gilbert & george

biography

1943 Gilbert born in San Martino in Badia, Italy
1942 George born in Plymouth, UK
They live and work in London, UK

 

Awards

1984
Shortlisted for Turner Prize 
1986
Winner of the Turner Prize 
2005
Gilbert & George, British Pavilion, 51st International Art Exhibition, Venice Biennale, Venice 
2008
Honorary Degree in Philosophy, London Metropolitan University, London 
2011
Lifetime Achievement Award, New Museum, New York


Solo Exhibitions

2019

  • There Were Two Young Men, Louis Vuitton Fondation, Paris, France
  • The Great Exhibition, Astrup Fearnley, Oslo, Norway
  • The Great Exhibition, Moderna Museet, Stockholm, Sweden

        

 

2018

  • The Beard Pictures, Bernier/Eliades, Athens, Greece
  • Scapegoating Pictures, MAC, Metropolitan Arts Centre, Belfast, UK
  • Gilbert & George, The Great Exhibition, 1971-2016, curated by Hans Ulrich Obrist and Daniel Birnbaum, Luma Foundation, Arles, France travel to Moderna Musset, Stockholm, the Astrup Fearnley Museum, Oslo, Norway   and the Reykjavik Art Museum, Iceland
  • The Beard Pictures, Galerie Thaddaeus Ropac, Salzburg, Austria
  • The Major Exhibition, Helsinki Art Museum, Helsinki, Finland


2017

  • St. Matthew Foundation, Berlin, Germany
  • Gilbert & George: Drinking Pieces & Video Sculpture 1972-73, Galerie Thaddeus Ropac, London, United Kingdom
  • Luther und die Avantgarde. SCAPEGOATING PICTURES - Sündenbock-Bilder, St. Matthäus-Kirche, Berlin

  • The Beard Pictures, Lehmann Maupin, New York, NY, USA
  • The Beard Pictures, Galerie Thaddaeus Ropac, Paris, France
  • The Beard Pictures, Albert Baronian, Brussels, Belgium
  • The Beard Pictures and Their fuckosophy, White Cube, London, UK
  • The Beard Pictures, Galleria Alfonso Artiaco, Naples, Italy


2015

  • Gilbert & George : The Art Exhibition, MONa , Tasmani
  • Gilbert & George, The Banners, White Cube Bermondsey , London
  • The Early Years, Museum of Modern Art, New York
  • Gilbert & George, Utopian Pictures , Galerie Arndt, Singapore


2014


  • Gilbert & George /ARTIST ROOMS, RAMM Royal Albert Memorial Museum, Devon, UK
  • Scapegoat, Pictures for Paris, Galerie Thaddaeus Ropac
  • Scapegoating, Pictures for London, White Cube, London
  • Video Sculptures 1972-1981, Lehman Maupin, New York
  • Gilbert & George Art Exhibition, Nuveau Musée National Monaco, Villa Paloma, Monaco

2013
  • Gilbert & George: Waking, High Line , New York, NY
  • Gilbert & George: London Pictures, Museum Kuppersmuhle, Duisberg, Germany
  • London Pictures, Casal Solleric, Palma

2011 - 2012

  • Gilbert & George, Jack Freak Pictures Laznia Centre for Contemporary Art, Gdansk (10 Nov 2011 – 6 Feb 2012)
  • Gilbert & George, Jack Freak Pictures, Deichtorhallen, Hamburg (24 Feb – 22 May 2011)
  • The Urethra postcard pictures, Gilbert & George, Galleria Alfonso Artiaco, Naples, Italy
  • Gilbert & George London Pictures, Galleria Alfonso Artiaco, Naples, Italy

2010 - 2011

  • Gilbert & George, Jack Freak Pictures, Deichtorhallen, Hamburg, Germany (24 Feb – 22 May 2011)
  • Gilbert & George, Jack Freak Pictures, Palais des Beaux Arts (Bozar), Brussels (28 Oct 2010 – 23 Jan 2011)
  • Gilbert & George, Jack Freak Pictures, Museum of Contemporary Art, Zagreb, Croatia
  • Gilbert & George, Jack Freak Pictures , Centro de Arte Contemporáneo (CAC) Málaga


2009

  • Gilbert & George, Jack Freak Pictures, Arndt & Partner, Belin, Galerie Thaddeus Ropac, Paris, White Cube, London, Baronian Francey, Bruxelles, Galerie Thaddeus Ropac, Salzburg, Bernier Eliades, Athens, Alfonso Artiaco, Naples
  • Jack freak pictures, Gilbert & George, Galleria Alfonso Artiaco, Naples, Italy


2007

  • Retrospective Tate Modern, London


2005

  • British Pavillon - Biennale, Venice

2004

  • "20 London E1 Pictures", Galerie Thaddaeus Ropac, Paris.

2002

  • "The Dirty Words Pictures," Serpentine Gallery, London
  • "The Art of Gilbert & George," Fundação Centro Cultural de Belém, Lisbon, Portugal


2001

  • "Gilbert & George," Chateau d'Arenthon Fondation pour l'Art Contemporain, Alex(Annency)
  • "The Art of Gilbert and George,' The Factory, Athens School of Art


2000

  • Gilbert & George, Parkhaus, Dusseldorf
  • Zig-Zag. Pictures 2000, FIAC, Galerie Thaddaeus Ropac, Paris
  • Nineteen Ninety Nine, 1999, Museum Moderner Kunst Stiftung, Vienna
  • MM 2000; Biennale de Lyon, Halle Tony Garnier
  • Nineteen Ninety Nine, 1999, Museum of Contemporary Art (MCA), Chicago


1999

  • Gilbert & George 1970-1988, Astrup Fearnley Museet for Moderne Kunst, Oslo
  • Gilbert & George 1986-1997, Drassanes, Valéncia
  • The Rudimentary Pictures, Milton Keynes Gallery, Milton Keynes (inaugural exhibition)
  • Gilbert & George 1991-1997, Ormeau Baths Gallery, Belfast
  • Nineteen Ninety Nine, 1999, Kunstmuseum, Bonn


1998

  • New Testamental Pictures, Museo di Capodimonte, Naples
  • New Testamental pictures, Gilbert & George, Galleria Alfonso Artiaco, Naples, Italy


1997

  • "The Fundamental Pictures," Sonnabend Gallery and Lehmann Maupin Gallery, New York, NY
  • "Gilbert & George," Musee d'Art Moderne de la Ville de Paris, Paris, France
  • "Gilbert & George: Art for All 1971 - 1992," Sezon Museum of Art, Tokyo, Japan
  • "Gilbert & George Art," Magasin 3, Stockholm, Sweden


1996

  • "Gilbert & George", Galleria d'Arte Moderna, Bologna, Italy


1995

  • "The Singing Sculpture", CAPC Musee d'Art Contemporain, Bordeaux, France
  • "The Naked Shit Pictures", South London Art Gallery, London, England
  • "Gilbert & George", Galerie Nikolas Sonne, Berlin, Germany


1994

  • Robert Miller Gallery, NY
  • Museo d'Arte Moderna, Lugano, Switzerland
  • "New Shit Pictures", Galerie Jablonka, Cologne, Germany
  • "Shitty Naked Human World", Kunstmuseum Wolfsburg, Wolfsburg, Germany


1993

  • "China Exhibition 1993", National Art Gallery, Peking; The Art Museum, Shanghai, China


1992

  • "New Democratic Pictures", Aarhus Kunstmuseum, Arhus, Denmark
  • "New Democratic Pictures", Anthony D'Offay Gallery, London


1991

  • "Gilbert & George", Gramo Fine Arts, Antwerp, Belgium
  • "The Cosmological Pictures", Palac Sztuki, Krakow; Palazzo delle Esposizioni, Rome; Kunsthalle Zurich; Wiener Secession, Vienna; Ernst Muzeum, Budapest; Haags Gemeenstemuseum, The Hague; Irish Museum of Modern Art, Dublin; Fundacio Joan Miro, Barcelona; Tate Gallery Liverpool; Wurttembergischer Kunstverein Stuttgart
  • "The Singing Sculpture & The General Jungle", Sonnabend Gallery


