & George. For Aids Exhibition. Published by Anthony d'Offay, London, Great Britain.

 



1988

  • Buttner, Werner, Diego Cortez, Wolf Jahn. Gilbert & George. Published by Ascan Crone, Hamburg, Germany.


1986

  • Gilbert & George, The Complete Pictures 1971-1985, CAPC, Musee d'Art Contemporain de Bordeaux; Kunsthalle, Basel, Switzerland; Palais des Beaux Arts, Brussels, Belgium; Palacio de Velazquez, Parque del Retiro, Madrid, Spain; Stadtische Galerie im Lenbachhaus, Munich, Geramny; Hayward Gallery, London, Great Britain
  • Davvetas, Demosthenes. The Charcoal on Paper Sculptures 1970-1974. Published by CAPC/Bordeaux, France.
  • Jahn, Wolf. The Paintings 1971. Published by the Fruitmarket Gallery, Edinburgh

 



1985

  • Fuchs, Rudi. Death Hope Life Fear. Published by Castello di Rivoli, Turin, Italy.

 



1984

  • Richardson, Brenda. Gilbert & George. Published by the Baltimore Museum of Art, Baltimore, MD

 



1980

  • Ratcliff, Carter. Gilbert & George 1968 to 1980. Published by the Van Abbemuseum, Eindhoven, Germany.

 



1977

  • Gilbert & George. Published by Taxispalais Gallery, Innsbruck, Austria.

 



1976

  • Greenwood, Nigel. Dark Shadow. (signed-edition 2,000), published by Nigel Greenwood, London, Great Britain

 



1973

  • Catalogue For Their Australian Visit. Published by John Kaldor, Sydney

 



1972

  • The Grand Old Duke Of York. Published by Kunstmuseum, Lucerne, Switzerland.

 



1971

  • The Paintings. Published by Kunstverein Dusseldorf, Germany.
  • Side by Side. Published by Konig Bros., Dusseldorf (edition of 600)
  • A Day in the Life of Gilbert and George. Published by Gilbert & George, London (edition of 1000)

 



1970

  • The Pencil on Paper Descriptive Works (edition 500). Published by Gilbert & George, London, Great Britain.
  • Art Notes And Thoughts. Published by Gilbert & George, London, Germany.
  • To Be With Art Is All We Ask (edition 300). Published by Gilbert & George, London, Great Britain
  • A Guide To The Singing Sculpture. Published by Gilbert & George, London, Great Britain.

 

 

Important catalogues & books

 

1995

  • Fineberg, Jonathan. Art Since 1940 - Strategies of Being. Prentice Hall, New Jersey.

 



1984

  • "Gilbert & George", The Baltimore Museum of Art

 



1980

  • "Gilbert & George 1968 to 1980", Van Abbemuseum, Eindhoven "Explorations in the 70's", Pittsburg Plan for Art

 



1972

  • "The Now Art", Hayward Galleries/Arts Council, London

 

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