1990

  • "Gilbert & George Pictures 1983-1988, Moscow Exhibition", New Tretyakov Gallery, Moscow
  • "Twenty-Five Worlds By Gilbert & George", Robert Miller Gallery, New York
  • "Gilbert & George Post-Card Sculptures and Ephemera 1969-1981", Hirschl & Adler Modern, New York
  • "The New Cosmological Pictures", Sonnabend Gallery, New York Galerie Langer Fain, Paris
  • "Gilbert & George: Worlds & Windows", Anthony d'Offay Gallery, London
  • "Gilbert & George", Sonnabend Gallery, New York
  • "Eleven Worlds by Gilbert & George and Antique Clocks", Desire Feuerle Gallery, Cologne

 

1989

  • "The for Aids Exhbitions", Anthony D'offay Gallery, London
  • "Gilbert & George: Postcard Sculptures", Paul Kasmin Gallery, New York
  • "The 1988 Pictures", Christian Stein Gallery, Milan

 

1988

  • Ascan Crone Gallery, Hamburg, West Germany

 

1987

  • "Gilbert & George, The Complete Pictures 1971-1985", Palacio de Valazquez, Parque del Reitrio, Madrid, Stadtische Galerie im Lenbachhaus, Munich, Hayward Gallery, London Sonnabend Gallery, New York
  • "Gilbert & George New Pictures", Anthony D'Offay Gallery, London
  • "Gilbert & George Pictures", The Aldrich museum, Ridgefield, CN

 

1986

  • "Gilbert & Geocge, The Complete Pictures 1971-1985", CAPC
  • Musee d'Art Contemporain de Bordeaux, Kunsthalle, Basel, Palais des Beaux Arts, Brussels

 

1985

  • "Gilbert & George", Milwaukee Art Museum; The Solomon R. Guggenheim Museum, New York
  • "New Moral Works", Sonnabend Gallery, New York

 

1984

  • "New Photo-Pieces", Anthony D'Offay Gallery, London
  • "Gilbert & George", The Baltimore Museum of Art; Contemporary Art Museum, Houston; The Norton Gallery of Art, West Palm Beach, Florida
  • "The Believing World", Anthony D'Offay Gallery, London
  • "Hands Up", Schelman & Kluser Gallery, Munich "Live's", Pieroni Gallery, Rome

 

1983

  • "Modern Faith", Sonnabend Gallery, New York
  • "Photo-Pieces 1980-82", David Bellman Gallery, Toronto
  • "New Works", Crousel-Hussenot Gallery, Paris

 

1982

  • "New Photo-Pieces," Gewad Ghent
  • "Crusade," Anthony D'Offay Gallery, London

 

1981

  • "Photo-Pieces 1971-80," (Retrospective) Kunsthalle, Dusseldorf; Kunsthalle, Bern; Centre National d'Art et de culture Georges Pompidou, Paris; Whitechapel Art Gallery, London

 

1980/81

  • "Photo-Pieces 1980-81," Chantal Crousel Gallery, Paris

 

1980

  • "Post-Card Sculptures," Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf
  • "New Photo-Pieces," Karen & Jean Bernier Gallery, Athens; Sonnabend Gallery, New York
  • "Modern Fears," Anthony D'Offay Gallery, London
  • "Photo-Pieces 1971-80," Stedelijk van Abbemuseum, Eindhoven

 

1978

  • "Photo-Pieces," Dartington Hall Gallery, Dartington Hall
  • "New Photo-Pieces," Sonnabend Gallery, New York; Art Agency, Tokyo

 

1977

  • "Red Morning," Sperone Fischer Gallery, Basel
  • "New Photo-Pieces," Art & Project Gallery, Amsterdam; Konrad Fischer Gallery, Dusseldorf


1976

  • "The General Jungle," Albright-Knox Gallery, Buffalo
  • "Dead Boards," Sonnabend Gallery, New York
  • "Mental," Robert Self Gallery, London; Robert Self Gallery, Newcastle

 

1975

  • "Bloody Life," Sonnabend Gallery, Paris; Sonnabend Gallery, Geneva; Lucio Amelio Gallery, Naples
  • "Post-Card Sculptures," Sperone Westwater Fischer Gallery, New York
  • "Dusty Corners," Art Agency, Tokyo

 

1974

  • "Drinking Sculptures," Art & Project,MTL, Antwerp
  • "Humane Bondage," Konrad Fischer Gallery, Dusseldorf
  • "Dark Shadow," Art & Project Gallery, Amsterdam; Nigel Greenwood Gallery, London
  • "Cherry Blossom," Sperone Gallery, Rome

 

1973

  • "The Shrubberies & Singing Sculpture," National Gallery of New South Wales; John Kaldor Project, Sydney; National Gallery of Victoria; John Kaldor Project, Melbourne
  • "Modern Rubbish," Sonnabend Gallery, New York
  • "Any Port in a Storm," Sonnabend Gallery, Paris
  • "New Decorative Works," Sperone Gallery, Turin
  • "Reclining Drunk," Nigel Greenwood Gallery, London

 

1972

  • "New Photo-Pieces," Konrad Fischer Gallery, Dusseldorf
  • "Three Sculptures on Video Tape," Gerry Schum Video Gallery, Dusseldorf
  • "The Bar," Anthony D'Offay Gallery, London; Nigel Greenwood Gallery, London
  • "The Evening Before the Morning After," Nigel Greenwood Gallery, London
  • "It Takes A Boy To Understand A Boy 's Point Of View," Situation Gallery, London
  • "A New Sculpture," Sperone Gallery, Rome

 

1971

  • "There Were Two Young Men," Sperone Gallery, Turin
  • "The General Jungle," Sonnabend Gallery, New York
  • "The Paintings," Whitechapel Art Gallery, London; Stedelijk Museum, Amsterdam; Kunstverein Dusseldorf; Kon. Museum Voor Shone Kunsten, Antwerpen
  • "The Ten Speeches," Nigel Greenwood Gallery, London
  • "New Photo-Pieces," Art & Project Gallery, Amsterdam

 

1970

  • "George by Gilbert & Gilbert by George," Fournier Street, London
  • "The Pencil on Paper, Descriptive Works," Konrad Fischer Gallery, Dusseldorf; Folker Skulima Gallery, Berlin
  • "Art Notes and Thoughts," Art & Project Gallery, Amsterdam
  • "Frozen Into the Nature for You Art," Francoise Lambert Gallery, Milan; Heiner Friedrich Gallery, Cologne
  • "To Be with Art is all We Ask," Nigel Greenwood Gallery, London

 

1969

  • "Anniversary," Frank's Sandwich Bar, London
  • "Shit and Cunt," Robert Fraser Gallery, London

 


Group Exhibitions

2020

  • The Paradox of Stillness: Art, Object, and Performance, Walker Art Center, Minneapolis, USA

 

2019

  • Atlas. Cartographie du don, Musée cantonal des Beaux-Arts - MCBA, Lausanne, Switzerland   
  • Postcard reloaded, Kunstraum Potsdam, Potsdam, GermanyUn monde, un seul, pour demeure, FRAC Aquitaine, Bordeaux, France
  • Text me, White Trash Contemporary, Hamburg, Germany
  • Des mots et des choses, FRAC - Bretagne, Châteaugiron, France
  • Now Is The Time, Kunstmuseum Wolfsburg, Wolfsburg, Germany


2018

  • Dancing with Myself, Curated by Martin Bethenod and Florian Ebner, Punta della Dogana, Venice, Italy
  • The Sonnabend Collection: Half a Century of European and American Art. Part II, Serralves Museum of Contemporary Art, Porto, Portugal


2017

  • Summer Exhibition, Royal Academy of Arts, London
  • Take me (I'm Yours), Pirelli Hangar Bicocca, Milan, Italy
  • Show and Tell, Malmö Konstmuseum, Malmö, Sweden

2016

  • 30th Anniversary, Galleria Alfonso Artiaco, Napoli
  • Love. L'arte contemporanea incontra l'amore, Chiostro del Bramante, Rome
  • Take me (I'm Yours),The Jewish Museum, New York, NYC
  • Summer Exhibition 2016, Royal Academy of Arts, London

2014

  • Lens-Based Sculpture: The Transformation of Sculpture through Photography, Kunstmuseum Liechtenstein, Liechtenstein
  • Tea with Nefertiti, Staatliches Museum Ägyptischer Kunst, Munich
  • Somewhat Abstract: Selection from the Arts Council Collection, Nottingham Contemporary
  • 69/96, Alte Fabrik, Rapperswil-Jona, Switzerland

2013

  • Palindrome, ARNDT, Berlin
  • As if it Could, ouverture, Works and Documents from the Herbert Foundation, Herbert Foundation, Ghent
  • Glam! The Performance of Style, Tate, Liverpool; Schirn Kunsthalle Frankfurt, Frankfurt
  • Tea with Nefertiti, Institut du Monde Arabe, Paris  

2012

  • Tea with Nefertiti, Mathaf: Arab Museum of Modern Art, Doha
  • To Be With Art Is All We Ask, Astrup Fearnley Museum, Oslo
  • CARA DOMANI, MAMbo, Bologna, Italy
  • I Wish This Was A Song: Music in Contemporary Art, The Museum of Contemporary Art, Oslo 
  • The insides are on the outside, Glass House, São Paulo
  • ARTandPRESS, Martin–Gropius-Bau, Berlin


2011

  • United Enemies: The Problem of Sculpture in Britain in the 1960s and 1970s, Henry Moore, Institute, Leeds
  • Made in Britain: Contemporary Art from the British Council Collection, Hong Kong Heritage Museum, Hong Kong
  • Museum of Modern Art, New York
  • Moving Portraits, De La Warr Pavillion, Bexhill on Sea, England


2010

  • Party!, New Art Gallery, Walsall, England
  • Love, Sorcha Dallas Gallery, Glasgow
  • Brave New World, MUDAM, Luxembourg

 2009

  • Barock, Museo d’Art Contemporanea Donna Regina, Naples
  • Just What is it..100years of Modern Art from Private Collections in Baden-Wurttemberg, ZKM Center for Art & Media Karlsruhe
  • T-Tris, B.P.S. Space for Contemporary Art, Charleroi, Belgium
  • Bad Habits, Albright Knox Gallery, New York
  • Collage, London New York, Fred Gallery, London
  • 15 Years of Collecting: Against the Grain, Kunstmusuem Wolfsburg, Wolfsburg
  • BP British Art Displays 1500- 2009, Tate Britain, London
  • Passports: Great Early Buys from the British Council Collection, Whitechapel Gallery, London
  • The Fallen Angels - Watari-Um, Watari Museum of Contemporary Art, Tokyo


2008

  • Based on Paper, MIMA, Middlesbrough
  • The Sum of Its Parts, Cheim & Read, New York City, NY
  • History in the Making, A Retrospective of the Turner Prize, Mori Art Museum, Tokyo
  • Held together with water, Art from the Sammlung Verbund, Istanbul Museum of Modern Art, Istanbul
  • Parkhaus, Kunsthalle Dusseldorf, Dusseldorf


2007

  • Multiplex: Directions in Art, 1970 to Now, Museum of Modern Art, New York
  • The Naked Portrait, Scottish National Gallery, Edinburgh
  • Panic Attack! Art in the Punk Years, Barbican Art Gallery, London
  • The Secret Public: The Last Days of the British Underground 1978-1988, Institute of Contemporary Art, London
  • INTO ME / OUT OF ME Kunst-Werke Berlin e.V. - KW Institute for Contemporary Art, Berlin

2006

  • Interventions, Thomas Solomon Gallery, Los Angeles
  • How To Improve The World, Hayward Gallery, London
  • Where a Pawn becomes a Queen, Museum Ludwig, Cologne
  • Inventory: Works form the Herbert Collection, Kunsthaus Graz, Graz
  • Sixty Years of Sculpture in the Arts Council Collection, Longside Gallery, Yorkshire Sculpture Park
  • Handsome, Analix Forever, Geneva
  • Eye on Europe - Prints, Books & Multiples, 1960 to Now, MoMA - Museum of Modern Art, New York
  • Internazionale XII Biennale di Scultura di Carrara Biennale di Sculture di Carrara, Carrara
  • Into me / Out of me P.S.1 Contemporary Art Center, Long Island
  • LACMA at 40: Gifts in Honor of the Museum’s Anniversary, Los Angeles County, Museum of Art - LACMA, Los Angeles, CA
  • E-Flux Video Rental, Arthouse at the Jones Center - Contemporary Art for Texas, Austin, TX

2005

  • Creativity, Kunsthalle Fridericianum, Kassel
  • 'Bock mit Inhalt' - Summer Exhibition, Stedelijk Museum, Amsterdam
  • Superstars - from Warhol to Madonna, Kunsthalle Wien (Halle 1, Halle 2 im MQ), Vienna
  • The Theatre of Art - Masterpieces from the Collection of the Ludwig Museum, Colo Villa Manin. Centro D’arte Contemporanea, Codroipo, UD
  • Open Systems - Rethinking Art c.1970, Tate Modern, London, England
  • Eye of the Storm: The IMMA Collection, Irish Museum of Modern Art - IMMA, Dublin
  • The giving person, PAN - Palazzo delle Arti di Napoli, Naples
  • The Last Picture Show - Artists using Photography 1960-1982, Miami Art Central, Miami, FL
  • Faltering Flame, Shefffield Galleries & Museums Trust, Sheffield


2004

  • I hate you The Falckenberg Collection, Louisiana Museum of Modern Art, Humlebæk
  • Treasure Island: 10 Jahre Sammlung Kunstmuseum, Kunstmuseum Wolfsburg, Wolfsburg
  • The Last Picture Show - Artists Using Photography, 1960-1982, UCLA Hammer Museum, Los Angeles
  • Turning Points - 20th Century British Sculpture, Tehran Museum of Contemporary Art, Tehran
  • Secrets of the 90s, Museum voor Moderne Kunst Arnhem, Arnhem
  • Head to Head, Tate Modern, London, England
  • Hidden Histories, The New Art Gallery Walsall, Walsall, West Midlands, England
  • Video et Cogito, Ludwig Forum für Internationale Kunst, Aachen
  • Monument to Now. Deste Foundation, Centre for Contemporary Art, Athens
  • From a Collection - For a Collection, Galerie Bugdahn und Kaimer, Duesseldorf; Stedelijk Museum
  • The Last Picture Show, Fotomuseum Winterthur, Winterthur
  • Puzzle, Galleria Il Ponte, Florence


2003

  • From Broodthaers to Horn. Van Abbemuseum, Eindhoven
  • Group Show, Bernier/Eliades Gallery, Athens
  • Not Exactly Photographs, Fraenkel Gallery, San Francisco, CA
  • Het kunstenaarsboek als wetenschappelijke bron, Centraal Museum, Utrecht
  • Photo - Kunst - 1852 – 2002, Staatsgalerie Stuttgart, Stuttgart
  • PROJECTION, Konrad Fischer Galerie GmbH, Duesseldorf
  • Journey to Now - John Kaldor Art Projects & Collection, Art Gallery of South Australia, Adelaide, SA
  • Dreams and Conflicts:The Dictatorship of the Viewer, La Biennale di Venezia, Venice
  • Social Strategies - Redefining social realism, Illinois State University, Normal, Il
  • Gelijk het leven is, S.M.A.K. - Stedelijk Museum voor Actuele Kunst, Gent
  • The Last Picture Show - Artists Using Photography - 1960-1982, Walker Art Center, Minneapolis, MN
  • Happiness - A Survival Guide for Art and Life, Mori Art Museum, Tokyo
  • Narcissus - New Visions on Self-Representation, Crac Alsace, Altkirch
  • Fernsehgalerie Gerry Schum/videogalerie schum, Kunsthalle Düsseldorf, Duesseldorf


2002

  • "From Pop to Now: Selections from the Sonnabend Collection," The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, New York
  • On General Release, Norwich Gallery, Norwich,England
  • Public Affairs, Kunsthaus Zürich, Zurich
  • Warhol to Koons: International Contemporary Art from a Private Collection, Scottish National
    Gallery of Modern Art, Edinburgh, Scotland
  • Real Life, Tate St. Ives, St. Ives, Cornwall
  • RETROSPECTACLE: 25 Years of Collecting Modern and Contemporary, Denver Art Museum, Denver, CO

 

2000

  • "Inner Eye: Contemporary Art from the Marc and Livia Straus Collection", Neuberger Museum of Art, SUNY Purchase, Purchase, NY
  • Out There, White Cube 2, Hoxton Square, London
  • The Rudimentary Pictures, Gagosian Gallery, Los Angeles

 

1998

  • "Out of Actions: Between Performance and the Object, 1949-1979," Museum of Contemporary Art, Los Angeles, CA
  • "Photoplay," George Eastman House, Rochester, NY
  • Selected Works from The Fundamental Pictures, Massimo Martino Fine Arts & Projects, Switzerland
  • New Testamental Pictures, Galerie Thaddaeus Ropac, Paris
  • New Testamental Pictures, Galerie Thaddaeus Ropac, Salzburg
  • Black White and Red 1971 to 1980, James Cohan Gallery, New York

 

1997

  • "Treasure Island", Gulbenkian Foundation, Lisbon, Portugal
  • "Das Zwanzigste Jahrhundert" Zeitgeist-Gesellschaft, Berlin, Germany
  • "'97 Kwangju Biennale Unmapping the Earth," Kwangju, Korea
  • Galerie Thaddeaus Ropac, Salzburg, Austria
  • The Fundamental Pictures, Sonnabend Gallery/Lehmann Maupin, New York

 

1996

  • "La Vie Moderne en Europe 1870-1996", Museum of Contemporary Art, Tokyo, Japan

 

1995

  • "Endurance: The Information", Exit Art, New York, NY
  • "Take Me (I'm Yours)", Serpentine Gallery, London, Great Britain
  • "Attitudes/Sculptures, 1963-1972", CAPC, Musee d'art Contemporain, Bordeaux, France
  • "20/20" In Khan, NY
  • Human/Nature Benefit Exhibition, The New Museum, New York, NY

 

1994

  • "1969", Galerie Jablonka, Cologne
  • "Recent Work", Anthony d'Offay Gallery, London
  • "Sarah Staton: Supastore boutique", Laure Genillard Gallery, London, Great Britain

 

1993

  • "Contemporary Self-Portraits "Here's Looking at Me'", elac, Centre d'Echanges de Perrache, Lyon, France
  • "Out of Sight, Out of Mind", Lisson Gallery, London
  • "1993: Europe Sans Frontieres", Galerie Isy Brachot, Paris
  • "Image Makers", The Nassau County Museum of Art, Roslyn Harbor, NY
  • "Konstruktion Zitat: Kollektive Bilder in der Fotografie", Sprengel Museum, Hannover, Germany
  • "Photoplay, Works from the Chase Manhattan Collection, NY", Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; MASP/ Museu de Arte de Sao Paulo, Sao Paulo, Brasil; Museo Nacional de Bellas Artes; Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile

 

1992

  • "Dark Decor", DePree Art Center, Hope College, Holland, MI; San Jose Museum of Art, San Jose, CA; Florida Gulf Coast Art Center, Belleair, FL
  • "More Than One Photograph", The Museum of Modern Art, NY

 

1991

  • "20th Century Collage", Margo Leavin Gallery, LA, CA
  • "Metropolis", International Art Exhibition 1991, Martin-GropiusBau, Berlin
  • "Photography: 1980-1990", Ginny Williams Gallery, Denver, CO
  • "Consorts", Pence Gallery, Santa Monica, CA
  • "Cruciformed: Images of the Cross Since 1980", Cleveland Center for Contemporary Art, Cleveland; Museum of Contemporary Art Wright State University, Dayton, OH; Western Gallery, Western Washington University, Bellingham, WA; Macdonald Stewart Art Center, Guelph, Ontario, Canada
  • "A Passion for Art: Watercolors and Works on Paper", Tony Shafrazi Gallery, NY

 

1990

  • "Assembled", The University Art Galleries, Wright State University, Dayton, OH
  • "Team Spirit", Neuberger Museum, SUNY at Purchase; Cleveland Center for Contemporary Art, Cleveland, OH; Vancouver, British Columbia, Canada; The Art Museum at Florida International University, Miami; Spirit Square Center for the Arts, Charlotte, NC; Davenport Art Museum, Davenport, IO; Laumeier Sculpture Park, St. Louis, MI
  • "Art That Happens to be Photography", Texas Gallery, TX
  • "Exposed", Vivian Horan Fine Art, New York

 

1989

  • "Repetition", Hirschl & Adler Modern, New York, NY
  • "Bilderstreit: contradiction, unity and fragmentation in art since 1960", Ludwig Museum in the Rheinhallen, Cologne, West Germany
  • "Prospect 89" Kunstverein Frankfurt, Schirn Kunst-Halle, Frankfurt, West Germany
  • "Lost and Found: The Object Transformed", Barbara Mathes Gallery, New York, NY
  • "New Works by Gallery Artists", Sonnabend Gallery, New York, NY
  • "Words", Tony Shafrazi Gallery, New York

 

1988

  • "Under Construction; New Photomontage", Cranbrook Academy of Art Museum, Bloomfield, MI (exh. cat.)
  • Capc, Musee d'Art Contemporain, Bordeaux; Art Cologne, Germany; Hamburger Bahnhof, Berlin, West Germany, Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporary, Trent, Italy; Sezon Museum of Art, Tokyo; The Miyagi Museum of Art, Sendai, Japan; The Fukuyama Museum of Art, Hiroshima, Japan; The National Museum of Modern Art, Kyoto
  • 'A "Drawing" Show', Cable Gallery, New York, NY
  • "Three Decades: The Oliver Hoffman Collection", The Museum of Contemporary Art, Chicago

 

1987

  • "This is Not a Photograph: Twenty Years of Large-Scale Photography, 1966-1986", The John and Mable Ringling Museum of Art, Sarasota, FL
  • "Perverted By Language", Hillwood Art Gallery, Long Island University, C.W. Post Campus, Greenvale, NY
  • "Romance", Curated by Ronald Jones, Knight Gallery, Charlotte, North Carolina
  • "Selections from X) 1" organized by Saul Ostrow, Damon Brandt Gallery, New York, NY
  • "Uit het oude Europa", Stedelijk Museum, Amsterdam, Holland

 

1986

  • "Correspondances 'New York Art Now'", Laforet Museum Harajuku, Tokyo (December 20, 1985 - January 19, 1986) and Tochigi Perfectural Museum of Fine Arts, Utsunomiya, (February 8 - March 23)
  • "Gilbert & George; Gareth Fisher", The Fruitmarket Gallery, Edinburgh (May 31 - July 5)
  • "Falls The Shadow - 1986 Hayward Annual", Hayward Gallery, London, England
  • "Memento Mori", Centro Cultural/Arte Contemporaneo, Mexico


1985

  • "Paris Biennale", Paris
  • "The 1985 Carnegie International", Pittsburg, Pennsylvania

 

1984

  • "Sydney Biennale", Sydney
  • "The Critical Eye", Yale Center for British Art, New Haven
  • "Artistic Collaboration in the 20th Century", Hirshhorn Museum and Sculpture Garden, Washington D.C.
  • "The Poetry of Vision-Rose", The Guinness Hop Store, Dublin 8

 

1983

  • "Photography in Contemporary Art", National Museum of Modern Art, Tokyo
  • "Acquisition Priorities", The Solomon R. Guggenheim Museum, New York
  • "Trends in Post War American and European Art", The Solomon R. Guggenheim Museum, New York
  • "New Art", The Tate Gallery, London
  • "Urban Pulsers: The Artist and the City", Plan for Art, Pittsburg

 

1982

  • "Aspects of British Art Today", Metropolitan Art Museum, Tokyo
  • "Documenta (7)" , Kassel
  • "Zeitgeist", Berlin, West Germany

 


1981
  • "Westkunst," Cologne
  • "16 Bienal De Sao Paulo," Sao Paulo
  • "British Sculpture In The Twentieth Century," Whitechapel Art Gallery, London
  • "Project 6: Art Into The 80's," Walker Art Gallery, Liverpool
  • "Point de Vue, Images," Maison de la Culture, Chalon-sur-Saone

 

1980

  • "Gerry Schum," Museum Boymans-Van Beuningen, Rotterdam; Kunstverein, Cologne; The Art Gallery, Vancouver; A Space, Toronto
  • "Kunst In Europa Na '68," Museum voor Hedendaagse Kunst, Ghent
  • "Explorations In The 70's," Pittsburg Plan for Art, Pittsburg, Pennsylvania

 

1979

  • "Process and Sequence: A Photographic Exhibition," Roosevelt, New York
  • "Photography as Art/Art as Photography," Tiroler Landesmuseum Ferdinandeum, Innsbruck
  • "Europe In The 70's," Contemporary Art Center, Cincinnati
  • "On Walks and Travels," Bonnefantenmuseum, Maastricht
  • "Un Certain Art Anglais," A.R.C./Musee d'Art Moderne de la ville Paris
  • "Wahrnehmungen, Aufzeichnungen, Mitteilungen," Museum Haus Lange, Krefeld
  • "Hayward Annual," Hayward Gallery, London
  • "Gerry Schum," Stedelijck Museum, Amsterdam

 

1978

  • "Europe In The 70's," Hirshhorn Museum and Sculpture Garden, Washington D.C.; San Francisco Museum of Modern Art; Fort Worth Art Museum, Texas
  • "Made By Sculptors," Stedelijk Museum, Amsterdam
  • "Documenta (6)", Kassel
  • "38th Biennale," Venice
  • "Door Beeldhouwers Gemaakt," Stedelijk Museum, Amsterdam

 

1977

  • "Photography as an Art Form," John and Marble Ringling Museum of Art, Saratoga, Florida
  • "Documenta (6)", Kassel
  • "Europe In The 70's,"The Art Institute of Chicago

  

1976

  • "Arte Inglese Oggi," Palazzo Reale, Milan
  • "Group Show," Fruit Market Gallery, Edinburgh
  • "The Artist and The Photograph," Israel Museum, Jerusalem

 

1975

  • "Bodyworks," Museum of Contemporary Art, Chicago
  • "Narrative in Contemporary Art," University of Guelph, Ontario, Canada

 

1974

  • "Word Works," Mt.San Antonio College, Walnut, California
  • "Medium Photography," Kunstverein, Hamburg; Kunstverein, Monster
  • "Kunst Bleibt Kunst," Kunsthalle, Cologne
  • "Prospect," Kunsthalle, Dusseldorf
  • "A Group Show," Pa.lais des Beaux Arts, Brussels
  • "Sculpture Now," Royal College of Art, London

 

1973

  • "Critics Choice," Tooth Gallery, London
  • "Art as Photography," Kunstverein, Hannover; The Museum Gallery, Paris
  • "From Henry Moore to Gilbert & George," Palais des Beaux Arts, Brussels
  • "11 English Drawers," Kunsthalle, Baden-Baden; Kunsthalle, Bremen
  • "Contemporanea," Villa Borghese, Rome

 

1972

  • "Documenta (5)", Kassel
  • "The New Art," Hayward Gallery, London
  • "Concept Kunst," Kunstmuseum, Basel
  • "The Paintings", Koninkijk Museum voor Schone Kunsten, Antwerp

 

1971

  • "Prospect 71 Projection," Kunsthalle, Dusseldorf
  • "The Brithis Avant-Garde," Cultural Centre, New York
  • "Situation/Concept," Innsbruck
  • "The Paintings", Whitchapel Art Gallery, London; Stedelijk Museum, Amsterdam; Kunstverein, Dusseldorf

 

1970

  • "Information," The Museum of Modern Art, New York
  • "18 Paris IV," 66 Rue Mouffetard, Paris
  • "Conceptual Art, Arte Povera, Land Art," Civic Gallery of Modern Art, Turin
  • "Untitled," C.A.Y.C., Buenos Aires
  • "Plans and Projects," Kunsthalle, Bern

 

1969

  • "Conception," Stadtisches Museum, Leverkusen
  • "Anniversary", Frank's Sandwich Bar, London
  • "Shit and Cunt", Robert Fraser Gallery, London

1968

  • "Three Works - Three Works", Frank's Sandwich Bar", London
  • "Snow Show", St. Martin's School of Art, London
  • "Bacon 32", Allied Servies, London
  • "Christmas Show", Robert Fraser Gallery, London

  

 Selectd bibliography


2000

  • Muchnic, Suzanne. "Collaboration at Rare and Rarefied Levels", Los Angeles Times, Feb.
  • Knight, Christopher. "Art Review: Conceptual art of 'Gilbert & George: The Rudimentatry Pictures' is full of wit, pathos, sweet provocation and oddity", Los Angeles Times, Feb.

 

1997

  • Dyson, Dominic. "Gilbert & George." Index, Sept./Oct., pp. 44-52.
  • Kramer, Hilton. "Odious Gilbert & George, Now Stinking Up Soho." The New York Observer, May.
  • Scott, Whitney. "Twin Peeks, In the Gallery." The New York Post, May, pp.26-27.
  • Smith, Roberta. "Gilbert & George." The New York Times, May, p.C24.

1995

  • Thiel, Wolf-Gunter. "Gilbert & George: Jablonka." Flash Art International, Jan./Feb., Vol. XXVII, No. 180, pp. 99-100.
  • Bickers, Patricia. "La Sculpture britannique: generations et tradition." Artpress, May, No. 202, pp. 31-39.


1994

  • Macritchie, Lynn. "Report from Beijing: Precarious Paths on the Mainland." Art in America, March, no. 8, pp. 51-57.
  • Codognato, Mario. "Collection: Attilio Codognato." Galeries, Spring, No. 59, pp. 90-97.
  • Gimelson, Deborah. "It's a Wonderful Life." ArtNews, Summer, Vol. 93, No. 6, pp. 170-172.
  • Dannatt, Adrian. "Gilbert & George: We Do Pictures." Flash Art, October, Vol. XXVII, no. 178, pp. 63-67.

 

1993

  • MacRitchie, Lynn. "Odd couple comes home." The Financial Times, Jan 31, p. XVII.
  • Corris, Michael. "Gilbert & George: Anthony d'Offay." Artforum, Feb. XXXI, pp. 111-112.
  • Jones, Gareth. "Gilbert & George: The Cosmological Pictures." Frieze Magazine, Issue 10, May, p. 51.
  • ..."How to Hold A Conversation With Living Sculptures." The New York Times, July 18, Sect. p. 27.
  • ..."Gilbert & George in China." Flash Art News, Oct., Vol. XXVI, No. 172, p. 49.

 

1992

  • Goldberg, RoseLee. "Gilbert & George: Sonnabend Gallery." Artforum, Jan. pp. 103-104.
  • Adams, Brooks. "Gilbert & George at Sonnabend." Art in America, Feb. pp. 110-111.
  • Feb. pp. 110-111. Pincus-Witten, Robert. "Timothy Greenfield-Sanders." Tema Celeste (Italian Edition), Jan./Mar. pp. 62-65.
  • Jordan, Betty Ann. "After its..." Canadian Art, Spring, p. 22.
  • Doswald, Christoph. "Gilbert & George." Kunstforum International, Bd. 117, pp. 388-389.
  • Hagen, Charles. "2 Goals in One Show: Diversity and Unity." The New York Times, May 29, p. C28.

 

1991

  • Cullinan, Helen. "Partnering for artsy mimickry." The Plain Dealer, Feb. 23.
  • Cora, Bruno. "Christian Stein." Galeries Magazine, Apr./May, pp. 112-119.
  • Messler, Norbert. "Berlin: 'Metropolis'." Artforum, Summer, pp. 101-103.
  • Taylor, Paul. "Soho's Avant-Guardian." Connoisseur,
  • Sept.Pedersen, Victoria. "Gallery go 'round." Paper Magazine (Best of Guide), Sept. p. 25.
  • Kohen, Helen, L. "Team Work showcases the art of collaboration." The Miami Herald, Sunday, Sept. 15.
  • Smith, Roberta. "Gilbert and George 20 Years Later." The New York Times, Sept. 27, p. C28.
  • Larson, Kay. "The Twilight Zone." New York Magazine, Oct. 14, pp. 71+72.
  • Hagen, Charles. "Bolstering Narrative Qualities with Whimsy." The New York Times, Oct. 16, p. C32.
  • Coen, Ester. "Gilbert & George, un milione di foto." La Repubblica, Oct. 20.
  • Mahoney, Robert. "Gilbert & George at Sonnabend." Arts Magazine, Dec. pp. 76+77.
  • Cottingham, Laura. "Gilbert & George, Sonnabend." Flash Art, Nov./Dec. p. 129.
  • "Guilt and George." Artscribe International. Nov./Dec. p. 11.
  • MacAdam, Barbara, A. "The Singing Sculpture." Artnews, Dec. p. 17.


1990

  • Greig, Geordie. "Opening a window on Western art." The Sunday Times, March 11.
  • Wilson, Andrew. "We always say it is what we 'say' that is important." Art Monthly, Apr. pp.6-13.
  • Murdin, Lynda. "The Art of Being Gilbert and George." Airport, pp. 22+23.
  • Farson, Daniel. "Making an exhibition of themselves." The Telegraph, April 29.
  • B.G. "No love for the Black Shirt Marxists." The Daily Telegraph, April 30.
  • Wechsler, Max. "Gilbert & George." Kunstforum, Apr./May. pp. 150-155.
  • Miller, John. "The Weather is here: Wish You Were Beautiful." Artforum, May, pp. 152-159.
  • Ratcliff, Carter. "Artful Poses." Elle, June, p. 125
  • Smith, Roberta. "From Humble Postcard To the Cosmological." The New York Times, Fri. June 1, p. C22.
  • Coleman, A.D. "Soho Gets New Installment of British Buddy Photos, The New York Observer, June 18.
  • Sewell, Brian. "Postcard posers." Evening Standard, Nov. 1, p. 25.
  • Raynor, Vivian. "A Provocative Look at Collaborations." The New York Times, Sunday, Nov. 25.

 

1989

  • Kramer, Miriam. "More Aid for Aids." Art & Auction, May, pgs. 86+88.
  • MacMinn, Aleene. "Art." The Los Angeles Times, Friday, Oct. 27.
  • Rosenblum, Robert. "Gilbert & George: The Aids Pictures." Art in America, Nov. pp. 153-156.

 

1988

  • Scruton, Roger. "Deastly Bad Taste." Modern Painters, Spring.
  • Davvetas, Demosthenes. "Gilbert & George." Vogue Decoration, May.
  • Whitaker, Andrea. "Gilbert & George, Die Zwillinge Im Geiste." Pan Magazine, May.
  • "Gilbert & George." Six, by Comme des Garcons, August.
  • Vogel, Sabine, B. "Kunstler-filme." Wolkenkratzer Art Journal, July/August/ p. 9.

 

1987

  • Russell, John. "Art: The Huge Images of Gilbert & George." The New York Times, Friday, June 5, 1987, p. C24.
  • Levin, Kim. "Review of Sonnabend Show." The Village Voice, Tuesday June 9, p. 84.
  • Hughes-Hallett, Lucy. "Studies in still life." The London Evening Standard, July 2, 1987, p. 26.
  • Feaver, William. "Art: Gilbert & George; Documenta 8." Vogue Notices, Vogue, July 1987.
  • Dialogue with Gilbert & George, "The Odd Couple." Observer, 28 June, 1987, p. 33-37.
  • Roberts, John. "Gilbert & George: Beyound the Arches." Artscribe, November/December 1987, pp. 34-35.
  • Kent, Sarah. "Missionary Position." Time Out, July-8-15, 1987, pp. 4, 16-17.
  • Tyler, Betty. "Gilbert & George in Rigdefield." The Sunday Post, Nov. 8, 1987. pp. Dl+D6.
  • Zimmer, William. "In Ridgefield, a Collection of the New and the Notorious." The New York Times, Nov. 15, 1987, p. 40.
  • Allthorpe-Guton, Marjorie. "Spotlight: Gilbert & George." Flash Art, Nov. p. 98.
  • Shelley, James. "Declarations." Westuff/ Autumri. Bevant Roger. "The Literature of Gilbert & George." Apollo, Nov.
  • Thomas, Denis. "Double Top for Gilbert & George." EEC-Europe, Nov.

 

1986

  • Wallace & Donahue, "The Fear of Gilbert & George", Art & Text, February-April.
  • Wechsler, Max. Artforum, Review, Kunsthalle, Basel, December 1986, pp. 127, 128.
  • Nickas, Robert. "Perverted By Language", Hillwood Art Gallery, Long Island University, C.W.Post Campus, Greenvale, NY, (catalog)

 

1985

  • Salerno, Giovanni, Battista. "Gilbert, George, Samuel Beckett." Flash Art, No. 125, March.
  • Breson, Michael. "Art: Gilbert and George, Duo who Work as Solo." The New York Times, Friday, 26 April.
  • McGill, Douglas, C. "Art View: Two Artists who Probe the Meaning of Life." The New York Times, 5 May.
  • Lamoree, Jhim. "Kunst: Het Seksuele Mysterie Als Heilige Mis." Haage Post, 11 May.
  • Larson, Kay. (Review - The Guggenheim Museum), New York Magazine, May 20.
  • Indiana, Gary. "The Dark Side of Gilbert and George." Village Voice, June 4.
  • Heartney, Eleanor. "Gilbert and George." (Review - Sonnabend Gallery), Artnews, October, p. 127.

 

1984

  • Scarupa, Henry. "Gilbert and George Merge Creativity to Produce Singular Art." The Baltimore Sun, February 19.
  • Dorsey, John. "Gilbert and George: Two Artists of a Single Mind." Sun Magazine: The Baltimore Sun, February 19, p. 8 .
  • Russel, John. "Art View: London Viewed as a Landscape of Loss." The New York Times, 4 March.
  • Macritchie, Lynn. "The Believing World of Gilbert and George." Interview, Performance Magazine, April/May.
  • "English Art Team Drawn into All-American Scene", Houston Chronicle, p. 4, sec. 6, Thursday, 28 June.
  • Wilson, Mike. "Exhibit Sure to Elicit Emotions of Love, Hate, Art Director Says." The Miami Herald, Sunday, 2 September.
  • Scwan, Gary. "Norton to Host Major Art Exhibit." The Post, 9 September.
  • Wilson, Mike. "Gallery 'Gutted' for Photo Murals by British Artists." The Miami Herald, 19 September.
  • "Gilbert and George Photo Exhibition to Open at Norton." Entertainment Condo News, September 26.
  • "Exhibition Features Gilbert and George." The Lake Worth Herald September 20.
  • "A Major Exhibition at Norton Gallery: Gilbert and George." The Palm Beacher, Wednesday, September 26.
  • "Hauntingly Untraditional' Describes Norton Exhibit." Palm Beach Daily News, Wednesday, September 26.
  • Calhoun, Charles. "An Artistic Obsession with Narrative Tradition." The Palm Beach Daily News, Saturday, 29 Sept.
  • Wright, Carol. "'Gilbert and George' Duo Wants Their Artwork to Change Society." The Palm Beach Daily News, Saturday, 29 September.
  • White, Jackie. "Cookie Monster Visits Museum." News/Sun Sentinel, Bulletin Board, Saturday, 29 September.
  • Scwan, Gary. "Gilbert and George." (Review), The Post, Sunday, 30 September.
  • Donnelly, Shannon. "Art Leaves Impact Everyone's Talking about Gilbert and George." The Palm Beach Daily News, Monday, 1 October.
  • Csonka, Ariane. "Gilbert and George They'll Give You Something to Talk About." The Evening Times, Monday, 1 October.
  • "Gilbert and George at the Norton Gallery of Art", The Palm Beacher, Wednesday, 3 October.
  • Tuby, Heidi, S. "Contemporary Artists offer Stimulating Work." The News, Thursday, 4 October.
  • Kohen, Helen, L. "Two People, One Artist." The Miami Herald, Sunday, 7 October.
  • Kurtis, Arlene. "Gilbert and George: Their Art Provokes Reflection." Palm Beach Jewish World, October 12-18.
  • "Norton Reception Previews Gilbert and George Exhibition." Palm Beach Chronicle, October 12-18.
  • "A Major Exhibition at Norton Gallery: Gilbert and George." Travel Host, October 21.
  • Scwan, Gary. "Curator Overwhelmed by Art Duo from England." The Post, Saturday, October 27.
  • Schwan, Gary. "Exhibit Mending Art Gap." The New York Post, November 25.

 

1983

  • "Hunger & Thirst issue." Zien Magazine, Winter.
  • Cooper, Emanuel. "Gilbert and George, Authoritarian Fascists or Missionaries of Our Time?" Gay News, February 17.
  • Frey, Patrick. "Gilbert & George in der Fremdheit ihrer Welt." published in Jahresbericht des Basler Kunstvereins, Kunsthalle Basel 1982, February.
  • Smith, Roberta. "Gilbert & George's Modern Faith." Village Voice, May 17.
  • Becker, Robert. "Art: London's living sculpture, Gilbert & George." Interview, August.
  • Cornand, Brigitte. "Portrait:Gilbert & Georges, Allegories en chrome." Beaux Arts, September.
  • Vespa. "Gilbert & George." Gai-Pied, October 1.

 

1982

  • Moravia, Alberto. "Ma che belle statuine." L'Espresso, January 1.
  • McEwen, John. "Facades." Spectator, January 30.
  • Kent, Sarah. "Blood hard slaves of beauty." Time Out, April 9-15.
  • Hyde, Phil. "The World of Gilbert & George." Performance Magazine, March.
  • McEwen, John. "Life and Times:Gilbert & George." Art in America, May, pp. 128-135.
  • Tsuzuki, Kyoichi. "Introduction to the World of Gilbert and George." Brutus, Architectural Stylebook, June 1.
  • Van Pelt, Hilde. "Gilbert & George." Gewad, December.
  • ..."Gilbert & George in Gewad." De Standaard, December 12.

 

1981

  • Walker, Stephen. "Living with Fear and Gilbert and George." Blitz, Vol. 1, no. 4.
  • Wilson, Simon. "Modern Fears." Burlington Magazine, February.
  • Blume, Mary. "Gilbert & George, From Living Sculpture to Modern Fears." International Herald Tribune, January 31-February 1.
  • Roberts, John. "Gilbert & George at Anthony D'Offay." Artscribe, February.
  • Martin Pouret, "Art and Purity." ZG, no. 2.
  • Irmeline Lebeer,"Gilbert & George, art for all." Art Press, April.
  • Jean-Hubert Martin, "Gilbert & George, Un entretien avec Jean-Hubert Martin." published by Centre Pompidou, Paris, April.
  • Francis, Mark. "Gilbert & George, An interview with Mark Francis." Published by Whitechapel Art Gallery, London, June 1 .
  • van Mulders, Wim. "Gilbert & George: beeldhouwers." Streven, July.
  • Marcelis, Bernard. "Gilbert & George:An Itinerary." Domus, July.
  • Januszcak, Waldemar. "Making snap Judgements." The Guardian, July 4.
  • Valzey, Marina. "Gilbert and George:dandies in despair." Sunday Times, July 5.
  • Lucie-Smith, Edward. "Gilbert and George talk with Edward Lucie-Smith." BBC Radio 3, broadcast July 12.
  • Cork, Richard. "Fear and sculpting." The Standard, August 6. McRitchie, Lynn. "The Living Sculptures Look at Life."
  • Performance Magazine, September/October.
  • Burn, Gordon. "The Perfect Couple." The Sunday Times Magazine, October 18.
  • Rona, Elisabeth. "Interview:Gilbert & George." Revue d'art contemporain, October.
  • Collins, Nick. "People like Objects." Creative Camera, November.
  • Kinmonth, Patrick. "The World of Gilbert & George." British Film Institute Montly Film Bulletin, December, p. 257.
  • Brett, Guy. "Beauty & The Beast." City Limits, December 4-10.
  • Dadomo, Giovanni. "Art for All:The Gilbert and George Show." The Face, December.


1980

  • Ratcliff, Carter. "Gilbert & George and modern life." Gilbert & George 1968 to 1980 (exhibition catalogue), Van Abbemuseum, Eindhoven
  • Castel, Ted. "Gilbert & George arrive beyond alcohol and sex." Art Montly, November.
  • Beks, Maartin. "Gilbert en George enorm beeldverhaal." Eindhovens Daglad, December 6.
  • Zumbrink, Jan. "Het leven zelf als kunstvorm." Haarlems Daglad, December 11.

 

1979

  • Heyting, Lien. "Wij poetsen elke ochtend onze schoenen." N.R.C. Handelsblad, December 7.

 

1978

  • Lorber, Richard. "Gilbert & George," ArtForum, May, pp. 59-60.
  • Kousbroek, Rudy. "De bedrogen verbeelding," N.R.C.Handelsblad, March 3.
  • Ratcliff, Carter. "Down and Out with Gilbert & George." Art in America, May/June, pp. 92-93.

 

1977

  • Lucie-Smith, Edward. "Ever so Nice." Art & Artists, March, pp. 27-29.
  • Zumbrink, Jan. "Beeldhouwen met het eigen lichaam." De Ni-euwe Linie, March 30.
  • Walker, Dorothy. "Marshmallow Aesthetes." Hibernia, February 4. van Garrel, Betty. "Last ons hopen dat kunst war is." Holland Diep, March, pp. 46-47.
  • Fuchs, R.H. "Gilbert & George, Dark Shadow." Art Monthly, April.
  • Piller, Mickey. "Wij noemen alles wat we doen skuptuur,' Haage Post, April 9.

 

1976

  • Ratcliff, Carter. "The Art and Artlessness of Gilbert & George." Arts Magazine, January, pp. 54-57.
  • Haden-Guest, Anthony. "The Red Sculpture." Paris Review, Winter.
  • Roberts, Michael. "The Art of Living." Sunday Times, February 22.
  • Morris, Lynda. "Gilbert & George." The Listener, May 22.
  • Feaver, William. "Mental 'images'." The Observer, May 30.
  • Lowe, Shirley. "Gilbert & George & Us." Over 21 Magazine, 1975.
  • Bologna, Ferdinando. "Gilbert & George." Il Mattino, May 13.

 

1974

  • Collins, James. Artforum, February.
  • Elwyn, Lynn. "Gilbert & George." Art International, March 20.
  • Trini, Tomaso. "Gilbert & George the Human Sculptors." Data, Summer 1974, pp. 20-27.
  • Novak, Robert. "Singing Monuments." Farrago Literary Supplement, September 7.
  • Gordons, Gay. Times Literary Supplement,, June 21.
  • Norris, Linda. "Gilbert & George." Studio International, July/August, pp. 49-50.

 

1973

  • Hector, Chris. "They keep stiff for hours." Nation Review, August 31.
  • Brook, Donald. "Blur between art & life." Nation Review, August 31.
  • Baudson, Michael."Gilbert & George", Cles pour les arts, October, p. 13.
  • Schuldt. "L'Angelus de Milo." Art Vivant, December, pp. 9-11.
  • Blotkamp, Carel. "Gilbert & George:on Cooperation, on (cont.) Tradition." Album Amicorum J.G. van Gelder, The Hague, Niihoff, pp. 42-46
  • Lea, Vergine. "The Case of Gilbert & George." Contemporanea, June.
  • Thomas, Daniel. "Still Life on a Table." Sydney Morning, Herald, August 16.
  • Adams, Bruce. "Gilbert & George for High Tea." Sunday Telegraph, (Sidney), August 26.
  • Nicklin, Leonore. "And here Come the Living Sculpture." Sidney Morning Herald, August 14.
  • Davis, Douglas. "Living Statues." Newsweek, December 3.

 

1972

  • Zec, Donald. "The Odd Couple", Daily Mirror, September 5.
  • Seymour, Anne. "An Interview." The New Art, (exhibition catalogue), Hayward Gallery/Arts Council, London, pp. 92-95.
  • Cork, Richard. "It's G & G, always the life & Soul of the Party." Evening Standard, July 22.
  • Buhlmann, Karl. "Selbtsdarstellung als Bildsprache." Luzerner Neueste Nachrichte, May 25.
  • Tisdall, Caroline. "The greatest two-men vaudeville act in the art galleries." The Guardian, November 30.
  • Cork, Richard. "Make mine a double sculpture", Evening Standard, December 1
  • Peter Weiermair, "Gilbert stammt aus dem Grodental." Tiroler Tageszeitung, January 15
  • Germano Celant, "Gilbert & George." Domus, March, pp. 50-53


1971

  • Micheline van Lier-Lottefier, Cles pour les Arts, April, Bruxelles
  • Francis Wyndham, "Gilbert & George." Sunday Times, January 10
  • Andrew Forge, "The Paintings of John Hoyland & the Sculpture of Gilbert & George." The Listener, July 22
  • John Perreault, "Nothing Breathtaking will occur here but...." Village Voice, October 7
  • "Gilbert & George." The New Yorker, October 9
  • Barbara Reise, "Presenting Gilbert & George." Art News, November, pp. 62-65
  • Betty van Garrel, "Kunst als een vorm van leven." Haages Post," November 10,.pp. 88-91
  • Richard Cork, "This is a Photograph of Gilbert and George, Artists. It is also Something Else Again." Evening Standard, Thursday, December 9


1970

  • Caroline Tisdall, "Gilbert and George." The Guardian, November 20
  • "Singende Skulptur-Gluckliche Hauer." Der Spiegel, vol. 24, no. 45
  • Carel Blotkamp, "Der werken van Gilbert & George, soms in levende lijve." Vrij Nederland, June 13

 

1969

  • Ger van Elk, "We would honestly like to say how happy we are to be Sculptors." Museumjournaal, October, pp. 248-249

 

Catalogues and Books

 

1995

  • Buser, Thomas. Experiencing Art Around Us. West Publishing Company,St. Paul, Minnesota


1994

  • Jahn, Wolf. Gilbert & George. Museo d'Arte Moderna, Citta' di Lugano, Switzerland

 

1993

  • Photoplay, Works from The Chase Mahattan Collection, Center for the Fine Arts, Miami, FL; Museo Amparo, Puebla, Mexico; Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico; Centro Cultural Consolidado, Caracas, Venezuela; MASP/Museu de Arte de Sao Paulo, Sao Paulo, Brasil; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Museo Nacional de Bellas Artes, Santiago, Chile

 

1992

  • Kold, Anders. Andrew Wilson and Lars Morell. Gilbert & George: New Democratic Pictures, Aarhus Kunstmuseum, Arhus, Denmark

 

1991

  • Janh, Wolf. Monarchy as Democracy.
  • Farson, Daniel. With Gilbert & George in Moscow. Published by Bloomsbury, London
  • Fuchs, Rudi. The Cosmological Pictures, The Maszachuba Foundation, Krakow.
  • Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present, The Vendome Press, New York.

 

1990

  • Klokov, Sergei. The Moscow Catalogue. Published by Anthony d'Offay, London
  • Rosenblum, Robert. Twenty-Five Worlds by Gilbert & George, Published by Robert Miller Gallery, New York
  • Rosenblum, Robert. Worlds and Windows, Published by Robert Miller, New York
  • Guidieri, Remo. Eleven Worlds by Gilbert & George and Antique Clocks, Published by Desire Feuerle, Cologne, Germany
  • Gilbert & George Postcard Sculptures and Ephemera, 1969-1981, Published by Hirschl & Adler Modern, New York.

 

1989

  • Wolf, Jahn. The Art of Gilbert & George. Thames and Hudson, London, Great Britain.
  • Gilbert & George. For Aids Exhibition. Published by Anthony d'Offay, London, Great Britain.

 

1988

  • Buttner, Werner, Diego Cortez, Wolf Jahn. Gilbert & George. Published by Ascan Crone, Hamburg, Germany.


1986

  • Gilbert & George, The Complete Pictures 1971-1985, CAPC, Musee d'Art Contemporain de Bordeaux; Kunsthalle, Basel, Switzerland; Palais des Beaux Arts, Brussels, Belgium; Palacio de Velazquez, Parque del Retiro, Madrid, Spain; Stadtische Galerie im Lenbachhaus, Munich, Geramny; Hayward Gallery, London, Great Britain
  • Davvetas, Demosthenes. The Charcoal on Paper Sculptures 1970-1974. Published by CAPC/Bordeaux, France.
  • Jahn, Wolf. The Paintings 1971. Published by the Fruitmarket Gallery, Edinburgh

 

1985

  • Fuchs, Rudi. Death Hope Life Fear. Published by Castello di Rivoli, Turin, Italy
  • Fineberg, Jonathan. Art Since 1940 - Strategies of Being. Prentice Hall, New Jersey

 

1984

  • Richardson, Brenda. Gilbert & George. Published by the Baltimore Museum of Art, Baltimore, MD
  • "Gilbert & George", The Baltimore Museum of Art

 

1980

  • Ratcliff, Carter. Gilbert & George 1968 to 1980. Published by the Van Abbemuseum, Eindhoven, Germany
  • "Gilbert & George 1968 to 1980", Van Abbemuseum, Eindhoven "Explorations in the 70's", Pittsburg Plan for Art

 

1977

  • Gilbert & George. Published by Taxispalais Gallery, Innsbruck, Austria.

 

1976

  • Greenwood, Nigel. Dark Shadow. (signed-edition 2,000), published by Nigel Greenwood, London, Great Britain

 

1973

  • Catalogue For Their Australian Visit. Published by John Kaldor, Sydney

 

1972

  • The Grand Old Duke Of York. Published by Kunstmuseum, Lucerne, Switzerland
  • "The Now Art", Hayward Galleries/Arts Council, London

 

1971

  • The Paintings. Published by Kunstverein Dusseldorf, Germany.
  • Side by Side. Published by Konig Bros., Dusseldorf (edition of 600)
  • A Day in the Life of Gilbert and George. Published by Gilbert & George, London (edition of 1000)

 

1970

  • The Pencil on Paper Descriptive Works (edition 500). Published by Gilbert & George, London, Great Britain.
  • Art Notes And Thoughts. Published by Gilbert & George, London, Germany.
  • To Be With Art Is All We Ask (edition 300). Published by Gilbert & George, London, Great Britain
  • A Guide To The Singing Sculpture. Published by Gilbert & George, London, Great Britain. 

   

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